I ran your original unedited firsth through noise reduction and
then fft
filtering (in Audition). See if you can forget the faux-
richness imparted
by the low rumble. :) http://maltedmedia.com/recordings/
Morley-Aria.mp3
Well, if I had those tools, I guess I'd do that, too, but lacking
On Mon, November 3, 2008 7:39 am, Chris Bell wrote:
For those in need of noise/hiss/rumble/clicks removing . . .
Here's a list of software that I use to work their magic:
http://www.bias-inc.com/products/soundSoapPro/
The slightly cheaper version, but still very good:
For those in need of noise/hiss/rumble/clicks removing . . .
Here's a list of software that I use to work their magic:
http://www.bias-inc.com/products/soundSoapPro/
The slightly cheaper version, but still very good:
http://www.bias-inc.com/products/soundSoap2/
On Mon, November 3, 2008 9:08 am, Chris Bell wrote:
Ahh yes . . but . . buy quality, cry once
That's what they said about Finale.
Dennis
...still crying 16 years later.
___
Finale mailing list
Finale@shsu.edu
On 3 Nov 2008 at 9:05, Dennis Bathory-Kitsz wrote:
On Mon, November 3, 2008 7:39 am, Chris Bell wrote:
For those in need of noise/hiss/rumble/clicks removing . . .
Here's a list of software that I use to work their magic:
http://www.bias-inc.com/products/soundSoapPro/
The slightly
David,
I haven't actually listened to your recording, but if you have access to
a Mac there is a free, and pretty impressive tool available, called
soundhack. I use it often to carefully remove background noise from
recordings. www.soundhack.com
On 02.11.2008 David W. Fenton wrote:
I ran
On 02.11.2008 David W. Fenton wrote:
BTW, I'm THRILLED that nobody could find my splice. I don't have
great tools for this kind of thing (I used Audacity to split the file
into Beginning/End/Middle WAVs and then sewed them back together with
the Exact Audo Copy WAV editor, which works better
On 03.11.2008 David W. Fenton wrote:
I don't know for certain if more expensive tools could have been used
more subtly to produce something that me ears would find satisfactory
(one of Dennis's efforts produced with his normal tools really did
sound quite good and didn't seem to sacrifice the
On 3 Nov 2008 at 20:49, Johannes Gebauer wrote:
On 02.11.2008 David W. Fenton wrote:
BTW, I'm THRILLED that nobody could find my splice. I don't have
great tools for this kind of thing (I used Audacity to split the file
into Beginning/End/Middle WAVs and then sewed them back together
Dennis Bathory-Kitsz wrote:
On Mon, November 3, 2008 9:08 am, Chris Bell wrote:
Ahh yes . . but . . buy quality, cry once
That's what they said about Finale.
Dennis
...still crying 16 years later.
Touche -- but if the saying is true, and we have indeed
cried many times, did we really buy
On 03.11.2008 David W. Fenton wrote:
It is certainly good enough for what I need to do.
I was merely refering to much more difficult than I ever imagined,
which doesn't need to be the case. I edit recordings a lot, and have
done and am doing full CDs with hundreds of edits, so I think I know
Before I commit to an edited recording, I was wondering if I could
get some objective ears to listen. Can you hear the splice in the
single MP3 in this folder:
http://dfenton.com/Collegium/StMichaelsSecular/
I know where it is and can't hear it (no matter how often I listen),
but the treble
Very nice.
Can't hear it, though I thought it might have been at precisely 60 secs in
just after Let me take you ... and before ...down but it wasn't.
David McKay
2008/11/3 David W. Fenton [EMAIL PROTECTED]
Before I commit to an edited recording, I was wondering if I could
get some objective
On Sun, November 2, 2008 2:45 pm, David W. Fenton wrote:
Before I commit to an edited recording, I was wondering if I could
get some objective ears to listen. Can you hear the splice in the
single MP3 in this folder:
http://dfenton.com/Collegium/StMichaelsSecular/
There are two glitches,
On 2 Nov 2008 at 15:28, Dennis Bathory-Kitsz wrote:
On Sun, November 2, 2008 2:45 pm, David W. Fenton wrote:
Before I commit to an edited recording, I was wondering if I could
get some objective ears to listen. Can you hear the splice in the
single MP3 in this folder:
On Sun, November 2, 2008 3:45 pm, David W. Fenton wrote:
The rumble, well, that's all in the original recording -- sounds like
it's off an LP, right?
