Chris Bell wrote:
On Aug 10, 2008, at 9:57 PM, Darcy James Argue wrote:
In fact, I think anyone would be hard-pressed to complain about the
instrument selection for JABB -- it is amazingly comprehensive. They
actually have MORE instruments than they list on the product page:
. . . . I really
On Aug 10, 2008, at 9:57 PM, Darcy James Argue wrote:
In fact, I think anyone would be hard-pressed to complain about the
instrument selection for JABB -- it is amazingly comprehensive.
They actually have MORE instruments than they list on the product
page:
. . . . I really don't see how
Hi John,
It's not that NYC players don't own F-trigger horns or don't know how
to use them. It's that they don't bring them to jazz gigs (including
bigband) where they might be called on to play a solo. Their main solo
horn is almost always a straight tenor trombone. The F-trigger horn is
At 7:41 AM -0400 8/10/08, dhbailey wrote:
Sure, most of the top-tier jazz trombone players may not use
F-attachments when on jazz gigs (unless they're on 4th bone parts)
but I'm fairly positive that all of them would own and feel
comfortable playing F-attachment horns for those gigs when they
dhbailey wrote:
dhbailey wrote:
[snip] the population which gets played for
paying [snip]
It's been a long time since I've had typing dyslexia -- I meant "the
population which gets payed for playing" :-)
Just kidding -- what I *really* meant was "the population
which gets paid for playi
dhbailey wrote:
[snip] the population which gets played for
paying [snip]
It's been a long time since I've had typing dyslexia -- I
meant "the population which gets payed for playing" :-)
--
David H. Bailey
[EMAIL PROTECTED]
___
Finale mailing lis
Carl Dershem wrote:
Darcy James Argue wrote:
Hi Craig,
You are right about the orchestral trombones. Perhaps some bigbands
have 3rd tbn. players with triggers, but here in NYC I rarely see
that. Nobody wants to play a solo on an instrument with an attachment,
and solos get passed around with
Carl Dershem wrote:
Darcy James Argue wrote:
Hi Craig,
The range is realistic -- jazz tenor trombone players almost never
have an F attachment. I am sure the players they sampled for the JABB
trombones did not have an F attachment on their horn.
Hm. About half of the ones I work with (and
Darcy James Argue wrote:
Hi Craig,
You are right about the orchestral trombones. Perhaps some bigbands have
3rd tbn. players with triggers, but here in NYC I rarely see that.
Nobody wants to play a solo on an instrument with an attachment, and
solos get passed around within the section fairly
Hi Craig,
You are right about the orchestral trombones. Perhaps some bigbands
have 3rd tbn. players with triggers, but here in NYC I rarely see
that. Nobody wants to play a solo on an instrument with an attachment,
and solos get passed around within the section fairly frequently. None
of
The Garritan set included in Finale is not "Jazz" per se, is it? None
of the orchestral trombone voices covers any of the trigger range, I
don't believe, and 99.999% of orchestra trombonists play with F
attachments most of the time. Lots of second trombone parts in
orchestral scores go into t
Darcy James Argue wrote:
Hi Craig,
The range is realistic -- jazz tenor trombone players almost never have
an F attachment. I am sure the players they sampled for the JABB
trombones did not have an F attachment on their horn.
Hm. About half of the ones I work with (and have worked with in t
Hi Craig,
The range is realistic -- jazz tenor trombone players almost never
have an F attachment. I am sure the players they sampled for the JABB
trombones did not have an F attachment on their horn.
The full JABB set has a proper bass trombone in addition to the four
tenor trombones.
I have not noticed any problems so far playing the included Garritan
sounds on the Aria player.
I have ordered the full Garritan big band set. My first project with
the included Garritan sounds was a flop. It was a trombone quartet.
None of the trombone voices could play a low C, which is e
14 matches
Mail list logo
