This is a very broad question, but I just saw Dunkirk last night and it was
an interesting example of parallel editing that kept jumping time, so what
you thought was parallel time turned out not to be...sometimes you went
back in time, other times forward in time, sometimes you were parallel, and
For me, one of the most interesting and exhilarating uses of parallel
editing in narrative cinema recently is from David Fincher, particularly
in THE GIRL WITH THE DRAGON TATTOO and much of the second half of GONE GIRL.
edo
On 11/21/17 9:36 AM, Cecilia Dougherty wrote:
> Stanley Kubrick’s The Kil
Brian de Palma's split screen sequences, not parallel editing in the
traditional sense but interesting variations on (inversions of?) it, as the
edit which illuminates the concurrence of events or perspectives happens
spatially rather than temporally. Two of my favs:
Phantom of the Paradise
Not to forget, two exquisite films by D.A. Pennebaker, a jazz aficionado:
Daybreak Express (1953), a short featuring the NY City Third Avenue Elevated
Train, cut to the music of Duke Ellington.
Lambert & Co. (1964) Documentary short featuring Dave Lambert (of Lambert,
Hendricks, and Ross) auditio
DWG
*THE STRIKE* (1925), EISENSTEIN
All the best.
2017-11-21 15:36 GMT+01:00 Cecilia Dougherty :
> Stanley Kubrick’s The Killing - many examples.
>
> On Mon, Nov 20, 2017 at 9:42 PM Amanda Christie <
> ama...@amandadawnchristie.ca> wrote:
>
>> thank you warren…
>>
>> on both counts…
>> of
>>
I'd like to confine the responses to cinema, not television. Otherwise,
anything anyone can think of between early and contemporary cinema would be
useful. I did intend for the inquiry to be broad because I'd like as many
examples as possible. Thank you for your suggestions so far.
> On Nov 20,
Stanley Kubrick’s The Killing - many examples.
On Mon, Nov 20, 2017 at 9:42 PM Amanda Christie <
ama...@amandadawnchristie.ca> wrote:
> thank you warren…
>
> on both counts…
> of
>
> A) steering things away from the DWG
> ..&..
> B) pointing out how uselessly broad the initial question was.
>
> p