Amen to that.
On Tue, Aug 25, 2020 at 2:36 PM Chrissie Iles, Curatorial <
chrissie_i...@whitney.org> wrote:
> Most importantly, what are we all doing to support Black filmmakers and
> thinkers, and expand the discussion beyond the Eurocentric model to take on
> the larger, more inclusive post col
Maybe it falls outside your curatorial criteria but Norman McLaren's "Pen
Point Percussion" is a good overview of his approach to the process:
https://www.nfb.ca/film/pen_point_percussion/
His "Dots" is a good illustration of that technique in use.
Ryder
On Thu, Mar 2, 2017 at 8:43 AM mrktosc w
Hey Dan,
I've shot and processed a few rolls of the Agfa aviphot and like Pip says
hand processing in E6 is very doable. I found it to be a pretty tolerant
stock for that, but then again my QC is not very exacting so take that with
a grain of salt.
I know of a few people who have used 3383 as a c
Indeed! Good tip Scott, thanks.
R
On Monday, 9 January 2017, Scott Dorsey wrote:
> I don't know what the pinout of the original connector is; you may have to
> play with it a bit. But the phototube should thump loudly when you swing
> a flashlight by it if it;s working.
> --scott
> ___
Thanks, all, for the very useful responses!
If anyone is interested in following me down the path of this idea further:
Trying to run the phototube on 48V seems like a good first option, and
probably more feasible than replacing the tube with a photocell (although
the latter is probably a better
Re: silver removal, it is my understanding that one can use a ball of steel
wool to replace the silver in the solution if you do not care about
recovering the silver easily. If you throw steel wool in a bucket of spent
fixer the iron from the steel wool will swap the silver in solution...the
result
Hi Scott,
I've been trying to figure this out too for some time, and as far as I can
tell you need something like this:
https://www.sparkfun.com/products/13063
Or any other sort of "slip ring" that is rated for sufficient current. The
issue with a turntable is you would probably have to rig your
Absolutely, I'd second this...I'd love to see more info on the LED and any
power supply mods you had to make to get it working. We've been talking
recently about getting a Super 8 projector modified with a light source
like this.
Thanks for sharing!
Ryder
On Thu, May 19, 2016 at 4:18 PM, Chris G
host a "Best Of" screening from
CSIF's fabulous $100 Film Festival with curator Nicola Waugh introducing
the program in person. All works shown on celluloid!
More info here: https://www.facebook.com/events/229356467415833/
All the best!
Ryde
Hello Frameworksers,
I'll keep this brief because I don't want to clutter up the list with
my sales pitch, but I am selling my Arri SR 16mm camera to hopefully
fund the purchase of a more versatile camera, and perhaps some of you
might be interested. It is listed on eBay here:
http://www.google.co
Howdy, Frameworks,
I am getting ready to put up an installation next month (a short 16mm loop)
and I am getting all my gear together...does anyone have any tips for
preparing a projector for this kind of run? It won't be running
continuously, but will probably rack up an hour or two daily for four
Hey David,
If ex-pats count, one half of Ojoboca (Juan David González Monroy) is from
Colombia, currently working in Berlin. Their film Gente Perra (2014) is
based in part on a story by a Colombian author and makes reference to
aspects of the culture there particularly regarding European colonizat
Howdy Frameworks,
Seems I might have messed up my "This Week" posting (or if I didn't, please
forgive the double post)–I will be presenting a program of analog film work
from Iris Film Collective in the Big Easy! Details below:
On tour from Vancouver, British Columbia, Iris Film Collective is pro
tp://mex-parismental.blogspot.com
> ***
> -*17th Festival des Cinémas Différents de Paris* http://www.cjcinema.org
> 07-18 Oct 2015
> Festival Trailer : https://vimeo.com/138882009
>
> On 2015-10-29 21:38, Ryder White wrote:
>
> Hello Framework
Hello Frameworkers,
I am currently embarked on designing an installation the draws on cinematic
instances of the human eye and, as I write about it, I'm interested in
finding examples of the eye as a major symbolic device, particularly in the
realm of experimental and avant-garde cinema. I can thi
Howdy Frameworks! I am pleased to finally put this notice out to the hive
mind - following in the tradition of many other great filmmakers, we are
hitting the road to bring our films closer to you. I (Ryder) will be in
attendance at all of these shows, so if you live nearby any of them and
want to
I've had some success showing John Smith films in this context
before..."Girl Chewing Gum" is good, and "Om" if you're after something
shorter. Both have a lot of teachable elements if that's interesting to
you.
