Thanks. Which options do I take to avoid the tremolo bars writing over the
accidentals?
ajr
-Original Message-
From: Finale [mailto:finale-boun...@shsu.edu] On Behalf Of Giovanni Andreani
Sent: Friday, August 2, 2019 3:32 AM
To: Finale List
Subject: Re: [Finale] tremolos
TG Tools
TG Tools Tremolos plugin can do it.
Giovanni
Giovanni Andreani
www.giovanniandreani.com
www.ga-music.com
> On 2 Aug 2019, at 04:54, Aaron Rabushka wrote:
>
> Does any of you know of a way (plug-in or otherwise) to get tremolo lines to
> avoid writing over accidentals where the notes
Does any of you know of a way (plug-in or otherwise) to get tremolo lines to
avoid writing over accidentals where the notes involved have no stems?
Aaron J. Rabushka
Austin, TX
Finale 2014.0.3163 in Windows 10
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I'm working on a piece using full TGTools and Human Playback. Recently, the
piano tremolos have become hyper-intense, to the point that they are annoying.
It's almost as if the pedal were being held down forever.
I'm using both the synth and VST instrumrnts as I'm sharing the work with a
periods of compositional
conservatism like the rather extreme one we're experiencing,
Dennis
Hardly. In a period of extreme conservatism, one would expect that
compositions created at any given time would be stylistically
indistinguishable from those created many decades or even
Carl Dershem wrote:
Dennis Bathory-Kitsz wrote:
At 05:46 PM 6/24/06 -0700, Carl Dershem wrote:
And there's always the possibility that because of the current
shrinking of the world through technology, that it will take a while
for everyone to catch up to the status quo. AT present, a lot
On Jun 23, 2006, at 1:23 PM, Dennis Bathory-Kitsz wrote:
Once we cycle back out of these conservative artistic times and
experiment
once becomes part of the composer's attitude, the software situation
(and
codification dilemma) may improve -- or, as I suggested above, it may
result in
At 12:40 PM -0400 6/24/06, Andrew Stiller wrote:
On Jun 23, 2006, at 1:23 PM, Dennis Bathory-Kitsz wrote:
Once we cycle back out of these conservative artistic times and experiment
once becomes part of the composer's attitude, the software situation (and
codification dilemma) may improve --
At 02:14 PM 6/24/06 -0400, John Howell wrote:
And let's not forget that the development of non-traditional
notations in the 20th century was driven by one and only one
non-musical requirement: music could not be copyrighted unless it
could be represented on paper. Since it WAS necessary,
At 12:40 PM 6/24/06 -0400, Andrew Stiller wrote:
I don't think this cycling back out is likely any time soon.
Historically, the norm for notation is a very gradual evolution based
on changing understanding of what notations mean. Periods of frank
experimentation come along only about once every
On 24 Jun 2006 at 16:26, Dennis Bathory-Kitsz wrote:
At 12:40 PM 6/24/06 -0400, Andrew Stiller wrote:
I don't think this cycling back out is likely any time soon.
Historically, the norm for notation is a very gradual evolution based
on changing understanding of what notations mean. Periods
At 06:23 PM 6/24/06 -0400, David W. Fenton wrote:
I'm missig your point here, as Andrew was talking about *notational*
innovation. I don't know of any particular notational innovation most
of your examples.
I believe Andrew was talking about the big breaks in notation where
new kinds of music
Dennis Bathory-Kitsz wrote:
At 06:23 PM 6/24/06 -0400, David W. Fenton wrote:
Conversely, notation does not show advances during periods of compositional
conservatism like the rather extreme one we're experiencing, and the
coincidence of notation software and compositional conservatism magnify
At 05:46 PM 6/24/06 -0700, Carl Dershem wrote:
And there's always the possibility that because of the current shrinking
of the world through technology, that it will take a while for everyone
to catch up to the status quo. AT present, a lot of people in
third-world countries are catching up to
Dennis Bathory-Kitsz wrote:
At 05:46 PM 6/24/06 -0700, Carl Dershem wrote:
And there's always the possibility that because of the current shrinking
of the world through technology, that it will take a while for everyone
to catch up to the status quo. AT present, a lot of people in
At 01:15 PM 6/23/06 -0400, Andrew Stiller wrote:
In my defense, I'll simply observe that it's been everyone for themselves
in the notation department for the past 50 years.
Large guffaws. Well said.
Actually, it's a good thing. I was just talking about this in my blog the
other day:
There are
Of Eric Dannewitz
Sent: 22 June 2006 05:05
To: finale@shsu.edu
Subject: Re: [Finale] Tremolos
Exactly 1/2
Jamin Hoffman wrote:
Dear all -
Is the proper way to represent unmeasured tremolos three slashes
across the note, regardless of the value of the note?
Thanks -
Jamin
On Jun 21, 2006, at 10:03 PM, Jamin Hoffman wrote:
Dear all -
Is the proper way to represent unmeasured tremolos three slashes across the note, regardless of the value of the note?
My understanding is that when there are no flags, use three.
With one flag or beam, use two (adds up to
. In those situations, I will reduce to two slashes,
but have a 'trem.' instruction at the start of the passage.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Eric Dannewitz
Sent: 22 June 2006 05:05
To: finale@shsu.edu
Subject: Re: [Finale] Tremolos
On Jun 21, 2006, at 10:03 PM, Jamin Hoffman wrote:
Dear all -
Is the proper way to represent unmeasured tremolos three slashes across the note, regardless of the value of the note?
Yes. This same notation is also used for wind fluttertongue and percussion rolls. Because of the possibility of
On Jun 22, 2006, at 2:27 PM, Andrew Stiller wrote:
On Jun 21, 2006, at 10:03 PM, Jamin Hoffman wrote:
Dear all -
Is the proper way to represent unmeasured tremolos three slashes across the note, regardless of the value of the note?
Yes. This same notation is also used for wind fluttertongue
Exactly 1/2
Jamin Hoffman wrote:
Dear all -
Is the proper way to represent unmeasured tremolos three slashes
across the note, regardless of the value of the note?
Thanks -
Jamin
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