On 8 Oct 2011 at 3:46, SN jef chippewa wrote:
> >How often will I need to make a circle score? Probably never, but now
> >I know how to do it!
>
> yeah great. how often do i need linked parts to work right? always,
> but i will probably never be able to really have it work right because
> of th
Those were string harmonics?
Some time ago I entered the flute and bass lines for a sonata by Francesco
Mancini (not Henry’s father, as this is music from baroque London) into FM2011.
Playback drove me insane as there were occasional 3 and 4 part chords. From my
years as a recorder teacher I k
On 2011-10-08 06:24, Chuck Israels wrote:
> Definitely helpful for more useful playback of
> saxophone/ww parts in my scores. It should make it
> easy to switch to ww doubles and back - something I
> never took the trouble to do in the old system (too
> complicated for my brain - easier to imagin
On Oct 7, 2011, at 8:03 PM, Darcy James Argue wrote:
>
>
>> Score Managerkind of useful...maybe.
>
> It's definitely helpful for anyone who needs playback on a file where players
> play multiple instruments. It means you don't have to mess around with
> keyswitches or channel change expre
On 7 Oct 2011, at 10:54 PM, Eric Dannewitz wrote:
> Wouldn't it be cool if they perhaps redid the playback system so if you have
> the expression "solo" it will automatically bring up the volume of the
> instrument and bring down the others?
Human playback already does this -- and has done this
Yeah, but, but, you get SmartMusic integration as well!
Wouldn't it be cool if they perhaps redid the playback system so if you have
the expression "solo" it will automatically bring up the volume of the
instrument and bring down the others? Or maybe actually listen to some of the
users, say,
>How often will I need to make a circle score? Probably never, but
>now I know how to do it!
yeah great. how often do i need linked parts to work right? always,
but i will probably never be able to really have it work right
because of the insufficient implementation of this otherwise
fantas
Playback was probably the easiest part. It's just "normal" staves that are
hidden.
The nice thing is if you wish to attempt this, just save the Expression and
SmartShape as a library (File menu > Save Library) which you can bring into
any document then. Most standard markings are a
jesus christ, some people have time on their hands.
i would never bother even opening finale to consider trying to do
that, would go straight to a graphics programme where you can be
assured of proper spacing and can change the size and angle of
objects with great control.
very clever but the
On Fri, October 7, 2011 7:28 pm, David H. Bailey wrote:
> Okay, I've discovered a bit more -- the circular staves are an
> expression. How it was made is beyond me at this point but at least I
> know how the staves are placed. I can see how it was created within
> Finale, using the graphics tool
On 10/7/2011 8:20 AM, Phillips, Justin wrote:
>
> Yes, that was all created in Finale 2012 (no graphic imports) and it's
> quite
> clever (IMHO). It's included as one of the Repertoire files with 2012 at
> File menu> Open Work Sheets and Repertoire> Repertoire> Classical>
> Voca
Okay, I'll bite -- how was it done? It's certainly not simply entering
the music on straight staves and then grabbing the staves and bending
them. I went through the whole score in Speedy Entry and there weren't
any notes showing in any of the frames.
So if no notes are showing up in speedy f
Sent: Friday, October 7, 2011 10:13 PM
>Subject: Re: [Finale] Finale 2012 released
>
>David H. Bailey écrit:
>>Now that it's officially released, can some of the beta testers come
>>forward with their honest opinions about this upgrade? It's pricier
>>than in the
Yes, anyone can purchase and download directly from us.
Justin Phillips
Notation Product Specialist
MakeMusic, Inc
On Oct 7, 2011, at 3:13 PM, dc wrote:
David H. Bailey écrit:
Now that it's officially released, can some of the beta testers come
forward with their h
Which is code for it will be in finale 2013 as part of the "new features"
Ugh.I really don't see anything to make me want to upgrade. Again.
Sent from my iSomething
--
Eric Dannewitz
Musician/Polymath/Evil Genius
http://www.ericdannewitz.com
On Oct 7, 2011, at 8:38 AM, "Phillips, Justin" wr
Not as of yet, but that's something we can definitely look at.
Justin Phillips
Notation Product Specialist
MakeMusic, Inc
On Oct 7, 2011, at 10:28 AM, Eric Dannewitz wrote:
So no full screen os x lion mode?
Sent from my iSomething
--
Eric Dannewitz
Musician/Polymath
So no full screen os x lion mode?
Sent from my iSomething
--
Eric Dannewitz
Musician/Polymath/Evil Genius
http://www.ericdannewitz.com
On Oct 7, 2011, at 8:19 AM, Aaron Sherber wrote:
> On 10/7/2011 11:14 AM, Colin Broom wrote:
>> Are there screenshots anywhere on the website of the GUI? Is it
On 10/7/2011 11:14 AM, Colin Broom wrote:
> Are there screenshots anywhere on the website of the GUI? Is it
> essentially the same setup?
Yes, the interface looks essentially the same as past versions.
Aaron.
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ate: Sat, 8 Oct 2011 00:11:44 +1100
> To: finale@shsu.edu
> Subject: Re: [Finale] Finale 2012 released
>
> Horses for courses, I suppose. I love the new score manager. I suppose it's
> worth the price of the upgrade. On the other hand, not being in the education
> field,
Horses for courses, I suppose. I love the new score manager. I suppose it's
worth the price of the upgrade. On the other hand, not being in the education
field, the improvements in SmartScore mean little to me. Similarly the extra
sounds in Garritan. I am a contemporary arranger, and Finale seem
On 2011-10-07 13:21, David H. Bailey wrote:
> Now that it's officially released, can some of the beta testers come
> forward with their honest opinions about this upgrade?
I'm going to post a thorough review on the tips site within 24 hours.
Best regards,
Jari Williamsson
While you're here Justin. Was the Moravian orchestral example mixed entirely in
Finale 2012? Or was it enhanced by a DAW?
On 07/10/2011, at 11:20 PM, Phillips, Justin wrote:
>
> Yes, that was all created in Finale 2012 (no graphic imports) and it's quite
> clever (IMHO). It's included as
Yes, that was all created in Finale 2012 (no graphic imports) and it's quite
clever (IMHO). It's included as one of the Repertoire files with 2012 at
File menu > Open Work Sheets and Repertoire > Repertoire > Classical >
Vocal > Billings Connection if you want to deconstruct the file
UNICODE! Whee!
Also some playback improvements, a "score manager" (I don't get it entirely)
for changing instruments, and some other things. Please, bug fixes, please!
Christopher
On Fri Oct 7, at FridayOct 7 6:29 AM, Colin Broom wrote:
>
> http://www.finalemusic.com/Finale/New.aspx
>
> --
On Fri, October 7, 2011 7:21 am, David H. Bailey wrote:
> Thanks for that link -- did everybody see the circular score on the home
> page for Finale2012? Is there any way to ask them how they accomplished
> that? Was it really from within Finale2012?
If that finally means we can bend the staff,
On 10/7/2011 6:29 AM, Colin Broom wrote:
>
> http://www.finalemusic.com/Finale/New.aspx
>
Thanks for that link -- did everybody see the circular score on the home
page for Finale2012? Is there any way to ask them how they accomplished
that? Was it really from within Finale2012?
Now that it's
http://www.finalemusic.com/Finale/New.aspx
--
Colin Broom
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