I've always enjoyed his Concerti Grossi, op. 1 ("Concerti Grossi con 12
Fughe.")
Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Ah! I didn't know that. So when you mark something with a staccato
accent, which do you get in HP?
A note to Robert Piechaud might get this improved. I have his email
but hesitate to make an end run around MM to ask for this. I assume
MM pays him and gives him HP assignments.
Chuck
Adam Golding wrote:
what's the fastest way to stop articulations from colliding? i.e. if I have
both accents and staccati on some notes. dragging them all manually is
clearly not the way! :p
Chuck Israels wrote:
Look for a combination accent and staccato in one symbol. Most
music fonts will
Dennis,
To my knowledge, NO. Unfortunately. I seem to remember asking
Tobias for this feature in TGTools, but so far no go. I've needed
this capability many times and I"d be grateful to anyone who has a
viable workaround.
J D Thomas
ThomaStudios
On Nov 24, 2007, at 1:59 PM, dc wrot
Found it myself:
(in Dutch)
Pietro Antonio Locatelli, violist en componist (1695-1764), kwam in 1720
naar Amsterdam waar hij niet alleen componeerde en les gaf, maar ook
concerten dirigeerde. Hij woonde aan de Prinsengracht 506, waar in 1964
zijn geboortestad Bergamo een gedenkplaat liet plaatse
On 24/11/2007, Christopher Smith <[EMAIL PROTECTED]> wrote:
>
>
> On Nov 24, 2007, at 3:54 PM, Adam Golding wrote:
>
> > On 24/11/2007, Christopher Smith <[EMAIL PROTECTED]>
> > wrote:
> >>
> >> Playback is part of the articulation definition, so there is no
> >> problem with most situations.
> >
>
On Nov 24, 2007, at 3:54 PM, Adam Golding wrote:
On 24/11/2007, Christopher Smith <[EMAIL PROTECTED]>
wrote:
Playback is part of the articulation definition, so there is no
problem with most situations.
hrm perhaps i'm confused, but i was under the impression that human
playback
ignor
Adam Golding wrote:
does anyone know where i can take a look at hp's exact policies for
interpeting notation? I often can't tell when it's changing based on
context or applying some generic rule. (It becomes like a very troubled
science project to test many variables to see it hp's interpretati
On 24/11/2007, Christopher Smith <[EMAIL PROTECTED]> wrote:
>
>
> On Nov 24, 2007, at 2:59 PM, Adam Golding wrote:
>
> > thanks for your helpful responses everyone--chris, by "any others
> > you need?"
> > do you mean other combined articulation? yeah, well on a first
> > glace it
> > doesn't have
does anyone know where i can take a look at hp's exact policies for
interpeting notation? I often can't tell when it's changing based on
context or applying some generic rule. (It becomes like a very troubled
science project to test many variables to see it hp's interpretation varies
with various
On Nov 24, 2007, at 2:59 PM, Adam Golding wrote:
thanks for your helpful responses everyone--chris, by "any others
you need?"
do you mean other combined articulation? yeah, well on a first
glace it
doesn't have stacatissimo+accent for instance or any triple
articulations
such as mezzo-sta
You can also use the Mass Mover Tool to move around specific
articulations on a selected passage. I'm not in front of Finale at
the moment, but the command is under the Mass Mover menu. Something
like Change Articulation. In the ensuing dialog box there are boxes
at the bottom to move ho
They are pretty well defined in Human Playback.
Chuck
On Nov 24, 2007, at 11:59 AM, Adam Golding wrote:
thanks for your helpful responses everyone--chris, by "any others
you need?"
do you mean other combined articulation? yeah, well on a first
glace it
doesn't have stacatissimo+accent for
Jari,
I groan an appreciative groan.
Regards to you and the family,
Chuck
On Nov 24, 2007, at 11:42 AM, Jari Williamsson wrote:
Barbara Touburg wrote:
I meant Locatelli, sorry!
No, but I can locateldi in Vivaldi. ;-)
Best regards,
Jari Williamsson
_
thanks for your helpful responses everyone--chris, by "any others you need?"
do you mean other combined articulation? yeah, well on a first glace it
doesn't have stacatissimo+accent for instance or any triple articulations
such as mezzo-staccato accent. i know i can add these symbols but now i'm
Barbara Touburg wrote:
I meant Locatelli, sorry!
No, but I can locateldi in Vivaldi. ;-)
Best regards,
Jari Williamsson
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Adam Golding wrote:
what's the fastest way to stop articulations from colliding? i.e. if I have
both accents and staccati on some notes. dragging them all manually is
clearly not the way! :p
For your example above, using the accent+staccato symbol is the fastest.
Best regards,
Jari Williams
HI Adam,
Look for a combination accent and staccato in one symbol. Most music
fonts will have these.
Chuck
On Nov 24, 2007, at 9:43 AM, Adam Golding wrote:
what's the fastest way to stop articulations from colliding? i.e.
if I have
both accents and staccati on some notes. dragging them
I meant Locatelli, sorry!
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
Adam Golding wrote:
been playing with finalescript and autohotkey but still can't find a way to
do these without taking my hands off of the keyboard to use the mouse:
1. adding a slur or other smart shape (in sibelius this is actually quite
simple to do from the keyboard)
2. removing articula
Hi,
Does anyone know the exact address Vivaldi lived at in Amsterdam?
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
On Nov 24, 2007, at 12:43 PM, Adam Golding wrote:
what's the fastest way to stop articulations from colliding? i.e.
if I have
both accents and staccati on some notes. dragging them all
manually is
clearly not the way! :p
There are many combined articulations in one character, like acce
what's the fastest way to stop articulations from colliding? i.e. if I have
both accents and staccati on some notes. dragging them all manually is
clearly not the way! :p
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/fina
Staff Styles menu - define staff styles - rhythmic notation - there's
a setting for stems. I use - 36 epus for down-stem notation. This
does not transfer across documents, so I put it into my templates. I
suppose it's saveable in a Staff Style library.
I agree, the default is unnecessari
been playing with finalescript and autohotkey but still can't find a way to
do these without taking my hands off of the keyboard to use the mouse:
1. adding a slur or other smart shape (in sibelius this is actually quite
simple to do from the keyboard)
2. removing articulations
any suggestions
Why is the stem length for
quarter notes + Rhythmic Notation
about plus 20evpu longer?
Is there a way to change it globally?
Finale 2006
Thanks
Raimund Lintzen
___
Finale mailing list
Finale@shsu.edu
http://lists.shsu.edu/mailman/listinfo/finale
26 matches
Mail list logo
