On 11-Feb-07, at 1:16 AM, Stephen Ellis wrote:
I have learned much from the thread concerning binding. I now pose
an even more basic question: What printers are recommended for
your oversized pages? I would like to purchase one capable of
printing larger that 8.5" x 14". Thoughts?
I
Christopher,
I think the HP duplexers are a lot less good than the printers
themselves. Mine worked for a while and then gave up the ghost.
Efforts at reviving it have not been successful. Supposedly, there
was a repair kit for it from HP, but I haven't found one.
Chuck
I use a Hewl
I've been using HP printers for the past 8 years or so, starting with
the old 4MV, to the 5000m and now currently the 5100. I lease my
computers and printers so I get a new one every 2-3 years, so I
haven't encountered the wearing out issue too much. Of the 3, I
thought the 5000 was the m
I would like to uncouple the Garritan plug-in from a particular song, but
not from the other songs I've arranged.
Trying to select the instrument list does not work.
Any ideas?
Thanks; Bill Sinclair
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In that particular document, just deselect "Use Native Instruments VST."
From: [EMAIL PROTECTED]
Sent: Sun 11-Feb-07 12:14
To: finale@shsu.edu
Subject: [Finale] How to get rid of Garritan plug-in?
I would like to uncouple the Garritan plug-in from a particular song, but
not from the other s
Hi all,
Anyone have the latest email for Javier Ruiz? Both the mac.com addresses I
have are bouncing.
Please reply privately.
Dennis
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What steps, if any, work to make a staff style "no playback"? I'd
*really* like to be able to set, for example, "slashes" as "no
playback", but can't figure out how to set that.
Using FinWin04.
cd
--
http://www.livejournal.com/users/dershem/#
http://members.cox.net/dershem
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On 10 Feb 2007 at 22:35, Scott Jones wrote:
> Why not use 3+3 over 8 and 3/4 in the next box and THEN choose to
> display the time signature of 7/4? I just tried it in Finale 2006
> for Mac and it works.
Well, given that using EDUs works without having to define two time
sigs, I don't know w
> Why not use 3+3 over 8 and 3/4 in the next box and THEN choose to
> display the time signature of 7/4? I just tried it in Finale 2006
my understanding was that display as 6/8+4/4 was a requirement
(though I could be wrong on that).
you can set a different display than the defined beam
On 11 Feb 2007 at 23:32, shirling & neueweise wrote:
> > > Why not use 3+3 over 8 and 3/4 in the next box and THEN choose
> > > to display the time signature of 7/4? I just tried it in Finale
> > > 2006
> >
> >my understanding was that display as 6/8+4/4 was a requirement
> >(though I could
My understanding was the required beaming was 6/8+4/4 and the
required display time sig was 6/8+4/4, so I have a hard time seeing
why you'd not just define the time sig with EDUs to get 6/8+4/4 as
the underlying actual time sig *and* as the display time sig, all
with one action.
both work. so
David W. Fenton wrote:
On 11 Feb 2007 at 23:32, shirling & neueweise wrote:
> Why not use 3+3 over 8 and 3/4 in the next box and THEN choose
> to display the time signature of 7/4? I just tried it in Finale
> 2006
my understanding was that display as 6/8+4/4 was a requirement
(though I c
What would the settings with EDUs be which would give the same
effect of 2/dotted-quarter + 4/4 and yet would show 6/8+4/4?
2/1536 + 4/1024
--
shirling & neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
Regarding my call for help on a 7/4 piece...
[EMAIL PROTECTED] wrote:
1/1.5 + 1/1.5 + 2/4 + 2/4 (or "... + 1/2 + 1/2," depending on whether
you'd rather manually fix the sixteenth note beams or the eighth note
beams).
Which was logical, but, as shirling & neueweise
<[EMAIL PROTECTED]> point
On Feb 11, 2007, at 1:01 PM, David Fenton wrote:
While that gets the beaming right, it displays time sig of 3+3/8 +
4/4
Right--but from there it's pretty easy to use 7/4 as the display
signature.
Thanks again.
-C
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Hi All:
I'm working on a jazz score for 6 saxes, 5 trumpets, 4 trombones ,
drums, guitar, piano and bass. Somehow my saxes and my brass are out of
sync on the score.
Is it possible to insert measures to just the saxophones? That way I
could sync up all of the horns.
Thanks:
Bob Florence
Mac
Depends somewhat on the context and tempo, but unless it is extremely
slow, I'd prefer 7/4 throughout.
