.
If you are in touch, I'd appreciate either contact info or that you forward
my message to him.
Thanks!
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com
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the sound line-by-line?
Regardless, please share with us when you have a solution!
-Jason Halprin
Montréal
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com
On Tue, Sep 8, 2020 at 10:17 AM Scott Dorsey wrote:
> Ahh, I get it, you want a digital image of what the soundtrack would l
Travis directly (or via Ebay) with questions, I am simply
the messenger.
-Jason Halprin
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Yes, I was able to purchase two Rex 5s & lenses from Dieter in Spring 2018.
This was for an academic department, but I believe he's not picky about who
wants a camera ;)
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com
On Sun, Apr 12, 2020 at 10:56 PM Eric Theise wrote:
> Jason
APOSTATE UNVEILING (3 min), viewable here: https://vimeo.com/37219050
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com
On Thu, Dec 12, 2019 at 11:38 AM Christian LEBRAT <
leb...@christian-lebrat.net> wrote:
> Most of Brakhage films...
>
> Le 12/12/2019 à 17:26, Francisco
from each roll. If you can track how many feet
(and batches) have been processed with each batch of chemicals, you'll be
able to settle on a chemical replacement routine that is predictable and
maximizes economy.
Happy processing!
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com
On Wed, Nov 6
I would also suggest, for those just learning processing or those who have
more complicated questions, to visit http://FilmLabs.org (and the sites for
the individual Artist-Run labs) for tons of resources. Or, join that
listserv as well to tap into a gigantic, international knowledge base.
Jason
scanned to pdf,
and is pretty much as I recall, complete with diagrams on marking a work
print in preparation for negative cutting and A/B rolling.
If you're interested, contact me off list and I can send a link.
Thanks everyone,
Jason Halprin
DuAll camera in New York does repairs one nizo cameras, for those in North
America.
-JH
--
Jason Halprin jihalp...@gmail.com jasonhalprin.com Sent via smartphone,
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https
that someone
working with a negative cutter (or a negative cutter themselves) would want
to follow.
Does anyone know what I'm referring to? Or, where I might find it? If I
recall, I downloaded it from the Cinema Lab (successor to Western Cine)
website back in the early 2000s.
Thanks in Advance!
Jason
Oh, and I seem to recall a friend stating that they rated 7363 as ISO 25,
and developed in D-19 1:1 for 9 minutes (as neg, spaghetti-bucket)
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com <jihalp...@gmail.com>
On Mon, Apr 23, 2018 at 11:54 PM, Jason Halprin <jihalp...@gmail.c
For what it's worth, I shoot 7363 rated at ISO 6, and develop as neg in
Dektol 4:1 for 90 sec (spaghetti-bucket method).
-JH
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com <jihalp...@gmail.com>
On Sat, Apr 21, 2018 at 6:03 AM, Chris G <spy...@gmail.com> wrote:
> Genera
In all seriousness, I've made basic titles in B, with fades in FCP &
Premiere in HD/2K/4K. Then I've shot them off the monitor screen with
either Super8 or 16mm film, playing them back full-screen. Excellent
results...if you get the camera centered and level.
-Jason Halprin
Jason Halprin
ji
Who needs the horse's mouth when we have Jeff Kreines?
PS - Thanks Jeff!
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com <jihalp...@gmail.com>
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Phil Solomon's "Rehearsals for Retirement" (2007), "Last Days In a Lonely
Place" (2007), and "Still Raining, Still Dreaming" (2008) - in tribute to
Mark Lapore - and "Remains to be Seen" (1999) - in tribute to the artists
mother.
Jason Halprin
jiha
these techniques sparingly but
effectively, and is an amazing film!
see my old review of these pieces here: http://cine-file.info/list-
archive/2011/MAR-11-3.html
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com <jihalp...@gmail.com>
<https://mailman-mail5.webfaction.com/listinfo/f
/US/en/corp/Press_center/Kodak_Brings_Back_a_Classic_with_EKTACHROME_Film/default.htm
-JH
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com <jihalp...@gmail.com>
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he's just posting a link and some photos, and asking people to check it "if
you're into independent film."
