Bill,
Like I said earlier, the music I am talking about is not complicated.
When it does get complicated, of course I use separate staves for
soloists and chorus. It's certainly got nothing to do with laziness,
either, as I'm being paid by the hour, here. The situation I am
talking about
A few more not mentioned so far:
Biber wrote a very famous Passacaglia for unaccompanied violin, the final
part of the Rosary Sonatas.
There is a quite substantial one by Antonio Bertali for violin and
continuo(John Holloway has recorded this).
Andrea Falconiero's Il Primp Libro di Canzone,
I have no idea why this is even a question. Make a separate staff for the
soloist, and then indicate "go get coffee" or something when she doesn't
sing. I am opposed to anything that is too accedemic for
"musically-challanged" chorus members to digest. I am not that financially
well-endowed to p
In choral music I've seen, it's been more or less a non-issue, since
each part has a separate staff (or at least a separate line on a staff -
stems up / stems down). The soloist is also broken out as a separate
staff. If the soloist is from a particular part (for example, a single
tenor from th
Thanks, Chuck. Is there a website with more information?
Thanks,
Brennon
On 2/27/06 8:00 PM, "Chuck Israels" <[EMAIL PROTECTED]> wrote:
> I seem to be singing the same old song but, at the risk of becoming
> annoying with this, Bill Duncan's new articulation font set has left,
> right, up, and
I seem to be singing the same old song but, at the risk of becoming
annoying with this, Bill Duncan's new articulation font set has left,
right, up, and down arrowheads designed to be used for this, and they
look good to me.
Some of Bill's things have become so much a part of the look of my
Speaking of arrowheads, has anyone found an arrowhead to work as a direction
indicator for rolled-chord markings? I have made my own triangle to stick
on the top of the default rolled-chord articulation, but is there no way to
have it automatically placed?
--Brennon
On 2/27/06 9:53 AM, "Eric D
Your client surely can't find fault with that.JohnOn 28 Feb 2006, at 02:19, Darcy James Argue wrote:How about just "Solo" and "Chorus"? ___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On 27 Feb 2006, at 9:08 PM, John Bell wrote:
In a Call and Response situation, solo and gli altri seems to me
to be very clear.
So would I, but apparently my client does not.
There are also passages where the soloist sings a moving line with
simple choral backgrounds, both on the same st
I would have thought that in most cases the soloist's discretion
would be sufficient, with consideration of how soon their next solo
passage is etc. If there is some particular reason to suppress the
soloist then you may have to resort to a specific instruction such as
tutti (solo tacet). I
At 08:55 PM 2/27/2006, Noel Stoutenburg wrote:
>That's what I thought. Problem is, I can't remember how to hide the
>layer so that it plays back.
Options | Document Options | Layers. For your designated playback
layer, check 'Hide layer when inactive' and 'Playback', and uncheck
'Affects music
Really? So how do you differentiate passages that are to be sung by
_all_ (including the soloist)?
In orchestral work, "gli altri" or "the rest" = "everyone but the
soloist," which is not the same as "tutti." My client doesn't seem to
think "the rest" is clear enough, but I still need a goo
dhbailey wrote:
someone suggested TGTools, but you can accomplish the same thing by
putting the actual playing notes in a different layer and then hide
that layer and be sure that music spacing doesn't take hidden layers
into account.
That's what I thought. Problem is, I can't remember ho
Tutti
Martin
On Feb 27, 2006, at 8:28 PM, Darcy James Argue wrote:
A question:
What is the standard indication, in works for SATB chorus, that a
passage is to be sung by everyone except the soloist (when, e.g., the
soprano soloist shares a staff with the rest of the sopranos)?
- Darcy
--
A question:
What is the standard indication, in works for SATB chorus, that a
passage is to be sung by everyone except the soloist (when, e.g., the
soprano soloist shares a staff with the rest of the sopranos)?
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
I don't believe so. There are many OS X applications that only
appeared after 10.2, and required 10.2. The MIDI/audio system was
completely different in 10.1, and so I don't believe Finale ever
supported that OS.
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
Does any version of Finale run on 10.1? I seem to recall that Fin04
would not run on anything earlier than 10.2.
--
Robert Patterson
http://RobertGPatterson.com
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On 27 Feb 2006 at 9:22, dc wrote:
> David W. Fenton écrit:
> > (all on one
> >line):
> >
> >http://www.dfenton.com/Collegium/Musick-Musik/10-
> >Nicolai%20Sonata%20in%20a%20minor.mp3
> >
> >If that link is problematic, go to:
>
> If you put your link in corner brackets, it should stay in one pie
On 26 Feb 2006 at 22:18, Dennis Bathory-Kitsz wrote:
> Here's an image:
> http://maltedmedia.com/images/clow.jpg
Well, I'm going to disagree on this. I think this is not a case of
intending a tuplet at all, and if it were, it's difficult to say what
is meant by it, whether 5 32nds in the time o
Have you looked at chapter 25 in the Finale manual? If you follow the
tutorials in there, you can do exactly what you want.
