On Mar 8, 2007, at 5:57 AM, Robert Patterson wrote:
Brennon Bortz wrote:
Also, often in French beams staff lines will be removed between
beams so that only white space is seen--no stems or staff lines.
Could you offer a citation for staff lines being removed? I just
checked my Durand scor
At 06:32 PM 3/9/2007, Christopher Smith wrote:
>Are you wanting to force a measure number where one wouldn't normally
>appear according to the region definition?
Yes and no -- this was more a stylistic question than a technical
one, although you're right that I do want to force a measure numbe
On Mar 9, 2007, at 2:30 PM, Aaron Sherber wrote:
Hi all,
I've got another style question for the list. I'm preparing a
version of piece with three or four substantial cuts. Because these
cuts will never be opened, I'm actually removing the cut measures
from my Finale file -- but I'm crea
Thank God for not-so-small favors!
Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
- Original Message -
From: "dhbailey" <[EMAIL PROTECTED]>
To:
Sent: Friday, March 09, 2007 1:58 PM
Subject: Re: [Finale] French beams
> Aaron Rabushka wrote:
> > I was told in my ca
Doesn't this involve getting a chicken, some cream soda, and a book on
the Mac Gods?
I think you should look under Page Setup->Paper Size->Manage Custom
Sizes. You can input a size in there.
Bob Florence wrote:
Hi All:
I am now ready to print my first part using MacFin 2007C. Under file
i
Hi All:
I am now ready to print my first part using MacFin 2007C. Under file in
page setup I used to have a 9 1/2 X 12 12 setting. It's gone. How do I
get it back?
Thanks;
BF
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Hey all,
This is an option I considered, but rejected back in January (before
making the first service call), mainly because I am very uneasy about
buying used gear on eBay. However, it could scarcely be worse than
the money pit this printer has become.
However, as things stand now, I hav
On 08.03.2007 Darcy James Argue wrote:
Now the registration on the printer is totally screwed up, and the
$200 maintenance kit I installed didn't help one bit. The Ricoh
technician was able to come by today, but couldn't solve the
problem. (I have to pay $270 for the house call regardless.
TGTools "Repair Trill Notes: after Spacing" doesn't seem to work on
voiced linked parts, and the trill notes can't be manually dragged
either. Is there any solution, or do you have to explode out to
separate staves?
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
__
Hey all,
I was giving a Finale lesson today to a client who uses WinFin 2k5,
and I was unable to figure out how to get Finale to play back using
the SoftSynth for more than one bank of MIDI channels at a time. For
instance, MIDI Setup would let me choose SoftSynth for channels 1-16,
but n
At 2:30 PM -0500 3/9/07, Aaron Sherber wrote:
Hi all,
I've got another style question for the list. I'm preparing a
version of piece with three or four substantial cuts. Because these
cuts will never be opened, I'm actually removing the cut measures
from my Finale file -- but I'm creating new
Aaron Rabushka wrote:
I was told in my calligraphy class that "French beams" were outright
incorrect and not to be used.
Unless you happen to be French.
Or unless the person writing the check says, "Do it with French Beams."
Or unless you decide your calligraphy instructor was wrong and you
At 03:16 PM 3/9/2007, Darcy James Argue wrote:
>Standard B'way practice is to number EVERY measure, usually below the
>staff, aligned (more or less) with the left barline.
Yes, I saw that with Robert Patterson's Copyist Helper. But this
isn't for Broadway, and that style is a little bit of overk
Hey Aaron,
Standard B'way practice is to number EVERY measure, usually below the
staff, aligned (more or less) with the left barline. Sometimes the
cut is indicated with a small arrow next to the first post-cut
measure, i.e.:
| 6| 7| 8 -> | 22| 23|
The arrow would be
Aaron Rabushka wrote:
I was told in my calligraphy class that "French beams" were outright
incorrect and not to be used.
Good thing you're not working for a publisher or a client who insists on
them, isn't it. ;-)
--
David H. Bailey
[EMAIL PROTECTED]
___
I was told in my calligraphy class that "French beams" were outright
incorrect and not to be used.
Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
- Original Message -
From: "Andrew Stiller" <[EMAIL PROTECTED]>
To:
Sent: Friday, March 09, 2007 12:31 PM
Subject: Re:
Hi all,
I've got another style question for the list. I'm preparing a version
of piece with three or four substantial cuts. Because these cuts will
never be opened, I'm actually removing the cut measures from my
Finale file -- but I'm creating new measure regions so that the
measure numbers i
On 9 Mar 2007, at 09:56, Johannes Gebauer wrote:
To be honest I wonder whether blanking out staff lines is actually
nearly impossible in hand engraved scores? It would certainly make
the work much more difficult and lengthy.
I know I've seen scores (a Rameau opera, perhaps?) where this was
Thank you so much for saving my sanity Aaron. Appreciate your help.
