Bob,1/3 of the way down on the right of the Define Staff Styles dialog box, under the two "position" boxes for staff name and abbreviated staff name, there are two boxes marked "select". The lower one is next to and associated with the transposition box.Hope this helps you.ChuckOn Jan 9, 2006, at
Title: Re: [Finale] slashes
As John Blane said, what he really wants
is to click the "Transposition" box until the *horizontal
line* (not checkbox) appears, which means "This staff style will
leave any existing transposition alone."
>>>
W
Oops, my bad, as the song goes.ChuckOn Jan 9, 2006, at 4:36 PM, Darcy James Argue wrote:Hi Chuck,I'm afraid you've inadvertently given Bob incorrect advice. If he chooses "None" for transposition, applying the slashes will *cancel* the transposition for his staff, which is precisely the problem he'
Hi Chuck,I'm afraid you've inadvertently given Bob incorrect advice. If he chooses "None" for transposition, applying the slashes will *cancel* the transposition for his staff, which is precisely the problem he's having now. As John Blane said, what he really wants is to click the "Transposition" b
Staff menu/define staff styles. Then scroll through the styles at the top of the window until you get the slash styles. Then look for transposition on the right, click select - chooses - "none". That should do it.ChuckOn Jan 9, 2006, at 3:43 PM, Bob Florence wrote: In a message dated 1/9/06 2:28
Title: Re: [Finale] slashes
In a
message dated 1/9/06 2:28:39 PM, [EMAIL PROTECTED] writes:
When I enter slashes from alternate notation, The key signature on
transposing parts reverts to concert.
Any ideas?
I had a similar experience this weekend. Go into the definition for
the slash notati
I have one of these machines. It is best for parts, not scores,
primarily because it doesn't do well with more than, say 10 or 12
pieces of paper.
I have used it on larger scores but the pages often rip out in the
hands of a conductor.
I think its most practical use is with the orchestra libraria
Aaron Sherber wrote:
At 02:01 PM 1/9/2006, dhbailey wrote:
>Somewhere there is a "load GPO only at playback time" although for the
>life of me I can't find it now that I'm trying to tell you about it.
>
>I did see it once, I swear, but that was in 2006b. Then I downloaded
>2006c and I can'
David W. Fenton wrote:
That didn't say that all functionality is available without a mouse
I still maintain that all functionality (if not all ease-of-use) in
Windows and in other Microsoft software IS available without a mouse
___
Finale mailin
On 9 Jan 2006 at 7:15, Phil Daley wrote:
> At 1/9/2006 06:59 AM, Owain Sutton wrote:
> The point is that *Windows*, and
> Windows-certificated software, can be >used with a keyboard alone.
> Third-party software which does not follow >MS's specifications
> (probably a deliberate decision in t
In a message dated 1/9/06 2:28:39 PM, [EMAIL PROTECTED] writes:
When I enter slashes from alternate notation, The key signature on
transposing parts reverts to concert.
Any ideas?
I had a similar experience this weekend. Go into the definition for the slash notation staff style and UNcheck t
At 03:20 PM 1/9/2006, Martin Banner wrote:
>Is this primarily for 2 sheets of music, or can this be used to bind a
>score, rather than using the plastic spiral binding?
I don't have one, but I think that the opinion of some listers who do
was that it was fine for some small number of sheets (<1
In a message dated 1/9/06 2:24:51 PM, [EMAIL PROTECTED] writes:
When I enter slashes from alternate notation, The key signature on
transposing parts reverts to concert.
Any ideas?
I had a similar experience this weekend. Go into the definition for the slash notation staff style and UNcheck the
Hi All:
When I enter slashes from alternate notation, The key signature on
transposing parts reverts to concert.
Any ideas?
Bob Florence
Mac G5, 10.4.3 Finale 2006c
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Is this primarily for 2 sheets of music, or can this be used to bind a
score, rather than using the plastic spiral binding?
Martin
On Jan 9, 2006, at 3:06 PM, Aaron Sherber wrote:
At 02:53 PM 1/9/2006, [EMAIL PROTECTED] wrote:
>I know this item has been discussed on this list and I neglected
At 02:53 PM 1/9/2006, [EMAIL PROTECTED] wrote:
>I know this item has been discussed on this list and I neglected to
>write down the details. What the name of the machine that tapes pages
>together and where can I get one?
I think you're talking about the VPC binding machine, which has been
discu
At 4:45 AM -0500 1/9/06, Kim Patrick Clow wrote:
Does anyone know the dimensions of Barenreiter's Urtext Editions,
e.g. their Mozart, or Bach, or Telemann editions?
Would it be difficult for a copy shop to print on paper that is
similiar in that dimension?
Can't answer your questions, but can
VPC Tape Binding System
http://www.vpcinc.com/Products/tape_binding.htm
(is that the one you're looking for?)
-Carolyn
On 1/9/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
> I know this item has been discussed on this list and I neglected to write
> down the details. What the name of the mac
Yes, well that's ONE of the reasons I like Barenreiter's layout, large and roomy margins.
But I assumed that was partly due to the layout design, and to allow ample room in the margins
for notes and comments.
On 1/9/06, John Howell <[EMAIL PROTECTED]> wrote:
At 4:45 AM -0500 1/9/06, Kim Patrick Cl
I know this item has been discussed on this list and I neglected to write down the details. What the name of the machine that tapes pages together and where can I get one? Thanks in advance for your help.
