Hello Frame worker nation just a quick not to let you know that we are
now processing 16 and Super 8mm b/w Reversal film in our New Jersey Lab.
Next online we will be processing 16 and Super 8mm ektachrome and after
that we will be processing Color Negative. All scanning is currently done
in
I'm late to this, but has anyone mentioned
The Phantom of Paradise
Dressed to Kill
Blow Out
Jack
On 02/01/2016, at 10:30 AM, John Sundholm wrote:
> must be the parody on resnais' 'last year at marienbad': 'last weak at oona's
> bath'. b
s any pictures of Times Sq or 42nd Street cinema in 70s.
Many thanks
Jack
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REVELATION FILM FESTIVAL: CALL FOR PAPERS
The Revelation Perth International Film Festival is calling for papers for its
2015 Academic Conference.
We are inviting all students, academics, independent researchers, filmmakers
and film fans to submit papers and proposals for the 2015 Revelation
om/l.php?u=http%3A%2F%2Fportraitofthelivingsky.tumblr.com%2F&h=3AQEkGBHx&enc=AZMaXc0gdYsaCSuPNDgDeCzkcI7N8-DD0LoBmo4akpMDIKyoRIbDapY9LHiE1M_9k8U&s=1>
Thanks,
Jack
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I see this!
Sent from my iPhone
> On 29 Mar 2014, at 8:12 am, "Gene Youngblood" wrote:
>
> I sent two replies to the banned films conversation and they didn’t show up,
> so this is a test to see if anything is getting through.
> ___
> FrameWorks mai
http://www.undergroundfilmjournal.com/underground-film-festivals-list/
On 21/03/2014, at 7:35 AM, Daniel Benjamin Robin wrote:
> Hello,
>
> I have an 7 minute experimental/personal documentary, all shot on super 8,
> and would like suggestions on festivals to submit it to.
>
> Thank you
> Dan
Hello Jerrett
Here at Metropolis Post we can scan your Super 8 footage on a laser
graphics Scan Station then record out to a 16mm Negative on our Laser
Graphics Film Recorder, the results will be superior to doing it on any
optical printer which usually yield very high contrast blown out results
eyond '76.
best
Jack Sargeant
Steve Anker, Kathy Geritz, Steve Seid, eds, Radical Light: Alternative Film And
Video in the San Francisco Bay Area, 1945-2000, University of California Press,
Berkeley, 2010
Dirk de Bruyn, ‘D-Light + MM2 = Dutch Experimental Film’ in Senses of Cinema,
please can you share this with your students, teaching colleagues, networks,
friends
REVELATION FILM FESTIVAL : CALL FOR PAPERS
The Revelation Perth International Film Festival is calling for papers for its
2014 Academic Conference.
We are inviting all students, academics, independent rese
OK, all males, but
Mark & Jay Duplass
Michael & Peter Spierig
Coen Bros
Ridley & Tony Scott
the Mitchell Brothers
-
jack
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es in
length.
A selection of articles from the 2012 event can be found in the latest issue of
SCAN: http://scan.net.au/
Send abstracts to Jack via ad...@jacktext.net by May 1st
Please can you forward and share with you networks.
Many thanks
Jack Sargeant_
es in
length.
A selection of articles from 2012 event will be published in SCAN later this
month: http://scan.net.au/
Send abstracts to Jack via ad...@jacktext.net
Please can you forward and share with you networks.
Many thanks
Jack Sargeant___
Fram
Mary Jane isn't a virgin anymore, 96, Sarah Jacobson
Jack
Sent from my iPhone
On 09/01/2013, at 2:59 PM, David Tetzlaff wrote:
> There was an American Indie feature from the 90s (I think) set primarily in
> the Uptown Theater in Minneapolis. I can't remember the name of th
Also, Inglorious Basterds
Jack
Sent from my iPhone
On 09/01/2013, at 1:04 PM, Sophie Lascelles wrote:
> Hellzapoppin'
>
>
> Sent from my iPhone
>
> On 7 Jan 2013, at 14:55, "Pigott, Michael"
> wrote:
>
>> Hello there,
>>
>> I
Anyone mentioned Fight Club yet? Or Richard kern's evil cameraman for the last
30 seconds?