And of course, there's the early avant garde films..."Symphonie Diagonale"
"Retour a l
I think Al Razutis did it to varying extents in the "Amerika" films.
RW
On Friday, May 8, 2015, Peter Mudie wrote:
> Yes No Maybe Maybe Not
> (Malcolm Le Grice, 1967)
> Peter
> (Perth)
>
> From: Rick Prelinger >
> Reply-To: Experimental Film Discussion List <
> frameworks@jonasmekasfilms.com
>
Hey Rob, I am pretty sure Niagara offers the service:
http://niagaracustomlab.com/?page_id=17 although I've never used it, so I
can't attest to it.
Cheers!
Ryder
On Tue, May 5, 2015 at 1:10 PM, Rob Christopher wrote:
> Greetings,
>
> I am about to finish a feature film digitally that was origi
Some of Chris Welsby's films might fit the bill: "River Yar" "Tree"
"Anemometer" "Park Film" all come to mind.
Ryder
On Monday, February 2, 2015, _blank wrote:
> Hi,
>
> I’m looking for single-shot fixed camera landscape/cityscape films, as
> “Empire” by Andy Warhol or “Fog Line” by Larry Gotth
I'd agree with the others..try another cartridge. The same thing happened
to me on a couple different cartridges I got from the same case...it seems
like a manufacturing defect made the hub seize up.
On Wed, Aug 20, 2014 at 3:28 PM, Scott Dorsey wrote:
> Are you sure it's a bad camera and not j
Hey Kevin
That's a query with a huge, huge body of possible responses. I'm thinking
of my favourite super 8 film (Guy Maddin's "Brand Upon The Brain!"), but
then also of people who are really situated around Super 8 like John
Porter, or about "Our Nixon," which was compiled recently out of archiva
DIM is a monthly moving image art screening series in Vancouver held at the
Pacific Cinematheque. They usually have excellent stuff, but it seems like
they might be taking a break next month. Regardless, Cinematheque is often
showing something cool. http://www.thecinematheque.ca/dim
If you are wil
Xserve
On Wednesday, April 23, 2014, chris bravo wrote:
> I use this a lot:
> iShowUssszstsxtzzy
> https://itunes.apple.com/us/app/ishowu-hd-pro/id449093286?mt=12
>
> and its pretty easy to get for free if you are open to thievery
>
>
> On Wed, Apr 23, 2014 at 7:59 PM, Aaron F. Ross
>
> > wrot
Hi Dan,
Where are you located? There are a number of good options I can think of but if
you're looking for low cost, you don't want to be going all across the
continent. And low-cost is pretty relative...most of the services I know of
(that produce acceptable results) come in between $.50 and $
In Vancouver, the Pacific Cinematheque has excellent programming that
includes classics, new alternative releases, and experimental work. They do
an educational outreach program for youth. PC shares a building with
Cineworks, a local film co-op.
The Winnipeg Film Group is also a great organization
Hi Shelly,
A few years ago, when I was still in university, our contemporary arts
department moved to a new purpose-built facility complete with a lot of the
kind of integrated infrastructure I think you're talking about. Instead of
having a lot of independent systems, every lecture hall and semin
Hi Daniel, We've often used D-76 in our workshops because it's half the
price of D-19 if you're buying it off the shelf (which we do). If you're
mixing your own, however, you might not have that issue and I'd have to say
all things being equal that I prefer the D-19 (just to add my voice to the
cho
Chris Landreth's "Ryan", which is sort of the extension of a conversation
between Landreth and animator Ryan Larkin, may fit your query. It's online
here: http://www.nfb.ca/film/ryan/
RW
On Sat, Oct 26, 2013 at 4:13 PM, Jon Dieringer wrote:
> Hi Frameworks Members
>
> As research for an article
lease follow the link below. Your sharing and
comments are appreciated, too! We are just under halfway to our goal as we
speak :)
Here's the link:
http://www.indiegogo.com/projects/canadian-framelines-2013
Many thanks for looking, and sorry for the spam!