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com <jihalp...@gmail.com>
<https://mailman-mail5.webfa
Check in with Kate McCabe. It might not meet the last five years
requirement, but she has contemporary, traveling matte films that were made
on an Oxberry.
-JH
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com <jihalp...@gmail.com>
On Wed, Sep 21, 2016 at 11:03 AM, rebecca moran <r
I don't know how current the information is, but I found the following
contact information for Celco service in Eurpoe.:
*Waizmann Engineering *Stefan Waizmann
tel: +49 (171) 647 1540
email: stef...@filmkorn.de
Might be a good place to start.
-JH
Jason Halprin
jihalp...@gmail.com
Dear Brendan & Jeremy Smyth,
Please know that I absolutely love that you had an idea, started to make a
festival, finished it outright, and titled it. Few people have a hobby
strong enough to complete such an endeavor, and even fewer have the
gumption to attempt to show the world.
-JH
J
is
limited to 4GB. I've had some trouble setting this up remotely, as it can
be hard to get the codec/container/bitrate set exactly as need be with
presenters who don't know exactly what they're working with.
Otherwise, what David said.
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
power, but which requires you to use the menu
interface to control gain during recording.
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
jasonhalprin.com <jihalp...@gmail.com>
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than one occasion what the likely problem was and how to check
it before I sent the camera in.
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
On Wed, Apr 20, 2016 at 8:19 AM, Re X <roeen...@gmail.com> wrote:
> Hello Frameworkers,
>
>
> My Nizo 4056 is having issues.
However, you, Bernie, are definitley a performance artist.
Jason Halprin
jihalp...@gmail.com
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printing of my graduate thesis film. The care and attention they
gave to experimental work, as well as the time Robert spent with me on the
phone and in person to explain the best way to get the look I wanted was
valuable to me, and I'm sure to many others. They will be missed.
-JH
Jason Halprin
ve bounces The last bounce received from you was dated
>>
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Sent via smartphone, please excuse typos
_
After Effects and other animation programs can all do single frame
manipulation. It depends on exactly what you're looking for...can you
describe the functions and effects you're trying to replicate digitally?
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
On Thu, Feb 4, 2016 at 10:29 AM
The *Quick Billy Rolls* (14, 41, 42, 43, 46, and 52) by Bruce Baillie might
be a good fit for this as well.
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
On Wed, Feb 3, 2016 at 10:52 AM, Oddball Films Programming <
programm...@oddballfilm.com> wrote:
> Glas by Bert
,
replace ASAP).
Consider an OS upgrade too, but only after a full backup. I haven't been
reading up on FCP7 comparability with El Cap, but it shouldn't be hard to
find.
-Jason Halprin
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Sent via smartphone, please excuse typos
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Here's a thread from the Film and Darkroom User forum with times/chemistry
for processing 7222 as reversal:
http://www.film-and-darkroom-user.org.uk/forum/archive/index.php/t-6026.html
-JH
Jason Halprin
jihalp...@gmail.com
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developer time starting around the push-2 time
described above.
Good Luck,
Jason Halprin
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-tones, and mid-tones as shadow, shadows as full black).
What chemistry are you trying to use? I can try to lookup times for regular
processing (as reversal) and extrapolate from there.
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
On Tue, Jan 26, 2016 at 2:59 PM, Morgan Hoyle-Combs <mhoyl
Du-All Camera in NYC sometimes has Bolex's for sale. They will also service
them if you find them on EBay and need a technician to give them a once
over.
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
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Yes, you can process any VNF film (like 7239) in E6 chemistry. Here's a
forum discussion on adjustments/timing:
http://www.filmshooting.com/scripts/forum/viewtopic.php?f=1=9893
Jason Halprin
jihalp...@gmail.com
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, it will be partially oxidized and weakened.
-Jason Halprin
jihalp...@gmail.com
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Naomi Uman's *Leche* (1998) and *Mala Leche *(2003)
Jason Halprin
jihalp...@gmail.com
>
>
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Got it Adam, that makes sense then. Let us see/hear the results!