Jack
Sent from my iPhone
On 09/01/2013, at 9:42 AM, Fiona Trigg wrote:
> Goodbye, Dragon Inn (2003) Tsai Ming-liang
> The Smallest Show on Earth (1957) British comedy set in a cinema
&g
The book lost highways: the illustrated history of the road movie that I
co-edited has some essays that may be of interest.
Jack
Sent from my iPhone
On 16/12/2012, at 2:47 AM, Bryan Konefsky wrote:
> Thanks everyone for your input... still hoping to get a few more film ideas
&g
Some others Cosmopolis (Cronenberg), also how about kids movies like Herbie &
Chitty Chitty Bang Bang?
Jack
Sent from my iPhone
On 15/12/2012, at 10:02 AM, Peter Mudie wrote:
> Talking about great cars, very hard to forget the Citroën DS21:
> Le Samouraï, Jean-Pierre Melville, Fr.,
Maybe Weekend? Cars That Ate Paris, radio on, kustom kar komandos, crash..
Jack
Sent from my iPhone
On 15/12/2012, at 9:49 AM, Peter Mudie wrote:
> Hollywood commercial stuff:
> Vanishing Point, 1971 (great car)
>
> Seated Figures – Michael Snow, Cdn., 1988.
> P
>
> Ferg
in Jordan Belson, should anybody be researching JB's work in that way.
Jack
On 13/10/2012, at 12:20 AM, David Tetzlaff wrote:
> Jack:
>
> It might help if you could define the borders of the cinematic domain you
> want to include/exclude. I assume it's not exclusivel
riters on works from Japan
and China.
Email me OFF LIST for details .
best
Jack
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should be enjoyable.
jack
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Received an email saying I was getting bouncebacks, asked me to re-register
then told me I was still registered, I view this email as a test, so ignore it!
Jack
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ment. I was being sarcastic, pretty evident
given my subsequent quote from Alfred Jarry, a man who's work repeatedly mocked
seriousness and self-importance.
Jack
On 26/07/2012, at 2:37 PM, carli...@aol.com wrote:
> In a message dated 7/25/2012 8:57:29 P.M. Pacific Daylight Time,
eople telling me
what discussions are allowed and which aren't.
Remember: “The work of art is a stuffed crocodile"
Jack
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Ron Rice's The Flower Thief.
Sent from my iPhone
On 20/05/2012, at 5:27 AM, Shona Masarin wrote:
> Hello all,
>
> Does anyone know of any experimental films that have explored vaudeville,
> slapstick and/or silent era clown films (eg. Buster Keaton) in some way or
> another?
>
> I am workin
http://shortfilms.org.uk/projections/17
this is an interesting piece (& not just because he mentions me) about the
contemporary UK scene as seen via Phil Ilson that looks at the role of curating
film.
jack
On 30/04/2012, at 6:14 AM, Ross Nugent wrote:
> Just came across this recent
Anthony Balch's The Cut Ups which has a flicker effect and Towers Open Fire
which features footage of Gysin & Sommerville's Dreammachine.
Of course the Dreamachine itself is all about flicker effects.
Jack
Sent from my iPhone
On 26/04/2012, at 6:25 AM, Will Erokan wrote:
&
it's available via BFI.
Jack
On 23/03/2012, at 7:20 AM, Eleni Philippou wrote:
> Also, Gregory Markopoulos, especially in Bliss and Gammelion.
>
>
> Best,
>
>
> Eleni
>
>
> From: damonc...@gmail.com
> Date: Thu, 22 Mar 2012 13:48:47 -0400
> To
For everybody in New York, the underground filmmaker Jeff Keen is having a
major retrospective of paintings and films. Check it out.