Dragos Oltean wrote:
I want to make a custom line with arrow to end point.
In smart line designer window I have preset arrowhead. I like number
3., but is small for me.
I
John, it was an effort at some humor in the sad case that bird flu has been
found near Lyon.
Tim
on 2/26/06 8:10 PM, John Howell at [EMAIL PROTECTED] wrote:
> OK, I seem to have missed the antecedent post, so none of this makes
> any sense! Could someone enlighten me (preferably off list)?
>
Didos' Lament from Purcell's "Dido and Aeneas".
From: Andrew Stiller <[EMAIL PROTECTED]>Reply-To: finale@shsu.eduTo: finale@shsu.eduSubject: Re: [Finale] VERY OT: Chaconnes and PassacagliasDate: Mon, 27 Feb 2006 11:49:07 -0500>>On Feb 26, 2006, at 3:06 PM, Ryan Beard wrote:>>>Cool. Thanks
At 11:04 PM -0800 2/25/06, Ryan Beard wrote:
Hi All,
Hoping you can help me by contributing to the
following list of chaconnes and passacaglias currently
in my iTunes library. I would love to know about any
classical piece or movement of a larger work that has
a ground bass. Even if just a porti
OK, I seem to have missed the antecedent post, so none of this makes
any sense! Could someone enlighten me (preferably off list)?
John
At 11:43 PM + 2/25/06, John Bell wrote:
and Ma Mere l'Oye of course.
On 25 Feb 2006, at 17:29, John Bell wrote:
Also the works of Byrd and Birtwhistl
On Feb 26, 2006, at 3:06 PM, Ryan Beard wrote:
Cool. Thanks all. Keep them coming.
Frescobaldi: Cento partite sopra passacagli
Andrew Stiller
Kallisti Music Press
http://home.netcom.com/~kallisti/
___
Finale mailing list
Finale@shsu.edu
http://li
Sounds like the settings for one of the brackets (I'm guessing the piano
brace) is messed up in document options. You could try loading a
document options library in a *copy* of the file (this will blow away
any customizations you've made to doc opts...) and see if it clears it
up...
-Original
Thanks Darcy
Just the thing!
Jerry
On 26-Feb-06, at 6:57 PM, Darcy James Argue wrote:
Jerry,
Sibleius does not support importing Finale 2005/Finale 2006 files via
ETF.
Use MusicXML.
- Darcy
-
[EMAIL PROTECTED]
http://secretsociety.typepad.com
Brooklyn, NY
On 26 Feb 2006, at 3:29
Goehr Symphony with Chaconne
On 2/26/06 1:00 PM, "[EMAIL PROTECTED]" <[EMAIL PROTECTED]>
wrote:
> Hi All,
>
> Hoping you can help me by contributing to the
> following list of chaconnes and passacaglias currently
> in my iTunes library. I would love to know about any
> classical piece or moveme
Noel Stoutenburg wrote:
Friends:
I have a friend who is still laboring with WINFin 2k, and who responds
to suggestions to upgrade in ways which reduce to "if it ain't broke
don't fix it". He has run up against a question that I thought I knew
the answer to, but which is presently eluding me,
I want to make a custom line with arrow to end point.
In smart line designer window I have preset arrowhead. I like number 3.,
but is small for me.
In custom arrowhead designer, i want to import a graphic, but the tool
for import graphic is disabled. Why? In Shape Designer Menu, arrowhead
is di
Thanks to all. The solutions
are goods.
Dragos
Owain Sutton wrote:
It
is possible to use a different notehead font, using staff styles.
Create a new staff style, with an independent notehead font, and apply
this to the notes in questino (using 'Select Partial Measures' if
necessary).
It is possible to use a different notehead font, using staff styles.
Create a new staff style, with an independent notehead font, and apply
this to the notes in questino (using 'Select Partial Measures' if
necessary).
bill wrote:
Hi Dragos,
Not yet, as far as I know. That is a much-needed
Dragos Oltean wrote:
I use Maestro font for engraving music.
I want change a note head but with other font, not Maestro. It's
possible?
Michael suggested the Notehead position tool, which works; the Note
shape tool (the one with an "x" notehead) works too. The same dialog
box is apparentl
Hi Dragos,
Not yet, as far as I know. That is a much-needed fix. Can I ask what
notehead you are trying to get to work? It is my guess that it might be a
rhythmic notation note head that always offsets vertically incorrectly. I
finally gave up with fighting that and made my own fonts. You can
Yes, you can change the font for a notehead. It's done, strange to say,
with the "Notehead Positioning Tool" (special tools). Select the
measure with this tool and double-click the handle of the notehead you
wish to change: you'll get the "Notehead Settings" dialog which has an
option for chang
35 matches
Mail list logo
