i've been trying to access the archives since early yesterday
afternoon via the link at the end of the digests but the server
apparently can't be found.
http://lists.shsu.edu/mailman/listinfo/finale
please respond privately: since i receive the digest and not
individual messages, i don't know
Jef:
An email from Henry Howey confirmed that the SHSU computer network is
down for maintenance. According to him, the archive should be back up
and running by next Monday.
The list is still functioning as normal; it's just the archive server
that is currently affected.
--
Brad Beyenhof
[EMAIL
Ralph Whitfield wrote:
[snip]
I compose music for voices, orchestra and band. I have a publishing
company that specializes in trombones and trombone ensembles.
(www.rainbowbrassmusic.com...but it's down right now...I'm looking for a
good inexpensive shopping cart for a re-vamp...anyone know
A bulk font substitution problem:
Apple used to licence the Zapf Chancery font from ITC, but starting w.
OSX, they've stopped doing that, and created a similar font called
Apple Chancery to take its place. The formerly-licensed Zapf Chancery
will not display in OSX, and cannot be opened in
Title: [Finale] mass font substitution
Andrew--
Use either the Text Search and Replace plug-in (expand the dialog for more
options)
or create a FinaleScript:
batch process folder
process subdirectories
search [Zapf Chancery] ascii character number replace [klogo]
ascii character number
www.2checkout.com is an inexpensive merchant system.
I've been using them for 2 years (I don't have much traffic or sales
volume) and have no complaints.
--
David H. Bailey
Me too. They make it possible to set up a complete, secure shopping
cart system at your website at very low cost.
Title: Re: [Finale] OT: Who are you?
Now there's two things I thought I'd never hear in the same sentence: Rock
_n_ Roll and Euphonium...
-Original Message- From: Williams,
Jimon behalf ofWilliams, Jim Sent: Mon 12/27/2004 2:41
PM To: finale@shsu.edu Cc: Subject: RE:
On Dec 29, 2004, at 3:14 AM, [EMAIL PROTECTED] wrote:
I currently live in Los Angeles and make my living as a full time
musician. Most of my income comes from being a proofreader, copyist,
midi transcriptionist and music librarian for feature films and
television. But I also compose, arrange,
I use Comersus software - http://www.comersus.com You only have to pay if
you want special program adaptations or extended functions in the
administration's web interface. There are templates available for various
types of stores. It includes linking software for several online payment
So check it out, Allen!
The chart was done on FinWin 2002 jazz font--even got at least one horn
player to swing ;-)
Jim W.
-Original Message-
From: [EMAIL PROTECTED] on behalf of Fisher, Allen
Sent: Wed 29-Dec-04 13:23
To: finale@shsu.edu;
Andrew Stiller wrote:
A bulk font substitution problem:
Apple used to licence the Zapf Chancery font from ITC, but starting w.
OSX, they've stopped doing that, and created a similar font called Apple
Chancery to take its place. The formerly-licensed Zapf Chancery will not
display in OSX, and
Dean M. Estabrook wrote:
Son of a gun ... I thought John Williams did all his own orchestration.
Learn something every day.
Dean
[snip]
I bet if you asked him, he would tell you he DOES do his own
orchestration -- meaning that he specifies which instruments play which
notes when. I doubt that
On Wed, 29 Dec 2004 16:20:57 -0500, dhbailey wrote:
[snip]
The degree of orchestration and how that affects who should get the
actual credit is one that I am sure there isn't much consensus on, with
the actual composers claiming one thing and the orchestrators claiming
another.
Somewhere
Actually, I'd love to see one of John Williams' (or maybe Howard Shore's)
sketch scripts. How much orchestrating do they really do? In the case of
John Williams, I think he does quite a bit since he has made a living by
borrowing orchestrations from Romantic and Modern concert music. In the film
At 12:14 AM -0800 12/29/04, [EMAIL PROTECTED] wrote:
P.S. to John Howell...my mother hails from Radford. I can remember
going to Blacksburg many times as a child with my mother and
grandmother.
