At 9:14 PM -0400 8/30/08, Christopher Smith wrote:
Hey, collective wisdom,
When you are writing a harp gliss of the type that starts with say,
a quarter note, and is followed by six more grace notes indicating
the exact pitches of the scale, how do you get them to line up
properly? Mine keep
On Aug 30, 2008, at 11:24 PM, John Howell wrote:
At 9:14 PM -0400 8/30/08, Christopher Smith wrote:
Hey, collective wisdom,
When you are writing a harp gliss of the type that starts with
say, a quarter note, and is followed by six more grace notes
indicating the exact pitches of the
On Sun, August 31, 2008 8:23 am, Christopher Smith wrote:
Why should the program, treating them as grace notes, move them
BEFORE the note they come after? Why don't they keep their positioning?
Can you describe your entry method a little? When I create grace notes
after a note, they stay there.
@shsu.edu
Subject: [Finale] Harp gliss grace notes
Reply-To: finale@shsu.edu
Hey, collective wisdom,
When you are writing a harp gliss of the type that starts with say,
a quarter note, and is followed by six more grace notes indicating
the exact pitches of the scale, how do you get them
To: finale@shsu.edu
Sent: Saturday, August 30, 2008 8:24 PM
Subject: Re: [Finale] Harp gliss grace notes
At 9:14 PM -0400 8/30/08, Christopher Smith wrote:
Hey, collective wisdom,
When you are writing a harp gliss of the type that starts with say,
a quarter note, and is followed
Hmm, yours look fine, but mine all crowd over to the left. I don't
know why.
C.
On Aug 31, 2008, at 8:52 AM, Dennis Bathory-Kitsz wrote:
On Sun, August 31, 2008 8:23 am, Christopher Smith wrote:
Why should the program, treating them as grace notes, move them
BEFORE the note they come
At 8:23 AM -0400 8/31/08, Christopher Smith wrote:
Thanks for offering to ask for me, but I don't need notation help
(the composer is pretty clear) I needed Finale help.
I understand that, but I just checked Clint Roemer (pp. 145-6), and
in the pre-computer days he doesn't seem to have used
At 10:22 AM -0700 8/31/08, Greg Hamilton wrote:
Hi Christopher,
The standard way of indicating a harp glissando and notating the
pitches is as seven 32nd notes and then extend the beams over a
little. From there use a gliss. line to the final pitch of the
gliss. and put a slur over it. An
I usually write out the notes of the scale with the attendant accidentals,
then just indicate the highs and lows of the glissandi.
ajr
Hey, collective wisdom,
When you are writing a harp gliss of the type that starts with say, a
quarter note, and is followed by six more grace notes
Do you mean as text? That's how I usually do it (in pedal order,
DCB / EFGA), but I am supposed to indicate the pitches in grace notes
this time.
I just went ahead and made it a tuplet with no number or bracket, and
changed the note size manually, hiding the extra rests. But it seems
an
Yes, text does it in this case.
ajr
Do you mean as text? That's how I usually do it (in pedal order,
DCB / EFGA), but I am supposed to indicate the pitches in grace notes
this time.
I just went ahead and made it a tuplet with no number or bracket, and
changed the note size manually, hiding
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