Jack
JEFF KEEN
Works from the 1960s + 1970s
January 12 – February 11, 2012
Opening Thursday, January 12, 6-8PM
Elizabeth Dee Gallery is pleased to announce
I am in footnoting mode and need the help of San Francisco cinema historians
and Bay Area counter culturalists!
Has anybody got a copy they can either email or scan and email to me of the
manifesto read by Lynn Marie Kirby at the take over of the Cinematheque in San
Francisco by the Emergency
ALICE by Jan Svankmajer
various versions of Alice in Wonderland, Wizard of Oz and so on.
animation? Tinkerbell (yeah the Disney movie)
underground? richard kern You Killed Me First (teenager)
jack
On 27/12/2011, at 5:04 AM, Shelly Silver wrote:
> dear all:
> i'm looking for film
, Chained Heat
Million Dollar Baby
Jack
On 29/11/2011, at 12:52 AM, Shelly Silver wrote:
> hey all:
> i'm looking (for a student) for scenes in b movies or 'major motion pictures'
> that have young girls fighting. also of interest, women fighting in general.
>
http://www.salon.com/2011/10/13/r_i_p_the_movie_camera_1888_2011/singleton/
On 13/10/2011, at 2:55 AM, Lars Fuchs wrote:
> This isn't good news.
>
> http://magazine.creativecow.net/article/film-fading-to-black
>
> --
> Honk! If you like funny.
>
> edi...@klipper.tv
> (347) 469-1964
>
>
email me off list to discuss it.
Jack
On 12/10/2011, at 8:26 AM, charles chadwick wrote:
> Hey Jack, are you doing something like revel8 for the upcoming festival? I
> create hand process super8 works that are finished on video...would you be
> interested in something like that
grindhouse features on 16mm.
we've also screened in a full dome and had machina works.
8mm is interesting, certainly we'd try to screen it in its original format if
something was 8mm and we programmed it!
help that helps
Jack
On 12/10/2011, at 1:27 AM, john porter wrote:
> Thanks Jack,
Hi
Just to let everybody know that our call for entries for Revelation Perth
International Film Festival 2012 has gone live.
http://www.revelationfilmfest.org/go/films/call-for-entries
cheers
Jack
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wowno mention of hollywood at all wonder how HW got edited in?
thanks
jack
On 07/10/2011, at 5:46 PM, black hole cinematheque/archive wrote:
> Jack,
> The original quote, in case it hasn't been relayed in full yet, is
> the third sentence in the second paragraph in
t; Documentext/McPherson & Company, 2005), p. 110. Note, however, that the
> sentence quoted does not use the term "Hollywood," which is someone else's
> interpolation.
> Bruce McPherson
>
>
> - Original Message -
> From: "Jack Sargeant"
>
thats great, thanks jack
On 06/10/2011, at 8:23 PM, Patrick Friel wrote:
> Jack,
>
> This is the citation in Rabinovitz's book:
>
> Maya Deren, "Cinematography: The Creative Use of Reality," Daedalus 89, no.
> 1 (Winter 1960), 150; reprinted in The Avant-gar
THANKS Lainna! Jack
On 06/10/2011, at 7:37 PM, Lainna Fader wrote:
> You can find that quote in Points of Resistance: Women, Power &
> Politics in the New York Avant-Garde Cinema by Lauren Rabinovitz.
>
> You can view the quote in the text of the book here:
> http://books.
hi
a maya deren question:
has anybody got a full source for this quote:
"hollywood has been a major obstacle to the definition and development of
motion pictures as a creative fine-art form." maya deren
if so please can they send it to me,
many thanks
jack
jacksargeant.bl
not sure if these count as a dance films, but Tessa Hughes-Freeland's
Nymphomania and Richard Kern's Horrorscope both feature Holly Adams dancing...
they can be found online.
Jack
>>>
>>>
>>> On Thu, Sep 1, 2011 at 2:59 PM, Shumona Goel
>>>
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