Ryder White
Co-Founder, Canadian F
Hey Frameworks! Sorry for the slim notice, but the cross-Canada filmmaking
venture Alexandra Caulfield and I have been working on has been invited to
present about using Super 8mm and hand processing in a community art
project at Saint Mary's University in Halifax, NS.
The event is tomorrow evenin
Consider me duly chastened. It won't happen again, sir. (late 80's - 90's,
I think)
On Mon, Sep 16, 2013 at 8:26 PM, Jeff Kreines wrote:
>
> On Sep 16, 2013, at 7:06 PM, Ryder White wrote:
>
> It's a joke, Mr. Kreines.
>
>
> Tone, tone, tone. (And I
It's a joke, Mr. Kreines.
On Mon, Sep 16, 2013 at 7:53 PM, Jeff Kreines wrote:
>
> On Sep 16, 2013, at 6:40 PM, Ryder White wrote:
>
> Wow, way to make me look like a buffoon, A/C. And to think I just
> recommended you…
>
>
> Not sure this is all about you, M
Wow, way to make me look like a buffoon, A/C. And to think I just
recommended you...
On Mon, Sep 16, 2013 at 7:23 PM, Jeff Kreines wrote:
> Terrible terrible news.
>
> Better hang in there, Rob!
>
>
> On Sep 16, 2013, at 6:21 PM, Philip Borgnes wrote:
>
> > Just confirmed with Jean Fee, Direct
If you have an address you'll be staying at on the east coast, you could
always order ahead from kodak so your film is there when you arrive (this
has helped us out a lot as we travel). I don't have any experience with LA
labs but Alphacine (http://www.alphacine.com) in Seattle does high quality
wo
Afraid I don't have any info, Graeme, but have you had any success finding 2210
to order? I tried chasing it down through Kodak USA a couple years back and got
dead ends.
Cheers
Ryder
Sent from mobile - please excuse typographical errors.
-Original Message-
From: graeme hogg
Sender:
I've worked mostly with places in Vancouver, but I find that a lot of
soundhouses still have their old magnatechs around and are not using them. So
if you hit the right group of people they might just charge you a flat rate to
dump the sound onto a hard drive (hopefully the reels don't need a lo
Hey all,
Does anyone know of a good source for R-9 bleach ingredients (H2SO4 and
K2Cr2O7) in Ottawa or Montreal? We'll be passing through in the next day or
so and are looking to refresh our supply.
Muchos gracias!
RW
___
FrameWorks mailing list
FrameW
Thanks very much, Roger and Karl, for the advice! Sounds like an excellent
option.
ryder
On Sat, Apr 27, 2013 at 6:53 PM, Karl Reinsalu wrote:
> Frame Discreet is a great place to get 2K scans if you are in Toronto or
> Ontario. Their frame accurate system, quality colour correction and keen
>
Hello all,
Has anyone used Frame Discreet in Toronto for their 2K digital transfer,
especially for colour super 8? Looks like a decent deal but I can't say
that I've seen any work come out of there personally...
Thanks,
RW
___
FrameWorks mailing list
F
Hi laura,
I don't know if this is an easier option for you but what I have done for many
a workshop is taken junk 16mm footage and bleached it with standard chlorox or
similar. We've done thousands of feet at a time in our bathtub. Just fill the
tub with water, pour a cup or two of bleach in, a
Hello all,
A month or two ago someone in a community I was working in gave me a super
8 camera owned by his former business to add to the arsenal of cameras our
project already uses. It's a Eumig 300xl, pretty nice camera really with a
fast lens. It worked great for the first few rolls we put thro
hi matthew,
what do you need to achieve with the loop? 10ft is pretty easy, especially
for 16mm. if you want to hang the loop or make it change direction i would
recommend using daylight spools–that is, if you don't mind some fine
scratches. anything can be used to help form a loop...some have sug
How about "How It Feels To Be Run Over" (1900) by the Hepworth
Manufacturing Co? Potentially the earliest film to feature an automobile
(but I'm not putting that on the record).
RW
On Fri, Dec 14, 2012 at 8:13 PM, David Baker wrote:
> Powerful automobile related imaginings occurred in the early
Hey scott, I don't know where you're located but I'm pretty sure transit audio
in toronto is still shooting opticals. They're nice guys and very skilled.
