At 11:32 PM -0500 1/23/09, Ray Horton wrote:
John Howell wrote:
I just looked through the original part, and the highest notes I
can see are several Ds and 2 Es. Where's the F supposed to be?
John
Keep looking, John.
OK, that was snarky. Try measure 453-454 - ff. You do remember
h
John Howell wrote:
I just looked through the original part, and the highest notes I can
see are several Ds and 2 Es. Where's the F supposed to be?
John
Keep looking, John.
OK, that was snarky. Try measure 453-454 - ff. You do remember how to
read the clef, don't you? (Aren't you
At 8:32 PM -0500 1/20/09, Christopher Smith wrote:
Yes, yes, that was my point. (Humour!) Of course I know all the
usual repertoire for trombones before the 5th, but the symphony was
considered the "large canvas" for composers since the Baroque.
(Catching up with some messages, having just f
It all depends on which "big boys" you're talking about. Even in some of
those operas you mentioned trombone players sit around and hear everybody
else make the piece while they count TACETs. They only play in 2 out of 5
acts of Orfeo (and let's not split hairs over whether or not the opening
tocca
On Jan 20, 2009, at 4:31 PM, Andrew Stiller wrote:
Christopher Smith:
Yup, we see it as making us wait 300 years to play with the big
boys, THEN we STILL have to wait until the last freakin' movement
when our chops are nice and stiff from lack of use, THEN he makes
the first trombone en
Set the Repeat counter in the playback controls to 1
On Jan 20, 2009, at 5:42 PM, Mark McCarron wrote:
when using the playback controls on Fin 2009 Mac OS 10.4.11 I get a
message to enter a number between 1 and 1.
Can this be fixed?
Mark McCarron
when using the playback controls on Fin 2009 Mac OS 10.4.11 I get a message to
enter a number between 1 and 1.
Can this be fixed?
Mark McCarron
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Original Message
Subject: Re: [Finale] Notation for buzzing a bassoon reed by itself
(Somewhat OT)
From:"Mariposa Symphony Orchestra"
Date:Tue, January 20, 2009 2:07 pm
To: finale@shsu.edu
Cc: arabu...@c
Christopher Smith:
Yup, we see it as making us wait 300 years to play with the big boys,
THEN we STILL have to wait until the last freakin' movement when our
chops are nice and stiff from lack of use, THEN he makes the first
trombone enter (first entrance in HISTORY, not just this symphony!)
As I said earlier ... it could very well been discussed ... but I was
an undergrad, the desert mountains, canyons, and kegs of Coors were a
constant siren song in our hearts. Most likely it was my bad, not
the prof's.
Dean
On Jan 20, 2009, at 11:12 AM, Martin Banner wrote:
Wow, even I me
Geez ... and the trb. section looked so calm the other night!
Perhaps they were petrified.
Thanks,
Dean
On Jan 20, 2009, at 12:12 PM, Christopher Smith wrote:
Yup, we see it as making us wait 300 years to play with the big
boys, THEN we STILL have to wait until the last freakin' movement
Sent: Tuesday, January 20, 2009 11:02 AM
Subject: Re: [Finale] Notation for buzzing a bassoon reed by itself (Somewhat
OT)
I would look askance at any history class dealing with music of this time
period that didn't include this fact. Then again, as a former trombone
player, it is a re
Yup, we see it as making us wait 300 years to play with the big boys,
THEN we STILL have to wait until the last freakin' movement when our
chops are nice and stiff from lack of use, THEN he makes the first
trombone enter (first entrance in HISTORY, not just this symphony!)
cold on a high C
Wow, even I mentioned this fact as a major event to my high school
music history class!
Martin
On Jan 20, 2009, at 2:02 PM, wrote:
I would look askance at any history class dealing with music of this
time
period that didn't include this fact. Then again, as a former trombone
player, it
I would look askance at any history class dealing with music of this time
period that didn't include this fact. Then again, as a former trombone
player, it is a red-letter event which we all celebrate!
ajr
> Ah, thank you sir. That was a fact which escaped my undergrad Music
> History class ... o
Ah, thank you sir. That was a fact which escaped my undergrad Music
History class ... or, more likely, I was gone that day, enjoying the
many allurements of the greater Tucson, AZ environs.
Dean
On Jan 19, 2009, at 10:36 PM, wrote:
Beethoven 5 is usually considered the first appearance in
Beethoven 5 is usually considered the first appearance in a symphony of
trombones, contrabassoon, and piccolo. The contrabassoon mostly doubles
the string bass parts. When my community orchestra played Beethoven 5
years ago the contra was just left out, and not missed. Another community
orchestra g
Speaking of bassoons, I went to a symphony concert this weekend,
wherein was performed Beethoven 5. Included in the instrumentation
was a Contra Bassoon, which was used only (as best I could see) in
the last movement, doubling the Third Bone part. I don't have a
score to the work, so can
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