-JH
Jason Halprin
jihalp...@gmail.com
On Sat, Oct 10, 2015 at 7:04 AM, <ada...@gmail.com> wrote:
> To answer Jason's question -
>
> I'm shooting super 16 as I want the image to fall onto the optical track,
>
I guess my question here is...why shoot in Super 16 if you're finishing in
16mm? Why not just use a 16mm camera, leaving the non-perfed edge blank?
The lenses would already be centered.
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
On Fri, Oct 9, 2015 at 11:23 AM, Adam R. Levine <
And, dare I ask, what are you planning to pay for DOP equipment?
Jason Halprin
jihalp...@gmail.com
On Tue, May 26, 2015 at 5:41 AM, i...@arepoproductions.com wrote:
We are looking for an experienced cameraman/DOP to come on board an
exciting documentary film project. It is important
*
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Jason Halprin
Sent via smartphone, please excuse typos
Peter Rose - Studies in Transfalumination
Phil Solomon - Nocturne
Jason Halprin
jihalp...@gmail.com
On Wed, May 13, 2015 at 12:54 AM, Pip Chodorov framewo...@re-voir.com
wrote:
Brakhage's Fire of Waters - consists of b/w night shots of houses with
occasional lightning. Most of the film
There shouldn't be a significant difference between Hi-Con (7363) and Sound
film (such as 2378) for making rayograms. Sound film is meant to be very
high contrast, and since you are largely either blocking light (with
objects) or exposing the film, it would be a good choice.
-Jason Halprin
Jason
to tell you that). I find it shameful that your response
has been made out to be the cause of the return to flameworks.
Jason Halprin
jihalp...@gmail.com
On Wed, Apr 1, 2015 at 12:23 AM, Tim Halloran televis...@hotmail.com
wrote:
I just want to unsubscribe from you.
Tim
Sent from my iPad
A short list to start with:
Squeaky Wheel, Buffalo
Pittsburgh Filmmakers (pretty close to Buffalo)
Cornell Cinema, Ithaca
Hamilton College, Clinton NY (try contacting Scott MacDonald)
Colgate University, Hamilton NY
Binghamton University
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
On Sun
Lori Felker (Chicago)
Bridget Irish (Olympia, WA)
Jason Halprin
jihalp...@gmail.com
On Fri, Mar 20, 2015 at 12:58 PM, Tara brendamere...@gmail.com wrote:
Tara Merenda Nelson
On Mar 20, 2015, at 1:54 PM, Steve Polta steve.po...@gmail.com wrote:
Contemporary female artists working
Off the top of my head, here are two that might fit:
Bruce Biaille - Castro Street
Richard Myers - Zocalo
Jason Halprin
jihalp...@gmail.com
On Sat, Feb 28, 2015 at 10:47 PM, Kelsey Velez kelsve...@hotmail.com
wrote:
Framworkers,
I'm seeking suggestions for film based derivés, shot on 16mm
Apple Grown in Wind Tunnel by Steve Matheson (available from VBD and
previewable on Vimeo)
Born in Flames by Lizzie Borden
Lower East Side (LES) by Colleen Fitzgibbon could fit this bill.
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
On Mon, Jan 12, 2015 at 9:04 AM, Suzie Silver ssil
I've gotten this message a number of times to my yahoo.com address, and
I've started to ignore it. I have not yet been removed from the list at
that address.
-JH
Jason Halprin
jihalp...@gmail.com
On Tue, Dec 16, 2014 at 4:21 PM, Eric Theise ericthe...@gmail.com wrote:
Application of anti-spam
Wait, disregard my last note. I have not received any frameworks messages
since the last time I received the your membership in the mailing list..
message. Apparently my address has been removed this time.
-JH
Jason Halprin
jihalp...@gmail.com
On Wed, Dec 17, 2014 at 1:07 PM, Jason Halprin
and processing yourself, or experimenting with various non-camera based
techniques on 16mm film?
-Jason Halprin
On Thursday, November 6, 2014 2:05 PM, Eric Theise ericthe...@gmail.com wrote:
Hi Vail,
Not sure if you're just looking at the chemistry aspects of this, but there's a
long tradition
an internegative for later.