Ever catch a New Virginians show, Karen? I directed the group and
produced the shows starting in
On Wed, 29 Dec 2004 16:23:56 -0500, dhbailey wrote:
You said that you charge more (much more) for this sort of
midi-file-to-orchestration work than for other similar work (I assume
that would mean paper sketch to full orchestration engraved with finale)
so my question back to you, what does
Brad Beyenhof wrote:
On Wed, 29 Dec 2004 16:23:56 -0500, dhbailey wrote:
You said that you charge more (much more) for this sort of
midi-file-to-orchestration work than for other similar work (I assume
that would mean paper sketch to full orchestration engraved with finale)
so my question back to
dhbailey / 04.12.29 / 04:14 PM wrote:
Allen Fischer gave you a couple of things to try -- how about simply
renaming your KLOGO font to be the same as the name of the Zapf Chancery
font file?
I don't claim I know font in OSX, but font is recognized by fontID
instead of name in general.
--
Dean M. Estabrook / 04.12.29 / 02:32 PM wrote:
Son of a gun ... I thought John Williams did all his own orchestration.
I play in a same orchestra with one who used to be a ghost writer of his.
I don't think I can say the name in public without permission. I can
tell you the name of the
On Dec 29, 2004, at 4:23 PM, dhbailey wrote:
You said that you charge more (much more) for this sort of
midi-file-to-orchestration work than for other similar work (I assume
that would mean paper sketch to full orchestration engraved with
finale) so my question back to you, what does it matter
Very interesting ... I was unaware of the complex relationship between
composer/arr./orchestrator. Now I'm thinking, did any of the Great
composers farm out their work to orchestrators, e.g., Beethoven,
Mozart, etc..?
Dean
On Dec 29, 2004, at 1:20 PM, dhbailey wrote:
Dean M. Estabrook wrote:
On 29 Dec 2004 at 16:44, Dean M. Estabrook wrote:
Very interesting ... I was unaware of the complex relationship between
composer/arr./orchestrator. Now I'm thinking, did any of the Great
composers farm out their work to orchestrators, e.g., Beethoven,
Mozart, etc..?
I'm unaware of any
I notice that most responders seem to have overlooked this sentence in your
post:
Unfortunately, merely
switching fonts won't do, as the K needs to be both repositioned and
resized after the substitution.
Since you have made a new font character anyway, can you simply design that
character so
A-NO-NE Music wrote:
dhbailey / 04.12.29 / 04:14 PM wrote:
Allen Fischer gave you a couple of things to try -- how about simply
renaming your KLOGO font to be the same as the name of the Zapf Chancery
font file?
I don't claim I know font in OSX, but font is recognized by fontID
instead of name
Christopher Smith wrote:
On Dec 29, 2004, at 4:23 PM, dhbailey wrote:
You said that you charge more (much more) for this sort of
midi-file-to-orchestration work than for other similar work (I assume
that would mean paper sketch to full orchestration engraved with
finale) so my question back to
Dean M. Estabrook wrote:
Very interesting ... I was unaware of the complex relationship between
composer/arr./orchestrator. Now I'm thinking, did any of the Great
composers farm out their work to orchestrators, e.g., Beethoven,
Mozart, etc..?
Beethoven, Mozart and the other giants of the
Interesting new thread...
Though not considered to be one (or two) of the
'great' ones, there was that very interesting relationship between Liszt and
Raff; the young Raff was amanuensis to the older man and the whelp claimed (at
least) he had orchestrated some of Liszt's symphonic poems
Fisher, Allen wrote:
Now there's two things I thought I'd never hear in the same sentence:
Rock _n_ Roll and Euphonium...
Heh. If you listen closely, the brass in the Tower of Power chart Just
another day are cornet and baritone. With the proper musicians,
*anything* is possible. :)
cd
Carl Dershem wrote:
Fisher, Allen wrote:
Now there's two things I thought I'd never hear in the same sentence:
Rock _n_ Roll and Euphonium...
Heh. If you listen closely, the brass in the Tower of Power chart Just
another day are cornet and baritone. With the proper musicians,
*anything* is
At 12:14 AM -0800 12/29/04, [EMAIL PROTECTED] wrote:
P.S. to John Howell...my mother hails from Radford. I can remember
going to Blacksburg many times as a child with my mother and
grandmother.
Ever catch a New Virginians show, Karen? I directed the group and
produced the shows starting in
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