Like an HVAC system or a permanent A-train. :)
Is there any way with something like Audacity to filter out the
rumble? I'm right now testing
On 2 Nov 2008 at 15:45, David W. Fenton wrote:
Is there any way with something like Audacity to filter out the
rumble? I'm right now testing the Noise Removal tool, but don't
have results yet...
Well, here's the results of that:
http://dfenton.com/Collegium/StMichaelsSecular/
in the
At 2:45 PM -0500 11/2/08, David W. Fenton wrote:
I know where it is and can't hear it (no matter how often I listen),
but the treble player is convinced she can hear it.
I slowed it down, and noticed what may be a
splice at 19.75 seconds. I say this because the
ambient sound seems to me to
On 2 Nov 2008 at 15:53, Dennis Bathory-Kitsz wrote:
On Sun, November 2, 2008 3:45 pm, David W. Fenton wrote:
The rumble, well, that's all in the original recording -- sounds like
it's off an LP, right?
Like an HVAC system or a permanent A-train. :)
Possibly the air, but the recording was
On 2 Nov 2008 at 14:19, Carlberg Jones wrote:
At 2:45 PM -0500 11/2/08, David W. Fenton wrote:
I know where it is and can't hear it (no matter how often I listen),
but the treble player is convinced she can hear it.
I slowed it down, and noticed what may be a
splice at 19.75 seconds. I
On Sun, November 2, 2008 4:12 pm, David W. Fenton wrote:
Bad as it is, I think I'll just live with the original rumble -- my
ear tunes it out after a short time, just like we always did with
LPs.
I ran your original unedited firsth through noise reduction and then fft
filtering (in Audition).
]
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
David W. Fenton
Sent: Sunday, November 02, 2008 8:55 PM
To: finale@shsu.edu
Subject: Re: [Finale] OT: Can you spot the splice?
On 2 Nov 2008 at 15:45, David W. Fenton wrote:
Is there any way with something
On 2 Nov 2008 at 16:30, Dennis Bathory-Kitsz wrote:
On Sun, November 2, 2008 4:12 pm, David W. Fenton wrote:
Bad as it is, I think I'll just live with the original rumble -- my
ear tunes it out after a short time, just like we always did with
LPs.
I ran your original unedited firsth
On 2 Nov 2008 at 20:58, Brennon Bortz wrote:
A low-pass filter will cut off the high end, and allow low frequencies to
pass. You're actually looking for a high-pass filter if you want to
remove frequencies below 30Hz, as Dennis suggested.
Thanks. After posting that I Googled the definition,
On Sun, November 2, 2008 4:50 pm, David W. Fenton wrote:
The FFT filter is just worthless, because the UI is not specific
enough (I can't tell exactly what frequency I'm telling it to drop
off to nothing at).
Terrible, yes. I just reinstalled Audacity on this system. The High Pass
Filter in
On 2 Nov 2008 at 17:07, Dennis Bathory-Kitsz wrote:
On Sun, November 2, 2008 4:50 pm, David W. Fenton wrote:
The FFT filter is just worthless, because the UI is not specific
enough (I can't tell exactly what frequency I'm telling it to drop
off to nothing at).
Terrible, yes. I just
For me, it seams.
Dean
On Nov 2, 2008, at 11:45 AM, David W. Fenton wrote:
Before I commit to an edited recording, I was wondering if I could
get some objective ears to listen. Can you hear the splice in the
single MP3 in this folder:
http://dfenton.com/Collegium/StMichaelsSecular/
I
Is there any way with something like Audacity to filter out the
rumble? I'm right now testing the Noise Removal tool, but don't
have results yet...
David, if you like I can help you with removing that rumble/noise, I
have access to a whole bunch of noise/hiss/reducing apps (this is
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