David McDonald
MacMusic, Inc.
Freelance Music Services
(405) 514-3933
[EMAIL PROTECTED]
At 02:01 PM 1/9/2006, dhbailey wrote:
>Somewhere there is a "load GPO only at playback time" although for the
>life of me I can't find it now that I'm trying to tell you about it.
>
>I did see it once, I swear, but that was in 2006b. Then I downloaded
>2006c and I can't find it.
I don't think i
I am dealing with this now, too.
It doesn't matter what settings I use in the piano score (GPO on,
softsynth, quicktime, or external periperhals), if I play that score
and switch back to full score, all of the GPO channels reload when I
play it.
I don't think this is a problem with the manual, bu
At 01:16 PM 1/9/2006, Gerald Berg wrote:
>Is there a way to have Garritan not load every time?
Make sure you have the latest (2006c) update. This was something
which was changed in 2006b, I believe. Now the instruments are only
supposed to load when you do playback.
Under the MIDI menu, you
Gerald Berg wrote:
Is there a way to have Garritan not load every time?
Here's a good example where the pdf manual proves worthless.
2 scores open - 1 score a piano reduction--- the other full orchestra.
Wishing to check something against the other if I click back and forth
between the sco
Does it not only load if you playback? I've just switched between
Garritan and non-Garritan files with no problems at all.
If checking involves playback, uncheck the "play Finale through native
instruments" under the midi menu.
Apologies if this is not what you mean.
All the best,
Law
Is there a way to have Garritan not load every time?
Here's a good example where the pdf manual proves worthless.
2 scores open - 1 score a piano reduction--- the other full orchestra.
Wishing to check something against the other if I click back and forth
between the scores the Garritan in
thanks for the advice so far -no permanent fix yet - the save as works
tho' - yes, it's a finale temp file - sorry for not making it more
clear - TC
On Jan 9, 2006, at 8:04 AM, A-NO-NE Music wrote:
Christopher Smith / 2006/01/09 / 06:59 AM wrote:
Not if he has designated the Desktop to be
Christopher Smith / 2006/01/09 / 06:59 AM wrote:
>Not if he has designated the Desktop to be the temp file directory, as
>was suggested on list here some time before.
I believe he was talking about OS temp instead of Finale temp, no?
--
- Hiro
Hiroaki Honshuku, A-NO-NE Music, Boston, MA
Phil Daley wrote:
At 1/9/2006 06:59 AM, Owain Sutton wrote:
>dhbailey wrote:
>> Phil Daley wrote:
>> [snip]
>>
>>> >
>>> >I, for one, am perfectly capable of using Windows with no mousing at
>>> >all.
>>>
>>> You must never use a "drawing" program, some programs will not work
>>>
At 1/9/2006 06:59 AM, Owain Sutton wrote:
>dhbailey wrote:
>> Phil Daley wrote:
>> [snip]
>>
>>> >
>>> >I, for one, am perfectly capable of using Windows with no mousing at
>>> >all.
>>>
>>> You must never use a "drawing" program, some programs will not work
>>> without a mouse.
>>>
>>
>> I ha
I would suggest to make a "save as.." with a different name before
tragedy strikes and you loose the possibility of even opening your file
again.
gr
tim-cates wrote:
hey guys and gals! need some help - any clues on a -5000 error when
trying to save? (Fin2005b/mac os 10.3.9) - have also notic
dhbailey wrote:
Phil Daley wrote:
[snip]
>
>I, for one, am perfectly capable of using Windows with no mousing at
>all.
You must never use a "drawing" program, some programs will not work
without a mouse.
I have no idea how to use Finale without a mouse, let alone a drawing
program.
On Jan 8, 2006, at 11:58 PM, A-NO-NE Music wrote:
tim-cates / 2006/01/08 / 11:42 PM wrote:
hey guys and gals! need some help - any clues on a -5000 error when
trying to save? (Fin2005b/mac os 10.3.9) - have also noticed (and
deleted) a temporary save file on my desktop couldn't find
anyt
Phil Daley wrote:
[snip]
>
>I, for one, am perfectly capable of using Windows with no mousing at
>all.
You must never use a "drawing" program, some programs will not work
without a mouse.
I have no idea how to use Finale without a mouse, let alone a drawing
program.
--
David H. Bailey
At 1/8/2006 03:51 PM, David W. Fenton wrote:
>On 8 Jan 2006 at 20:40, Owain Sutton wrote:
>
>> David W. Fenton wrote:
>> > On 7 Jan 2006 at 22:30, Aaron Sherber wrote:
>> >
>> >>At 10:19 PM 1/7/2006, David W. Fenton wrote:
>> >> >On 7 Jan 2006 at 19:40, Aaron Sherber wrote:
>> >> >> Hmm, not sure
Does anyone know the dimensions of Barenreiter's Urtext Editions, e.g. their Mozart, or Bach, or Telemann editions?
Would it be difficult for a copy shop to print on paper that is similiar in that dimension?
Any guesses on the fonts that Barenreiter uses for their text in the
forwards to their edi
Johannes is absolutely right -- a very large "lift" value is crucial,
and of course the "initial adjustment" needs to be lift, not stretch.
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
On 09 Jan 2006, at 2:56 AM, Johannes Gebauer wrote:
On 09.01.2006 Andrew
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