Re: [Finale] Making a text line transmit to all parts (?)

At 08:23 PM 6/1/2006, [EMAIL PROTECTED] wrote: >I have a line of text that I want to appear on all the parts when I >extract them. For example "Take CODA after 2nd ending." or "Guitar >solo - 16 bars" > >How do I do that? Is the Expression tool the only way? I would say the Expression tool is th

Re: [Finale] Another playback tip

At 8:44 PM -0500 6/1/06, Randolph Peters wrote: Problem: As my file got bigger and more complex, Human Playback would sometimes neglect to play trills and tremolos in the score. Solution: In HP Preferences (Playback Controls) change "Anticipate continuous data by..." to a larger value. I chang

[Finale] Another playback tip

Problem: As my file got bigger and more complex, Human Playback would sometimes neglect to play trills and tremolos in the score. Solution: In HP Preferences (Playback Controls) change "Anticipate continuous data by..." to a larger value. I changed my number from 5 to 10 millisec and all was f

Re: [Finale] Re: Finale Digest, Vol 35, Issue 1

[EMAIL PROTECTED] wrote: << Subject: Re: [Finale] Layout for ABA form "There's really only two types of music: good and bad." ~ Rossini "There's no bad music. Except Hawaiian" ~ Pete Barbudi. This from a guy who played the BROOM? >> I've never heard anyone play the broom better than h

[Finale] Re: Finale Digest, Vol 35, Issue 1

<< Subject: Re: [Finale] Layout for ABA form >> "There's really only two types of music: good and bad." ~ Rossini > "There's no bad music. Except Hawaiian" ~ Pete Barbudi. This from a guy who played the BROOM? >> I've never heard anyone play the broom better than him!! He even included the use

[Finale] Making a text line transmit to all parts (?)

Dear Finale;   I have a line of text that I want to appear on all the parts when I extract them. For example "Take CODA after 2nd ending." or "Guitar solo - 16 bars"   How do I do that? Is the _expression_ tool the only way?   Thanks; Bill Sinclair _

Re: [Finale] Layout for ABA form

On 1 Jun 2006 at 18:25, John Howell wrote: > At 5:24 PM -0400 6/1/06, David W. Fenton wrote: > > > >Well, why is it that sometime between 1770 and 1790, all composers > >started becoming substantially more specific in notating dynamics and > >articulations than they were before? [snip] > > > >All

Re: [Finale] Layout for ABA form

At 5:24 PM -0400 6/1/06, David W. Fenton wrote: Well, why is it that sometime between 1770 and 1790, all composers started becoming substantially more specific in notating dynamics and articulations than they were before? [snip] All we know is that for some reason, it began to be specified. My

Re: [Finale] Layout for ABA form

David Fenton wrote: "Well, why is it that sometime between 1770 and 1790, all composersstarted becoming substantially more specific in notating dynamics andarticulations than they were before? Does the absence of the explicit performance indications mean that they played the music straight,with no

Re: [Finale] Layout for ABA form

On 1 Jun 2006 at 14:53, Johannes Gebauer wrote: > But then why did Boccherini, and later Beethoven, specifically > indicate "senza repetitione"? This is precisely the question, and we > are now turning around in circles. Well, why is it that sometime between 1770 and 1790, all composers started

Re: [Finale] instrumental clefs

On 31 May 2006 at 23:12, John Howell wrote: > It is not an easy question, and there is not a single easy answer, but > I would tend to stick with the vocal clefs and to avoid C-clefs unless > I am specifically writing for viola. I would also give the > instrumentalists full choral scores unless t

Re: [Finale] [Finale Win 2k5b] how to copy only content of level2 of a staff into level 2 of another staff?

Thanks, Scott. I tried the same thing and but I just wanted to raise the question and see if Finale had hidden it somewhere. - Don on 6/1/06 2:15 PM, Scot Hanna-Weir at [EMAIL PROTECTED] wrote: > On 6/1/06, Don Hart <[EMAIL PROTECTED]> wrote: > >> While I'm at it, does anyone know a mac kbd co

Re: [Finale] [Finale Win 2k5b] how to copy only content of level2 of a staff into level 2 of another staff?

I have QuicKeys but haven't programmed that macro yet because I don't use "show active layer only" that much. I might use it more often if I had the macro, though. Don Hart on 6/1/06 2:05 PM, Johannes Gebauer at [EMAIL PROTECTED] wrote: > On 01.06.2006 Don Hart wrote: >> While I'm at it, does

RE: [Finale] External Numeric keypad - FinWin

Have checked Belkin's web site and there are no separate drivers for the device.. They rely on the inbuilt windows ones. Oh well that is life I guess. Real pain in the rear end.. Wonder if it works fine with Sibelius ;-) Steve -Original Message- From: Dennis Bathory-Kitsz [mailto

Re: [Finale] [Finale Win 2k5b] how to copy only content of level2 of a staff into level 2 of another staff?

