I experimented with the slashed notehead in the attachment I sent earlier,
in the RH, on the 2nd to the last 16th note of measures 1,3,13,17, and 19.
(By the way, it is not a rolled chord.) I have tried this notation on
American pianists as well as my students. When I write it as a grace note
(sla
> >For example, I HATE the way Microsoft Word
> >makes assumptions about what I want done with my typing, like
> >"correcting" my spelling without telling me, or putting bullets or
> >numbers when I hit carriage return.
>
> You know you can turn all of that off, right?
>
> Aaron.
Hey, Aa
Hey, everyone, I'm a relative newby at music setting with Finale,
but there is a small publishing firm that wants me to set some music for
them. I have no idea what to charge. Could some of you send me your price
list, or maybe direct me to your (or someone's ) website where I might get
at
> Debussy (in pieces like "Maid with the Flaxon Hair") uses a cadence
> that would be F/G (F major in the right hand, G in the bass) to the
> tonic in C Major. Is that plagal or authentic? Is the F/G chord a
> V11? How would Schenkerian scholars view it?
>
> Hal
Hey, Hal, I'm not a Schen
Hey, Crystal, You may recommend me, also, if you wish. I am attaching a
sample that I did last week of a lead sheet (no written piano part).
Eddy Wilson
704 873 9701
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