RW
Sent from mobile - please excuse typographical errors.
-Original Message-
From: Scott Dorsey
Sender: frameworks-boun...@jonasmek
Hello all!
Does anybody in the Vancouver area have any junk 16mm prints (or negs)
they'd be willing to let go for cheap or free? I'm doing a hand film
workshop and I could use some more scrap than I currently possess. Let me
know off list.
Many thanks!
Ryder
_
I'm more than happy to answer them!
Thanks again for your time,
Ryder White
Co-Founder, Canadian Frame(lines)
604.788.0789
canadianframelines.com
indiegogo.com/CanadianFramelines
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://ma
en't gotten much from the film
community as of yet.
To summarize, if you have an interest in any/all of: itinerant filmmaking
and exhibition, community-based analog film workshops, Canadian identity,
or converted school buses, then please help us get Canadian Frame(lines) on
the road!
Thanks for
jason already mentioned hotel diaries by John Smith; i'd add most of John
Smith's work to that list. Girl Chewing Gum, Gargantuan, and I laughed out
loud (which is uncommon for me) at Om.
cheers!
RW
On Tue, May 22, 2012 at 9:19 PM, David Tetzlaff wrote:
> I'm all for droll humor, but I wouldn'
Likewise–I think there'd be considerable demand for it!
RW
On Sun, Apr 29, 2012 at 11:27 AM, Tim Halloran wrote:
> I would be very interested in this--please post info when it becomes
> available.
>
> Tim
>
> Sent from my iPhone
>
> On Apr 29, 2012, at 11:21 AM, "Beebe,Roger W" wrote:
>
> There
Like everyone else is saying, any new 12v battery should do the trick. The
pinout on those XLRs is Pin #1: (-), Pin #4: (+). The two other pins were
used in some systems for sync pulses and so on but are generally not used
anymore I think. I've made a couple of those connectors (and I'm a terrible
Hi Charles,
Haven't ever shot any of the S8 but I've shot a fair bit of 16mm 7363
around midday under cloudy skies (in Vancouver, it's a losing proposition
to wait until the sun peeks out). Have had generally pretty good results,
but like Phil suggested, my frames tend to contain pretty contrasty
Can't wait until they come out with an S8 one, maybe a digi-Nizo? 8mm
sensor! Comes with its own "classic cartridge design" removable media. Or
maybe just a pistol grip and faux-chrome-and-leatherette housing for your
iPhone so you can use that S8 instagram app without having to look like
"that guy
Hi Moira
I don't know of anyone else's experience, but we've used Lightpress in
Seattle for a few rolls from a recent project I'm collaborating on. They
seem nice, and thorough, and prompt. Don't know about regular 8, ours was
only super (and have only done ektachrome). They're kind of on the pric
Hey Jonathan,
I've had to have my father in the U.S. mail me a hard drive and it was not
a huge deal. Depending on your budget/amount of data, you may want to use a
solid-state drive to mail (so physical shock won't be an issue). I used
FedEx and had no problems with them.
Good luck!
RW
On Wed,
I may be mistaken but I seem to remember a shot of the bombardier in "Dr.
Strangelove" praying.
RW
On Mon, Feb 20, 2012 at 11:30 AM, Steve Polta wrote:
> "There are no atheists in foxholes!"
> —Major General Bartford Hamilton Steele, M*A*S*H: "The General Flipped at
> Dawn."
> (Gen. Steele port
hi Jon
we've done this a lot over the years, and what seems to work best is to
load up your sound onto a laptop and use Quicktime player or comparable.
itunes takes a brief moment to start playback, so avoid that. and physical
media has resulted in headaches, at least for us. the most important th
True. It's an unfair slander of an incredible (for the price) camera.
And it's not really to my point, either, but rather an example based
on one man's experience. Perhaps it's just a difference in teaching
styles, but those I've known whose education originated on film have
been generally more hes
Amen, Jeff. The discipline aspect of a celluloid education is
something I've found invaluable. I can't tell you how many "media
professionals" I've worked with who press the record button on the 7D
and then proceed to tweak lighting or chose a different frame.
Meanwhile, cast and crew are standing
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