Often thought of the title, but never used it. Yet!
Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
- Original Message -
From: "Francis Fitzpatrick" <[EMAIL PROTECTED]>
To:
Sent: Thursday, March 15, 2007 8:09 PM
Subject: Re: [Finale] Glass Armonica
> Thank you fro
Thanks to all who sent help. I am now ready for the lecture; if only the
rest of the lecture would be as good as this video!
Burt Fenner
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Thank you from me, too. I'm very much interested in the glass armonica
- [also the glass harmonica although the splinters can be tough on the
tongue.]
Like the man in the video, I also have written a piece called "Music of
the Spheres."
I'd bet a few hundred others have used that title as wel
Personally,
I'm leaning toward hypenating my last name, thusly
Fi-tzp-a-tr-i-ck
Consecutive consonants [but not necessarily consonance] are in keeping
with my 1/4 Polish heritage on the Rogowicz side.
Frank Fitzpatrick
[EMAIL PROTECTED]
On Mar 14, 2007, at 1:00 PM, [EMAIL PROTECTED] wrote:
M
On 15 Mar 2007 at 19:33, dhbailey wrote:
> Brennon Bortz wrote:
> > I have a task that I fear is going to be quite a project. I have a
> > piece (well, a section of one) that is in much too slow a tempo to
> > be "felt" by a performer. Right now, it is at quarter note=38. In
> > order to make t
The more one keeps the quarter note as the beat, the better the reading
will be, and the more the rehearsal can be about _music_, not about
fixing mistakes. Yes, good musicians should be able to read any note
value as the beat, but quarter notes are easier for musicians at all levels.
Raymond
That's exactly it--I don't want it to sound any differently. In this
slow tempo, rhythms between instruments tend to not be as tight as
I'd like--they're not "locked in." The only way to perform it is by
subdividing. However, in several sections, note values are
consistently relatively l
I agree with David. Doubling the note values will do little to make
the piece more playable.
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 15 Mar 2007, at 7:33 PM, dhbailey wrote:
Brennon Bortz wrote:
I have a task that I fear is going to be quite a project. I have
a piece (w
Mass Mover --> Mass Edit --> Change --> Note Durations (rebar music)
>-Original Message-
>From: Brennon Bortz [mailto:[EMAIL PROTECTED]
>Sent: Thursday, March 15, 2007 2:22 PM
>To: finale@shsu.edu
>Subject: [Finale] Changing time signature, tempo and note durations
>
>I have a task that I
Brennon Bortz wrote:
I have a task that I fear is going to be quite a project. I have a
piece (well, a section of one) that is in much too slow a tempo to be
"felt" by a performer. Right now, it is at quarter note=38. In order
to make this more playable, I need to change the tempo to quarter
Font annotation are also used to calculate the distance between
notehead and articulation.
Cheers,
- Darcy
-
[EMAIL PROTECTED]
Brooklyn, NY
On 15 Mar 2007, at 11:59 AM, Fisher, Allen wrote:
There are some issues with the Opus fonts, particularly because
they are
what are referred to
I have a task that I fear is going to be quite a project. I have a
piece (well, a section of one) that is in much too slow a tempo to be
"felt" by a performer. Right now, it is at quarter note=38. In
order to make this more playable, I need to change the tempo to
quarter=76, double all n
Thank you Andrew! That answers it!
:-)
Warm regards,
Karen
On Mar 14, 2007, at 5:09 PM, Karen wrote:
Hi all,
I have a project for which I need to write for Glass Armonica. I
have come across this instrument before but I'm not sure if I
remember the proper way to note for it. I see
In a message dated 15/03/2007 17:57:39 GMT Standard Time,
[EMAIL PROTECTED] writes:
"And really, how hard is it to set up D horn in the Staff Transposition
Dialog? We're talking about, what, three mouse clicks?"
Yes, that and a failing brain's ability to remember exactly what the formu
On Mar 14, 2007, at 6:11 PM, Aaron Sherber wrote:
I believe the answer to Lawrence's specific question is no, you can't
add new items to the list in the transposition dialog.
And really, how hard is it to set up D horn in the Staff Transposition
Dialog? We're talking about, what, three mo
On Mar 14, 2007, at 5:09 PM, Karen wrote:
Hi all,
I have a project for which I need to write for Glass Armonica. I have
come across this instrument before but I'm not sure if I remember the
proper way to note for it. I seem to remember that it is written on a
grand staff but with both sta
I use a combination of this and Cyberduck.
--Allen
| -Original Message-
| From: [EMAIL PROTECTED]
| [mailto:[EMAIL PROTECTED] On Behalf Of Darcy James Argue
| Sent: Wednesday, March 14, 2007 12:18 PM
| To: finale@shsu.edu
| Subject: Re: [Finale] OT: Mac FTP client
|
| It's not just bu
There are some issues with the Opus fonts, particularly because they are
what are referred to as "Naked" TrueTypes, which is basically a raw TTF
file outside of a font suitcase. Some work in Finale, some don't. I
haven't discovered a workaround yet short of messing with the font
itself.
On a side
From the *user's* perspective, YouTube is clearly worse if there's
less content available. Especially if legitimately posted content
gets taken down in an over-broad search for copyright violations,
which is what's happening all over YouTube at the moment.
Cheers,
- Darcy
-
[EMAIL PROT
Thank You I'll try that!
Den 15/03/2007 kl. 13.02 skrev Christopher Smith:
On Mar 15, 2007, at 6:22 AM, Stig Christensen wrote:
Hi,
I save a Smart Line library with the gliss. line made from the
character 126 in the Maestro lib. When I load this library in
another document and open it,
On Mar 15, 2007, at 6:22 AM, Stig Christensen wrote:
Hi,
I save a Smart Line library with the gliss. line made from the
character 126 in the Maestro lib. When I load this library in
another document and open it, I find that the gliss. line now uses
character 126 from the system font!
S
Hi,
I save a Smart Line library with the gliss. line made from the
character 126 in the Maestro lib. When I load this library in another
document and open it, I find that the gliss. line now uses character
126 from the system font!
Speaking of libraries. This system - with saving and load
Eric Dannewitz wrote:
Wow, youtube sucks now.
Huh? Because they took down copyrighted material they hadn't gotten
legal clearance for posting? How does that make it suck?
--
David H. Bailey
[EMAIL PROTECTED]
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http://www.henle.de/index.cfm?open=01
click on "notenstich" bottom left.
direct link to video:
http://henle.de/video/vollversion/Notenstich_D.wmv
--
shirling & neueweise ... new music publishers
mailto:[EMAIL PROTECTED] :.../ http://newmusicnotation.com
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