Dennis Bathory-Kitsz <[EMAIL PROTECTED]> wrote:
> John Howell wrote:
>The problem with that method
>is that it leaves it entirely up to the player to figure out how and
>where to finger the harmonic.
Exactly. That's what I do. You put in bowings, they change them.
You put in phrasings, t
>
> Perhaps so; I don't know how much training in harmonics a
> violinist gets compared to, say, a guitarist, whose scores
> are littered with harmonics. In looking at your Britten
> example, I can see which strings those harmonics might fall
> on for greatest volume, if only because of knowi
At 12:20 AM 7/3/2007 +0100, Owain Sutton wrote:
>How about when a harmonic can be produced either as a natural harmonic
>or an artificial one - if a composer prefers the timbre of one over the
>other, which we can hopefully agree is a major difference, why not
>notate it as such?
If there is, and
>
> Back in the early 1990s, I had an orchestral piece performed
> where the concertmaster changed a whole group of critical
> bowings without consulting me. Why? It "sounded better" and
> was "easier on the players' muscles". Hoo-boy. Almost as bad
> as the pianist who said she'd injure her
At 04:37 PM 7/2/2007 -0400, John Howell wrote:
>Touchy, touchy!!! ;-)
You know that was almost all for you. :)
>I've commented before (on
>this list, I think), so I'll simply repeat what
>I've said. You put in bowings THAT WORK and they
>will not change them. It takes an experienced
>player
At 2:41 PM -0400 7/2/07, Dennis Bathory-Kitsz wrote:
At 02:24 PM 7/2/2007 -0400, John Howell wrote:
The problem with that method
is that it leaves it entirely up to the player to figure out how and
where to finger the harmonic.
Exactly. That's what I do.
You put in bowings, they change them.
>
> On Jul 2, 2007, at 1:12 PM, Owain Sutton wrote:
> >
> > In fact, one of the contexts I was thinking of where
> natural harmonics
> > are best notated with diamond noteheads is in the Ravel
> quartet, with
> > slurs across all four strings of each instrument, with various
> > harmonics on
On Jul 2, 2007, at 1:12 PM, Owain Sutton wrote:
In fact, one of the contexts I was thinking of where natural harmonics
are best notated with diamond noteheads is in the Ravel quartet, with
slurs across all four strings of each instrument, with various
harmonics
on the different strings.
To
At 02:24 PM 7/2/2007 -0400, John Howell wrote:
>The problem with that method
>is that it leaves it entirely up to the player to figure out how and
>where to finger the harmonic.
Exactly. That's what I do. You put in bowings, they change them. You put in
phrasings, they change them. You put in dy
At 9:43 AM -0400 7/2/07, Christopher Smith wrote:
On Jul 1, 2007, at 3:39 PM, Will Denayer wrote:
Dear Christopher,
I am using Finale 2007c with Garritan Pers. Orch. 2 and the
playback engine is Kontakt 2.
I am talking about double bass solo KS. Artificial harmonics (using
TGT) play back cor
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On Behalf Of [EMAIL PROTECTED]
> Sent: 02 July 2007 17:26
> To: finale@shsu.edu
> Subject: RE: [Finale] db harmonics
>
>
> One of my bass-playing college friends had a chart of bass
One of my bass-playing college friends had a chart of bass harmonics as
notated in the works of Maurice Ravel, who himself used several different
notation.
Onward and upaward,
Aaron J. Rabushka
[EMAIL PROTECTED]
http://users.waymark.net/arabushk
___
Fi
On Jul 2, 2007, at 10:29 AM, Owain Sutton wrote:
On Jul 1, 2007, at 3:39 PM, Will Denayer wrote:
Dear Christopher,
I am using Finale 2007c with Garritan Pers. Orch. 2 and the
playback engine is Kontakt 2.
I am talking about double bass solo KS. Artificial
harmonics (using
TGT) play back cor
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED] On Behalf Of Christopher Smith
> Sent: 02 July 2007 14:43
> To: finale@shsu.edu
> Subject: Re: [Finale] db harmonics
>
>
>
> On Jul 1, 2007, at 3:39 PM, Will Denayer wrote:
>
On Jul 1, 2007, at 3:39 PM, Will Denayer wrote:
Dear Christopher,
I am using Finale 2007c with Garritan Pers. Orch. 2 and the
playback engine is Kontakt 2.
I am talking about double bass solo KS. Artificial harmonics (using
TGT) play back correctly, natural harmonics (articulation tool - n
Dear Christopher,
I am using Finale 2007c with Garritan Pers. Orch. 2 and the playback engine is
Kontakt 2.
I am talking about double bass solo KS. Artificial harmonics (using TGT) play
back correctly, natural harmonics (articulation tool - no.21), do not play
back, I hear the note which is w
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