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 11 Feb 2007, at 6:30 PM, Clay Zambo wrote:
Re
Now, a more philosophical question: in a situation like this, would
you rather read 7/4 wit
Now, a more philosophical question: in a situation like this, would
you rather read 7/4 with 8th-note groupings of 3, 3, 4, 4, or
alternating measures of 6/8 and 4/4?
philosophical answer: it depends.
is it really in 7/4 and this is an exceptional case where different
beat groups are in
Bob Florence wrote:
Hi All:
I'm working on a jazz score for 6 saxes, 5 trumpets, 4 trombones ,
drums, guitar, piano and bass. Somehow my saxes and my brass are out of
sync on the score.
Is it possible to insert measures to just the saxophones? That way I
could sync up all of the horns.
Tha
Carl Dershem wrote:
Bob Florence wrote:
Hi All:
I'm working on a jazz score for 6 saxes, 5 trumpets, 4 trombones ,
drums, guitar, piano and bass. Somehow my saxes and my brass are out
of sync on the score.
Is it possible to insert measures to just the saxophones? That way I
could sync up a
Bob,
I'm afraid I don't understand why a simple copy+paste on the saxes
would cause you any serious grief. Surely this is a simple problem to
fix... ?
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 11 Feb 2007, at 7:08 PM, Bob Florence wrote:
Carl Dershem wrote:
Bob Florence
Hi Bob,
This situation has happened to me also. I got round it by adding a new set
of staves and copying the parts. When you have copied the parts to their new
positions copy the new parts back to their original staves and delete the
surplus staves.
George G. Manchester UK
-Original Messa
Clay Zambo wrote:
[snip]
Now, a more philosophical question: in a situation like this, would you
rather read 7/4 with 8th-note groupings of 3, 3, 4, 4, or alternating
measures of 6/8 and 4/4?
That depends on how the music was conceived -- alternating measures of
6/8 and 4/4 does not sou
On 12 Feb 2007 at 0:12, George Galway wrote:
> This situation has happened to me also. I got round it by adding a new
> set of staves and copying the parts. When you have copied the parts to
> their new positions copy the new parts back to their original staves
> and delete the surplus staves.
Wh
On 11 Feb 2007 at 19:30, dhbailey wrote:
> Clay Zambo wrote:
> [snip]
>
> > Now, a more philosophical question: in a situation like this, would
> > you rather read 7/4 with 8th-note groupings of 3, 3, 4, 4, or
> > alternating measures of 6/8 and 4/4?
>
> That depends on how the music was conceiv
I've got a strange problem.
I have edited a file from 2002 in FinMac 2006c, and I am at the very
end of the operation, laying out the score.
I can't change the bottom system margins of any system in the score.
They are all set to zero, according to the window, but the bottom
right handle
Dear Dennis,
I don't have your email to reply privately but, if you send me an
email, I can give you the last address (snail mail) and phone numbers
I have for Javier.
Chuck
On Feb 11, 2007, at 1:06 PM, Dennis Bathory-Kitsz wrote:
Hi all,
Anyone have the latest email for Javier Ruiz? B
On Feb 11, 2007, at 7:46 PM, David W. Fenton wrote:
On 12 Feb 2007 at 0:12, George Galway wrote:
This situation has happened to me also. I got round it by adding a
new
set of staves and copying the parts. When you have copied the
parts to
their new positions copy the new parts back to the
On 11 Feb 2007 at 20:05, Christopher Smith wrote:
> On Feb 11, 2007, at 7:46 PM, David W. Fenton wrote:
>
> > On 12 Feb 2007 at 0:12, George Galway wrote:
> >
> >> This situation has happened to me also. I got round it by adding a
> >> new set of staves and copying the parts. When you have copie
On Feb 11, 2007, at 8:03 PM, Christopher Smith wrote:
I've got a strange problem.
I have edited a file from 2002 in FinMac 2006c, and I am at the
very end of the operation, laying out the score.
I can't change the bottom system margins of any system in the
score. They are all set to zero
On Feb 11, 2007, at 8:16 PM, David W. Fenton wrote:
On 11 Feb 2007 at 20:05, Christopher Smith wrote:
Overlapping the source and target measures used to erase the
articulations in only the overlapped area. So I do this by copy/paste
or with scratch staves, as suggested.
In which versions of
For those on the list interested in this issue, Stanford University will host
this conference on April 19th through 21st.
The full title of the symposium is: "Reactions to the Record: Perspectives on
Historic Performance." The papers and lecture demonstrations will focus on
how the transition
On Feb 11, 2007, at 5:08 PM, Carl Dershem wrote:
What steps, if any, work to make a staff style "no playback"? I'd
*really* like to be able to set, for example, "slashes" as "no
playback", but can't figure out how to set that.
I don't of a way to do that, but you COULD put your slashes in
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