George
- Original Message -
From: "Aaron Sherber" <[EMAIL PROTECTED]>
To: ;
Sent: Friday, March 09, 2007 9:43 AM
Subject: Re: [Finale] Triplet Slurs
At 12:28 PM 3/9/2007, George Ports wrote:
>Thanks for your quick he
At 12:28 PM 3/9/2007, George Ports wrote:
>Thanks for your quick help Aaron. Do they all have to be done individually
>or can they be done with a mass edit or document options of some sort?
You can change the definition in Document Options | Tuplets. Then to
apply that definition to existing tu
Thanks for your quick help Aaron. Do they all have to be done individually
or can they be done with a mass edit or document options of some sort?
George
- Original Message -
From: "Aaron Sherber" <[EMAIL PROTECTED]>
To: ; "Finale Forum"
Sent: Friday, March 09, 2007 9:17 AM
Subject: Re:
Got it! Thanks so much.
George
- Original Message -
From: "Eric Dannewitz" <[EMAIL PROTECTED]>
To:
Sent: Friday, March 09, 2007 9:05 AM
Subject: Re: [Finale] Triplet Slurs
Finale Manual->Index->T->Tuplets
Or Chapter 20, section 7.
George Ports wrote:
Can I get a slur above the
At 11:46 AM 3/9/2007, George Ports wrote:
>Can I get a slur above the number 3 in a continuous line instead
>of a broken line in an eighth note triplet?
Sure. In the tuplet definition box, uncheck the box under Appearance
that says "Break slur or bracket." You'll probably also want to
adjus
Finale Manual->Index->T->Tuplets
Or Chapter 20, section 7.
George Ports wrote:
Can I get a slur above the number 3 in a continuous line instead of a
broken line in an eighth note triplet? I know that all the components to the
triplet are adjustable but, I can't seem to avoid the break in
Can I get a slur above the number 3 in a continuous line instead of a
broken line in an eighth note triplet? I know that all the components to the
triplet are adjustable but, I can't seem to avoid the break in the slur.
One problem is: the page is at 300% which sure makes it all look pret
Sorry Aaron,
Hadn't thought that all through. I think you are right, that you
can't have it both ways! I guess I have just accepted that I have to
do some hand spacing on parts (sometimes hours are spent doing this),
whether they are linked or not.
Chuck
On Mar 9, 2007, at 8:13 AM, Aa
At 10:44 AM 3/9/2007, Chuck Israels wrote:
>I feel your pain. I understand that this is, at worst, a time
>consuming inconvenience, but I wonder if this is a situation in which
>I'd extract the parts in order to maintain the hand spacing.
I certainly may be missing something here, but could you
Aaron,
I feel your pain. I understand that this is, at worst, a time
consuming inconvenience, but I wonder if this is a situation in which
I'd extract the parts in order to maintain the hand spacing.
Chuck
On Mar 9, 2007, at 7:30 AM, Aaron Sherber wrote:
At 09:14 AM 3/9/2007, Michael C
At 09:14 AM 3/9/2007, Michael Cook wrote:
>You could make a feature
>request: maybe two options could be added to the Measure Attributes
>dialog for a measure in a part, to set Measure Width and/or Position
>Notes to "Same as Score".
Yes, that's sort of what I was thinking about. Though I think i
Sorry I can't help you, Johannes, but if you don't get your answer here, why
don't you try posting to the AMS List. There must be a performance practice
list, too, but I don't know it.
Here's the musicology info:
AMS-L Mailing list
Info: www.ams-net.org/listguidelines.html
Edit your subsc
Yes, measure widths and beat chart changes are considered part of
music spacing. In most cases I think this is what we want. But here
you have a situation where you'd like at least part of the score
spacing to be reflected in the part. You could make a feature
request: maybe two options cou
Hi all,
I'm running into some issues with spacing and linked parts, and
before I write to Makemusic to complain, I wanted to see if anyone
here had workarounds, or if I'm misunderstanding something.
The basic issue seems to be that any changes made to spacing with the
Measure Tool are always
On 9 Mar 2007, at 09:56, Johannes Gebauer wrote:
To be honest I wonder whether blanking out staff lines is actually
nearly impossible in hand engraved scores? It would certainly make
the work much more difficult and lengthy.
I'd think so too. It's easy enough to engrave the stems to stop a
On 08.03.2007 Michael Cook wrote:
I have a lot of French scores, some recent, some older and and some dating back
as far as the end of the 18th century. In most cases the stems do not carry
through the beams (there are even some sloppily engraved scores where some
stems do carry though and oth
On 08.03.2007 Darcy James Argue wrote:
Now the registration on the printer is totally screwed up, and the $200
maintenance kit I installed didn't help one bit. The Ricoh technician was able
to come by today, but couldn't solve the problem. (I have to pay $270 for the
house call regardless.) He
Sorry if this seems very OT, reply off-list if you think so.
I am looking for any information available on string quartet seating
order in the 18th and 19th century.
I am also trying to trace a sketch, drawing or painting (can't remember
what it was) which pictured Haydn and Mozart playing wi
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