On 03.07.2009 shirling neueweise wrote:
Yes. However, if you have either of these:
- hairpins
this depends on the nature of your score. you can selectively hide in SC and PTs if
there are only a few problematic places. hairpins are not the general
problem johannes suggests.
I find them
Christopher Smith wrote:
But you lose the essential (for me) feature of being able to make
corrections and changes in ONE place only and have them apply to
the parts and score simultaneously.
I have to say I find this claim to be somewhat disingenuous. While
it is true that some
On Jul 3, 2009, at 11:09 AM, Lawrence David Eden wrote:
Christopher Smith wrote:
But you lose the essential (for me) feature of being able to
make corrections and changes in ONE place only and have them
apply to the parts and score simultaneously.
I have to say I find this claim to
Amen to this ... saved me many hours.
Dean
Robert Wrote:
A separate file containing all the parts is definitely the best
way to go in my book. You give up very little with respect to
making revisions, and you gain tremendously in time saved creating
the score and parts and also in
On 7/3/2009 11:32 AM, Christopher Smith wrote:
There IS new material to learn. Extracted parts have to go through
the same new part creation process that linked parts do. If you use
the Setup Wizard, most of the work is done for you, but if you open a
pre-2007 file in 2007 or later, you have to
On Jul 3, 2009, at 12:11 PM, Aaron Sherber wrote:
On 7/3/2009 11:32 AM, Christopher Smith wrote:
There IS new material to learn. Extracted parts have to go through
the same new part creation process that linked parts do. If you use
the Setup Wizard, most of the work is done for you, but if
Absolutely. Best feature MakeMusic added. Huge time saver.
On Jul 2, 2009, at 10:17 AM, Paul Hayden wrote:
FinMac09
Mac OS 10.5.6
I have never used linked parts before. In about a week I'll be
finishing a big score (on deadline) for voices and orchestra, and
I'll have to decide whether
On 02.07.2009 Paul Hayden wrote:
Bottom line, have you found them to be a time-saver?
Yes. However, if you have either of these:
- hairpins
- cues
use a separate parts file. You may find that useful also for other items
like slurs, ties, accidentals, bar numbers etc. I always have a
Paul,
This is not an easy question to answer, but I will try to tell you
about my experience.
First, you need to have TG Tools Transfer Layout function available in
order to save time laying out parts that are similar. When you have
done Violin I, if Violin II is similar, you can
On Jul 2, 2009, at 1:17 PM, Paul Hayden wrote:
FinMac09
Mac OS 10.5.6
I have never used linked parts before. In about a week I'll be
finishing a big score (on deadline) for voices and orchestra, and
I'll have to decide whether or not to use linked parts. Bottom
line, have you found them
Yes. However, if you have either of these:
- hairpins
this depends on the nature of your score. you can selectively hide
in SC and PTs if there are only a few problematic places. hairpins
are not the general problem johannes suggests.
- cues
i have posted a couple of times before a
Christopher Smith wrote:
But you lose the essential (for me) feature of being able to make
corrections and changes in ONE place only and have them apply to the
parts and score simultaneously.
I have to say I find this claim to be somewhat disingenuous. While it is
true that some
12 matches
Mail list logo