-Jason Halprin
Jason Halprin
jihalp...@gmail.com
On Mon, Oct 20, 2014 at 11:46 AM, Marco Poloni mar.pol...@gmail.com wrote:
Dear frameworkers,
I'm back from a shooting with 25 rolls of 16mm film and many more S8mm
film. Three years of painstaking work that will go
An extensive listing of artist-run labs can be found at filmlabs.org. At
present, they list 32 labs in Europe, Canada, USA, Columbia, Uruguay,
Australia, and Korea.
http://www.filmlabs.org/index.php/labs/
-Jason Halprin
On Monday, September 1, 2014 3:25 AM, nicky.ham...@talktalk.net
that it was amazing to
take the prints of his work and view them on rewinds with a light table so
that students could really study how he created his looks. I love Water
and Power too, and usually saved it until the last class in the semester.
-Jason Halprin
*DAILY SCHEDULE*
*Class 01 – January 25th
want to desaturate the film as well as soften the focus?
-Jason Halprin
On Tuesday, May 13, 2014 10:21 AM, Edward Choi edo.cho...@gmail.com wrote:
Dear all,
I will be shooting a couple 16mm rolls of Agfa Aviphot 200D using the Arri S
this coming Saturday for a workshop here in NYC.
I am
Try contacting Vancouver's coop, Cineworks - www.cineworks.ca.
-Jason Halprin
On Friday, April 25, 2014 8:23 AM, cont...@benjaminrtaylor.com
cont...@benjaminrtaylor.com wrote:
Hi, group,
I'm visiting Vancouver in early May and was wondering if there are any regular
screenings or resources
Screenings |...
The name sounds like some magic preset, and in a way it is, but I’m not sure if
magic is quite the right description.
View on www.musicofsound.c... Preview by Yahoo
-Jason Halprin
On Friday, April 25, 2014 3:27 PM, Roger Wilson rogerdwil...@sympatico.ca
wrote:
Hi again
is
trying to be an almost All-In-One program, where you never have to utilize
anything else in the creation of your video. Premiere is an editing program,
with built in limitations designed for leaving higher level functions to other
programs - much like FCP 7 was.
-Jason Halprin
On Friday, April 18
Bruce Conner's Report
Robert Nelson's Bleu Shut
Craig Baldwin's Wild Gunman
On Wednesday, April 2, 2014 3:26 PM, Benjamin Pearson
b.seth.pear...@gmail.com wrote:
Hi Kim - I'm thinking about Jody Mack's Glitch Envy, Evan meaney's Ceibus
epilogue - the well of representation also maybe
Stom Sogo's Ya Private Sky
On Thursday, April 3, 2014 9:06 AM, Jason Halprin jihalp...@yahoo.com wrote:
Bruce Conner's Report
Robert Nelson's Bleu Shut
Craig Baldwin's Wild Gunman
On Wednesday, April 2, 2014 3:26 PM, Benjamin Pearson
b.seth.pear...@gmail.com wrote:
Hi Kim - I'm thinking
Johnny Minotaur by Charles Henri Ford, available from Filmmaker's Coop.
-JH
On Friday, March 28, 2014 2:16 PM, Francisco Torres fjtorre...@gmail.com
wrote:
Triumph of the Will was banned after WW2 in most of the civilized world, maybe
for good reasons. Still believe it may be banned in
Hi Robert,
Freestyle Photo (5124 Sunset Blvd / (800) 292-6137) is probably your best bet.
Happy hunting / emulsion making.
Good Luck,
Jason Halprin
On Monday, March 24, 2014 2:57 PM, Robert Schaller rob...@ontosmedia.com
wrote:
Is there a place to get silver nitrate and potassium
Dirk de Bruyn from Australia would fit the bill
(http://www.youtube.com/watch?v=eYBJFo-s0j0), except #6.
