At 11:32 PM -0500 1/23/09, Ray Horton wrote:
John Howell wrote:
I just looked through the original part, and the highest notes I
can see are several Ds and 2 Es. Where's the F supposed to be?
John
Keep looking, John.
OK, that was snarky. Try measure 453-454 - ff. You do remember
At 8:32 PM -0500 1/20/09, Christopher Smith wrote:
Yes, yes, that was my point. (Humour!) Of course I know all the
usual repertoire for trombones before the 5th, but the symphony was
considered the large canvas for composers since the Baroque.
(Catching up with some messages, having just
John Howell wrote:
I just looked through the original part, and the highest notes I can
see are several Ds and 2 Es. Where's the F supposed to be?
John
Keep looking, John.
OK, that was snarky. Try measure 453-454 - ff. You do remember how to
read the clef, don't you? (Aren't you
Ah, thank you sir. That was a fact which escaped my undergrad Music
History class ... or, more likely, I was gone that day, enjoying the
many allurements of the greater Tucson, AZ environs.
Dean
On Jan 19, 2009, at 10:36 PM, arabu...@cowtown.net wrote:
Beethoven 5 is usually considered the
I would look askance at any history class dealing with music of this time
period that didn't include this fact. Then again, as a former trombone
player, it is a red-letter event which we all celebrate!
ajr
Ah, thank you sir. That was a fact which escaped my undergrad Music
History class ...
Wow, even I mentioned this fact as a major event to my high school
music history class!
Martin
On Jan 20, 2009, at 2:02 PM, arabu...@cowtown.net wrote:
I would look askance at any history class dealing with music of this
time
period that didn't include this fact. Then again, as a former
(Aaron - could you forward this to the list for me in the event it doesn't make
it on its own?Yahoogroups has (I've been told) probably erroneously
misidentified my entire ISP as a s-p-a-m source and it's affected ALL my
yahoogroup membershipsthanks!)
And perhaps most important is the
Geez ... and the trb. section looked so calm the other night!
Perhaps they were petrified.
Thanks,
Dean
On Jan 20, 2009, at 12:12 PM, Christopher Smith wrote:
Yup, we see it as making us wait 300 years to play with the big
boys, THEN we STILL have to wait until the last freakin'
As I said earlier ... it could very well been discussed ... but I was
an undergrad, the desert mountains, canyons, and kegs of Coors were a
constant siren song in our hearts. Most likely it was my bad, not
the prof's.
Dean
On Jan 20, 2009, at 11:12 AM, Martin Banner wrote:
Wow, even I
Christopher Smith:
Yup, we see it as making us wait 300 years to play with the big boys,
THEN we STILL have to wait until the last freakin' movement when our
chops are nice and stiff from lack of use, THEN he makes the first
trombone enter (first entrance in HISTORY, not just this symphony!)
Original Message
Subject: Re: [Finale] Notation for buzzing a bassoon reed by itself
(Somewhat OT)
From:Mariposa Symphony Orchestra m...@sti.net
Date:Tue, January 20, 2009 2:07 pm
To: finale@shsu.edu
Cc:
when using the playback controls on Fin 2009 Mac OS 10.4.11 I get a message to
enter a number between 1 and 1.
Can this be fixed?
Mark McCarron
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Set the Repeat counter in the playback controls to 1
On Jan 20, 2009, at 5:42 PM, Mark McCarron wrote:
when using the playback controls on Fin 2009 Mac OS 10.4.11 I get a
message to enter a number between 1 and 1.
Can this be fixed?
Mark McCarron
On Jan 20, 2009, at 4:31 PM, Andrew Stiller wrote:
Christopher Smith:
Yup, we see it as making us wait 300 years to play with the big
boys, THEN we STILL have to wait until the last freakin' movement
when our chops are nice and stiff from lack of use, THEN he makes
the first trombone
It all depends on which big boys you're talking about. Even in some of
those operas you mentioned trombone players sit around and hear everybody
else make the piece while they count TACETs. They only play in 2 out of 5
acts of Orfeo (and let's not split hairs over whether or not the opening
Speaking of bassoons, I went to a symphony concert this weekend,
wherein was performed Beethoven 5. Included in the instrumentation
was a Contra Bassoon, which was used only (as best I could see) in
the last movement, doubling the Third Bone part. I don't have a
score to the work, so
Beethoven 5 is usually considered the first appearance in a symphony of
trombones, contrabassoon, and piccolo. The contrabassoon mostly doubles
the string bass parts. When my community orchestra played Beethoven 5
years ago the contra was just left out, and not missed. Another community
orchestra
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