On 6/1/06, Don Hart <[EMAIL PROTECTED]> wrote: While I'm at it, does anyone know a mac kbd command for this option, like the one David pointed out on the windows side? Don, There's none listed in the manual or under the menu where it resides, and after trying a lot of "logical" combination

Re: [Finale] [Finale Win 2k5b] how to copy only content of level2 of a staff into level 2 of another staff?

On 01.06.2006 Don Hart wrote: While I'm at it, does anyone know a mac kbd command for this option, like the one David pointed out on the windows side? I don't think there is one, but anyone who uses Finale without a macro application like iKey is wasting time. Johannes -- http://www.musikma

Re: [Finale] [Finale Win 2k5b] how to copy only content of level2 of a staff into level 2 of another staff?

I agree with you on this, David. I still always seem to stumble over finding this item. And from the error in the translated documentation that Marcello pointed out, it looks as if MM is confused as well. It's one thing to muck up the UI by placing something in a questionable menu, and another t

[Finale] A-NO-NE MIDI CC Finder is out

Apology for cross posting. A-NO-NE MIDI CC Finder Dashboard Widget is out. From Apple site: Or A-NO-NE Site: If you are not using Mac OS X 10.4 or higher, you can still download HTML

Re: [Finale] 1st ending repeat problem

Lawrence David Eden wrote: I have been revising an arrangement that I did several years ago. The original file was created with Finale 3.5.2 and now I use Fin 2K3a on a Mac G3. I'll admit that I'm completely in the dark here; I don't use MAC's, and I'm not sure I've ever _seen_ 3.5.2! I al

Re: [Finale] Layout for ABA form

Scot Hanna-Weir wrote: David Bailey wrote: And this discussion is great proof that in 200 years, when people dig out the music of the Duke Ellington or Stan Kenton or Count Basie orchestras, there will be a whole PhD dissertation war on whether the 8ths should be swung or straight, and what deg

Re: [Finale] Layout for ABA form

David Bailey wrote: And this discussion is great proof that in 200 years, when people dig out the music of the Duke Ellington or Stan Kenton or Count Basie orchestras, there will be a whole PhD dissertation war on whether the 8ths should be swung or straight, and what degree of swing they should

Re: [Finale] Layout for ABA form

On 01.06.2006 dhbailey wrote: Unless there was no confusion because the practice of omitting the repeats on the D.C. was so widely known that everybody did it and nobody ever got confused. :-) But then why did Boccherini, and later Beethoven, specifically indicate "senza repetitione"? This

Re: [Finale] 1st ending repeat problem

On Jun 1, 2006, at 5:44 AM, Lawrence David Eden wrote: Fellow Listers, I have been revising an arrangement that I did several years ago. The original file was created with Finale 3.5.2 and now I use Fin 2K3a on a Mac G3. During my revision, I deleted several sections of the music and chan

Re: [Finale] [Finale Win 2k5b] how to copy only content of level2 of a staff into level 2 of another staff?

themark wrote: Marcello Noia wrote: I searched in the manual but could not find a clue. I have two staves: in the first one there is music both in level 1 than level 2; in the second one there is music only in level 1 Can I copy only level 2 of staff 1 into level 2 of staff 2 without deleting

Re: [Finale] [Finale Win 2k5b] how to copy only content of level2 of a staff into level 2 of another staff?

> Marcello Noia wrote: > > I searched in the manual but could not find a clue. > > > > I have two staves: > > > > in the first one there is music both in level 1 than level 2; > > in the second one there is music only in level 1 > > > > Can I copy only level 2 of staff 1 into level 2 of staff 2 wi

Re: [Finale] [Finale Win 2k5b] how to copy only content of level 2 of a staff into level 2 of another staff?

Marcello Noia wrote: I searched in the manual but could not find a clue. I have two staves: in the first one there is music both in level 1 than level 2; in the second one there is music only in level 1 Can I copy only level 2 of staff 1 into level 2 of staff 2 without deleting its level

[Finale] [Finale Win 2k5b] how to copy only content of level 2 of a staff into level 2 of another staff?

I searched in the manual but could not find a clue.   I have two staves:   in the first one there is music both in level 1 than level 2; in the second one there is music only in level 1   Can I copy only level 2 of staff 1 into level 2 of staff 2 without deleting its level 1?   I ask this be

Re: [Finale] Layout for ABA form

Johannes Gebauer wrote: On 31.05.2006 Andrew Stiller wrote: It seems to me that until about 1800 or a little later repeats were _normally_ done in the Da Capo However, I have yet to see a performing part from that period where anyone made a note of not playing repeats in the Da Capo. I c

[Finale] 1st ending repeat problem

Fellow Listers, I have been revising an arrangement that I did several years ago. The original file was created with Finale 3.5.2 and now I use Fin 2K3a on a Mac G3. During my revision, I deleted several sections of the music and changed some of the parts. The Problem: one of my first end