-JH
On Tuesday, February 25, 2014 7:25 AM, anita anitapon...@hotmail.com wrote:
Howsabout Dinorah de Jesus Rodriguez?
http://solislandmediaworks.com/
great work, and if you can make a friend, you can often get discount rates if you're willing to wait until they have a slow time.I started to do a quick search on this, and here's the Home Movie Day listing of transfer houses: http://www.homemovieday.com/transferhouses.html-Jason Halprin
Hello,
This is perhaps a long-shot, but I'm posting on behalf of my friend George
Eastman (no relation), who has a Research Products Optical Printer that he is
looking to sell. Currently, it is sitting in a storage unit in Chicago, IL, and
it was in full working order when it was moved there
David,
His website lists both email and telephone contact information:
http://www.philsolomon.com/
-JH
From: Holcus Ltd dwo...@holcus.karoo.co.uk
To: 'Experimental Film Discussion List' frameworks@jonasmekasfilms.com
Sent: Wednesday, September 25, 2013
I assume those prices are for 100' of Reversal Neg, and a 400' can of 7363?
-JH
From: nfonor...@aol.com nfonor...@aol.com
To: frameworks@jonasmekasfilms.com
Sent: Friday, September 20, 2013 7:59 PM
Subject: Re: [Frameworks] price increase on all Kodak B/W
density
yields an image that appears to have a lower contrast, though one side effect
is an increase in graininess.
-Jason Halprin
From: Daniel Boos d.alexanderb...@gmail.com
To: frameworks@jonasmekasfilms.com
Sent: Wednesday, August 7, 2013 4:33 AM
Subject
Oh, and Jennifer Montgomery's all female remake of Deliverance.
-JH
From: Matt Soar matts...@gmail.com
To: frameworks@jonasmekasfilms.com
Sent: Wednesday, May 8, 2013 8:16 AM
Subject: Re: [Frameworks] FrameWorks Digest, Vol 36, Issue 8
Regarding remakes,
with increased granularity and slightly increased
contrast. Again, these could be corrected for color and brightness in printing
or transferring, while retaining the granularity of normal (normal grain) or
push-processing (increased granularity).
-Jason Halprin
From
No 800 speed color neg film has been made by Kodak for some time. And, as was
pointed out, Fuji stopped manufacturing all motion picture film. I second
Nicky's sentiment - rate Vision3 500T at 1000 or even 2000, and then have it
pushed a stop or two. Or, shoot it at 500, and just have the
by.
-Jason Halprin
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Compressor or MPEG streamclip and converting your
MP2 files to quicktime files in the DV/DVCPro - NTSC codec if you're planning
on keeping the project in SD. No need to take up storage space with ProRes422
unless you need the resolution.
-Jason Halprin
From
Yes, as long as it is the same type of film stock. The chemicals and timing
used in processing don't vary when using a different gauge.
-Jason Halprin
From: Margaret Rorison margaret.b.rori...@gmail.com
To: frameworks@jonasmekasfilms.com
Sent: Tuesday
of Mark LaPore's work would fit in too.
-Jason Halprin
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And for a very brief, but clear, article on understanding characteristic
curves, check out this link:
http://home.comcast.net/~amitphotography/article%20character%20curves%20dvickers.htm
-Jason Halprin
From: Scott Dorsey klu...@panix.com
To: frameworks
Off the top of my head:
Sherlock Jr.
Hellzapoppin'
Things to Do in Denver When You're Dead
Inglorius Basterds
Fight Club
Gremlins
Purple Rose of Cairo
From: Pigott, Michael michael.pig...@warwick.ac.uk
To: Experimental Film Discussion List
It's worth noting for those in the US that Spectra Film Video sells Fuji
Velvia in Super 8.
-JH
From: Phaeton Graph phaetongr...@yahoo.co.uk
To: Cherry Kino cherrykinocin...@yahoo.com; Experimental Film Discussion List
frameworks@jonasmekasfilms.com
Zing!
From: Robbie rahb...@yahoo.com
To: Mike Morris m_alex_mor...@yahoo.com; Experimental Film Discussion List
frameworks@jonasmekasfilms.com
Sent: Wednesday, December 12, 2012 2:15 PM
Subject: Re: [Frameworks] ektachrome 100d r.i.p.
I thought
How about projecting through a fan? Or re-wiring your projector motor so that
there is a dimmer switch in the circuit?
-Jason Halprin
From: John Woods jawood...@yahoo.ca
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Tuesday
, the Kodak Quick splicer is an option,
though I've always hated the S shaped cut it makes.
-Jason Halprin
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will be greatly increased if you're
using camera stocks. However, you can always flash your film to fog your
shadows.
