Keith,
try this: http://www.musipedia.org/
Best wishes,
Michael Cook
On 14 Jun 2006, at 07:32, keith helgesen wrote:
Having had no reply or comment on this query (originally sent a few
days ago) I can only assume it either didn’t get posted- or nobody
really wants to talk to me!
It
Here's another one:
http://www.melodyhound.com/index.html
At 6/14/2006 02:39 AM, Michael Cook wrote:
try this: http://www.musipedia.org/
On 14 Jun 2006, at 07:32, keith helgesen wrote:
Recently there was a very entertaining request for identification
of a melody- (I got the melody, but
No one has mentioned this here, so I thought I would pass the word. Ligeti
passed away on Monday. The details are at this link:
http://www.schott-music.com/news/komponistennews/show,3336.html
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Music engravings have a lot of curves and shapes that have curved edges. Since most laser jet printers are 1200 DPI.I assumed when I created a PDF, I should opt for the highest possible quality setting (printer's quality); and picked 1200 DPI.
But the publisher I sent the file to mentioned that
This works just fine, but it's just another step... Is this just a bug that
I have to use a workaround for?
On 6/13/06 10:11 PM, Scot Hanna-Weir [EMAIL PROTECTED] wrote:
Brennon,
Have you attempted printing a postscript file and then distilling instead?
On 6/13/06, Brennon Bortz
A highly laudatory and perceptive AP obituary ran today in the
Philadelphia Inquirer and, I assume, many other papers. I found myself
touched that the Inquirer referred readers to its website, where they
have put up samples of Ligeti's music.
Andrew Stiller
Kallisti Music Press
Kim Patrick Clow wrote:
Music engravings have a lot of curves and shapes that have curved
edges. Since most laser jet printers are 1200 DPI.
I assumed when I created a PDF, I should opt for the highest possible
quality setting (printer's quality); and picked 1200 DPI.
But the publisher I
I suppose if it crashes the program it most certainly is...we should report.
-Scot
On 6/14/06, Brennon Bortz [EMAIL PROTECTED] wrote:
This works just fine, but it's just another step... Is this just a bug that
I have to use a workaround for?
On 6/13/06 10:11 PM, Scot Hanna-Weir [EMAIL
Thanks to Phil and Michael.
I will work on this.
Very different from my image of 'pre-computer' system!
I visualised an old man sat in a room with masses of index cards.
Music was broken down to something like 5-1-1--71-3-3-2-5-etc (in
quaver=220) = (Hark the herald angels sing) Then somehow he
I'm not getting part of this discussion.
Aren't PDFs created from Finale files (not scans) just mathematical
equations describing the lines and curves? So they will retain the
exact same resolution no matter what? So any discussions of DPI are not
germane to the topic, as they have no effect
Well, I've been having problems using the built-in PDF engine in OS X--a
whole slew of them, actually. Sometimes it crashes Finale altogether (lost
quite a bit of work that way, once), and I consistently have problems
getting all the fonts packaged into the PDF.
Also, there are so few options
I'm not getting part of this discussion.
Aren't PDFs created from Finale files (not scans) just mathematical
equations describing the lines and curves? So they will retain the
exact same resolution no matter what? So any discussions of DPI are not
germane to the topic, as they have no effect
But the publisher I sent the file to mentioned that the sizes were pretty
huge.
This seems odd. pdf and ps formats generally have much smaller file sizes
than bitmapped ones - like tif. But even tif is not so bad these days with
the enormous memories that most computers have. And a publisher,
I have used Finale for years but am a novice with lyrics. I am trying to put
together some performing editions from Dowland's lute songs. The edition I
have has the first verse under the notes and the second verse in stanza form
separately. I would like to put verse two under the notes but I
Never mind - figured it out (I think). Stay tuned, though. I am sure other
mysteries will pop up. So far Type into Score seems to work fine.
RY
- Original Message -
From: Richard Yates [EMAIL PROTECTED]
To: finale@shsu.edu
Sent: Wednesday, June 14, 2006 5:34 PM
Subject: [Finale] Lyrics
At 05:34 PM 6/14/06 -0700, Richard Yates wrote:
http://www.yatesguitar.com/misc/ComeHeavySleep.gif
How would you match up syllables to notes in the second verse which begins:
Come, shadow of my end, and shape of rest?
I've sung this, albeit many years ago (1969). In conjuring up the physical
Thanks, Dennis. I shows that I really do not know what i am doing with this.
I was trying to match up syllables to the exact verse one notes. I guess I
have to put in different layer two notes for verse two lyrics. Is that how
it is done? (I cringe at asking what I know is a completely ignorant
At 06:04 PM 6/14/06 -0700, Richard Yates wrote:
Thanks, Dennis. I shows that I really do not know what i am doing with this.
I was trying to match up syllables to the exact verse one notes. I guess I
have to put in different layer two notes for verse two lyrics. Is that how
it is done? (I cringe
Perfect!
However, you may find this interesting. I just checked my library, and I
have two different versions of this text. One edition reworks the words to
conform to the rhythm rather than the rhyme:
Come shape of rest, and shadow of my end.
Dennis:
Would this make you a DIScounter tenor? Didn't PDQ Bach use that
term in something, or was it Bargain Counter Tenor?
Dean
On Jun 14, 2006, at 5:54 PM, Dennis Bathory-Kitsz wrote:
I was wrong on being a good countertenor, so maybe I'm wrong on
those syllables, too. :)
Dennis
At 07:36 PM 6/14/06 -0700, Dean M. Estabrook wrote:
Would this make you a DIScounter tenor? Didn't PDQ Bach use that
term in something, or was it Bargain Counter Tenor?
More like an Under-the-Counter Tenor.
And yes, PDQ's was a bargain counter tenor. :)
Dennis
Very good! Ah, the mind runs rampant.
Dean
On Jun 14, 2006, at 7:44 PM, Dennis Bathory-Kitsz wrote:
More like an Under-the-Counter Tenor.
Dennis
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