Greetings…
I'm working on something now that has me going through all sorts of
contortions, and before I continue contorting, maybe someone can point me in a
better direction. Here's the situation…
Cut time, and the composer's notation in each bar is as follows: two dotted
half notes with
On Tue, June 5, 2012 5:18 pm, Neal Gittleman wrote:
Cut time, and the composer's notation in each bar is as follows: two dotted
half notes with eighth-note slash for repeated notes and a 6 above each note,
yielding 12 sextuplet eighths in each bar.
What I've been doing is this…
enter
your filters might have some things unchecked (cmd-opt-sh-f on mac or
via the edit menu as of 2010 [or possibly earlier])
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On 6/5/2012 5:18 PM, Neal Gittleman wrote:
Cut time, and the composer's notation in each bar is as follows: two dotted
half notes with eighth-note slash for repeated notes and a 6 above each note,
yielding 12 sextuplet eighths in each bar.
A couple of things come to mind. The first, if
On Tue, June 5, 2012 6:32 pm, Aaron Sherber wrote:
2. Cursor back
Yeah, that's what I meant in mine, not backspace. Exactly the same procedure
as I use.
Dennis
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create (2x) tuplets -- 1 dotted half : half
add slash as articulation
add 6 as articulation (centred, avoids stafflines, above note /
stem side according to your prefs)
copy-paste as needed
far less kludging and far easier / quicker to set up, and the aug dot
will position itself properly
create (2x) tuplets -- 1 dotted half : half
(with bracket and number hidden)
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Thanks for all the suggestions. I ended up creating a solution of my own --
making the bars 12/8 with cut-time as the alternate display time signature,
then adding the 6s as articulations. Still not 100% elegant, but it works!
Neal Gittleman
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