or taking up too much vertical space?
Regards,
Michael Lawlor
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> competition is clearly understood to be mandatory
> (pflicht).
>
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is clearly understood to be mandatory
> (pflicht).
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Am 06.03.2017 um 14:48 schrieb Barbara Touburg:
> On 6-3-2017 14:37, Howard Weiner wrote:
>> continues: boray p're hagofen.
>>
>> Do you have this from the sound track of Schindler's List?
> Yes. How did you know? :)
How did I know? I found it in a transcript of Sc
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and restarting Finale nor
restarting the computer had any effect on this.
Printing the file as a pdf functions and is viable as a workaround, but
not really very convienient.
I would be grateful for any suggestions.
Howard
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References
1. http://www.habsburgerverlag.de/
2. mailto:webmas...@habsburgerverlag.de
3. mailto:j...@thomastudios.com
4. mailto:Finale@shsu.edu
Has anybody had any experience -- good, bad, or ugly -- running Finale
2007 on Windows 8?
Thanks in advance.
Howard
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That it is. I've been happily using WordPerfect for the past twenty
years. I wouldn't think of trading it in for MSWord, which I find to be
a really dodgy beast.
Howard
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for this, there
always is!
Help much appreciated. Thanks.
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On 27.09.2011 20:45, Howard Weiner wrote:
I would switch to another level, fill the bar with, say, eighth notes,
enter the text where I want it (including word extensions), hide the
notes, and then switch back to the original level.
I of course meant layer. Sorry!
Howard
Howard
to a serpent sound. You can find info and a lot of
other serpent stuff at http://www.yeodoug.com/
Howard
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: The Story of A_
(Scarecrow Press, 2002)
Howard
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On 06.11.2010 19:26, Steve Larsen wrote:
Everything I've learned about Brahms makes me doubt that he ever devoted
time and energy to writing etudes for valved horn!
What about the 12 Etudes for Trumpet (supposedly) by Brahms?
Howard
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of the staff -- if you're
viewing at 1200% !
If you view it at 100% or even 200%, the spaces are all but invisible.
Print out the page in question and then let us know how disappointed you
are.
Howard
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Help stamp out and eradicate
Ensembles in Germany get no state support at all as far as
I know. We certainly get none for Cappella.
A lot of Early Music and Classical CD recordings in Germany are
co-productions with the various public radio stations: WDR, SWR, BR,
Deutschlandfunk, Deutschlandradio, etc.
Howard
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longas, but treat them as whole notes to avoid a change of
time signature just for the last measure of a section.)
Howard
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are not always in such good condition...
Howard
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Sterling
Jones, who was a member of the Studio der frühen Musik from the
beginning to the end.
But now we're really OT!
Howard
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be
justified for music of this late date, or leave out the new time
signature and add a mensurstrich to divide the extended measure into a
full measure and a half measure, which would get rid of the anomaly
of having music in duple meter with a triple-meter time signature.
Howard
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a tiny bit lower than the other dots) and that it's
in fact part of the slash that was drawn through the colored semibreve
that follows.
Howard
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| ONE
two three to ONE two THREE | one TWO three. -- **In other words: in
this period, coloration is the signal for a hemiola.**
And how is the ending (m. 245-end), for example, of the Tr 1 part
notated in the original? This looks really weird.
Howard
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a
rhythmic shift: from ONE two three | ONE two three to ONE two THREE | one
TWO three.
And how is the ending (m. 245-end), for example, of the Tr 1 part notated in
the original? This looks really weird.
Howard
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Sounds like great fun. Our greatest tour de force was a renaissance
big band playing Glenn Miller's In the Mood. The descending
chromatics in bar 3 of the introduction are pure hell on crumhorns!!!
But our lead cornetto player nailed the ending perfectly!
Bruce?
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On 12.05.2010 20:13, John Howell wrote:
At 8:01 PM +0200 5/12/10, Howard Weiner wrote:
Sounds like great fun. Our greatest tour de force was a renaissance
big band playing Glenn Miller's In the Mood. The descending
chromatics in bar 3 of the introduction are pure hell on
crumhorns
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On 18.02.2010 19:43, Aaron Sherber wrote:
Hi all,
I'm having a brain cramp. Is there an Italian term which means the
opposite of 'doppio movimento'? That is, for a passage in which the
quarter note moves at the same speed as the preceding half note?
Do you mean l'istesso tempo?
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At 17:56 15.12.2009 -0800, Ryan wrote:
Is the term Bratschen for violas obsolete in German?
No.
Would it be better to use Violen?
Only if you want to take the risk of getting violas da gamba.
Howard
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Tosca jumped
by Edition Walhall, Magdeburg.
Howard
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Tosca jumped to a conclusion.
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Königsburg University collections.
A number of books have turned up in various
Baltic libraries, but the consensus seems to be
that the music collection was indeed destroyed.
Howard
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Tosca jumped to a conclusion
At 20:29 27.09.2009 +0200, Howard Weiner wrote:
A lot of research has been done in recent years
on the former Königsburg University collections.
A number of books have turned up in various
Baltic libraries, but the consensus seems to be
that the music collection was indeed destroyed
it.
Howard (in Freiburg)
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personal experience that a baroque trumpet
played by Edward Tarr is softer than a modern replica played by
Edward Tarr. (I've known Ed for thirty-three years and was a member
of his brass ensemble from 1978 to 1984.)
Howard
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Tosca
in London has had an ophecleide and
serpent teacher for a number of years already.
Howard
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the Italian name for the
3-valve cornet. But if you want to make sure to
get the right instrument, use cornet à pistons.
Howard
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At 20:05 31.08.2009 -0700, Dean M. Estabrook wrote:
Didn't Bobo play for either Chicago and or Philly at one time?
That's going back a bit ..
No, but if I remember correctly he did play in the Concertgebouw for
several years before he went to Los Angeles.
Howard
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Ray,
The Meucci article, which is the best available word on this subject in
regards to Italy (if Howard Weiner recommends something, it has to be
good)
I blush!
is on Jstor.If anyone else wants a copy I'll email it to you (unless
Howard would rather I
in Britain:
http://www.britishtrombonesociety.org/resources/archived-articles/a-lament-for-sam-hughes.html
Howard
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differ widely: Wagner (and/or his
copyists) apparently got sloppy as his fame grew.
Howard
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).
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, or small
tuba. The quote which has been used countless times to keep tuba
players out of Verdi's pit possibly should be used to get them back
in, with a smaller tuba.
Ray, you may have a point there. Verdi seems to have objected above
all to the bombardon, the large tuba.
Howard
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, plus the
costs of having the whole program, including the handbook, translated.
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