-Jason Halprin
From: Stephanie Wuertz wuertzstepha...@gmail.com
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent
Yes, they are available from Film Institute Netherlands - www.filmbank.nl
-Jason Halprin
From: Watter, Seth seth_wat...@brown.edu
To: Experimental Film Discussion List frameworks@jonasmekasfilms.com
Sent: Tuesday, July 31, 2012 1:41 PM
Subject: [Frameworks
as I know the only cameras that will allow you to use your own c-mount
lenses. These are really the cream of the crop, but pricey.
-Jason Halprin
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A student of mine made a lovely portrait of a cabinet maker, which can be
viewed at the link below. This might be one strategy, and largely follow the
path outlined in Chuck's previous email:
Kyle Kinser: Made in Makanda (by Wonjung Bae, 2010)
https://vimeo.com/14951551
-Jason Halprin
Kelly Sears
Kate Raney
-JH
From: Jaimie Baron jaimierba...@gmail.com
To: Frameworks frameworks@jonasmekasfilms.com
Sent: Thursday, June 28, 2012 4:47 PM
Subject: [Frameworks] cutout/collage animators
Hi Frameworks,
I'm putting together a list of experimental
And, if you get your hands on any of these, you can rewire the lamp portion to
run on LEDs (ala Robert Schaller's Wilderness Film Expeditions). No fan
necessary.
-JH
From: Ekrem Serdar ekremser...@gmail.com
To: Experimental Film Discussion List
anamorphic into an
16:9 full screen file or a 4:3 letterbox into a 16:9 full screen movie. Be sure
to preview each file before executing.
-Jason Halprin
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.
-Jason Halprin
From: Margaret Rorison margaret.b.rori...@gmail.com
To: frameworks@jonasmekasfilms.com
Sent: Monday, April 9, 2012 1:03 PM
Subject: [Frameworks] Dirty Duplicate of spliced 16mm Color Neg
Hello!
Does anyone know of a lab in the U.S. who can do
There's also a few Fumeo Super 8mm Xenon (9145, 9140, etc) projectors out
there. I would put your inquiry on 8mmforum.film-tech.org and see if anyone can
help on that one.
-Jason
From: Ekrem Serdar ekremser...@gmail.com
To: Experimental Film Discussion List
This is how myths begin...
-JH
From: Huckleberry Lain huckleberryl...@gmail.com
I just heard that was solely because of Mark Toscano. So, cheers to Mark!
Thanks for having the world remember such a wonderful
how long the film should be in contact with the chemistry. The
developer will affect how the image looks, the fixer is just removing the
unexposed silver halide, and if used correctly, won't have an affect on the
qualities of your image.
-Jason Halprin
From
IN LOVING MEMORY by Robert Todd is a poetic and emotional film about death row
inmates. You may also consider A PERFECT FILM by Ken Jacobs.
-JH
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I would second Irit Batsry.
Also, Jonathan Schwartz's NOTHING IS OVER NOTHING is great.
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Hi Tim,
In this case, they'll all be shooting on film. Keeping my fingers crossed was a
reference to the generosity that Kodak has shown towards student filmmakers in
the past, and that it continues to be something we can look forward to. I don't
see Cannon, Panasonic,
Red, or other video
but I think washing soda may be hard to find in southern california.
Carrie...this is what you're looking for:
http://www.amazon.com/Church-Dwight-03020-Hammer-Washing/dp/B0029XNTEU/ref=sr_1_1?ie=UTF8qid=1325893480sr=8-1
Next time you're at Ralph's, it should be about $3.
-JH
Lars,
You can find one here: http://www.super8aid.net
You will have to register with them before you can download the manual.
-Jason Halprin
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the list? Anyone who wishes to
continue to shoot, edit, project, and watch celluloid is obviously an idiot, so
what is to be gained by lowering yourself to engage in such jaded, naive
discourse?
-Jason Halprin
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with Martin Baumgarten in
Plattsburg, NY. Does anyone know, is he still operating?
-Jason Halprin
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Carl,
What you are looking for is fiscal sponsorship - essentially borrowing
non-profit status from another organization. This is something that BAVC does
in the SF area. There are likely other arts organizations that do this as well.
-Jason
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