Rob:
The very best 16mm filmouts — at 5K resolution — are done by Tommy Aschenbach
at Colorlab in Rockville, MD. He can also do 35mm 5K filmouts. Amazingly good.
Jeff Kreines
Kinetta
On May 5, 2015, at 3:10 PM, Rob Christopher random...@gmail.com wrote:
Greetings,
I am about to finish
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On Jul 31, 2015, at 2:12 PM, Mark Street mstreet...@gmail.com wrote:
Wonder if you have any experience using Dektol rather than D-76?
It will be much more contrasty.
Jeff Kreines
Kinetta
j...@kinetta.com
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does steenback repair and asking who has a machine for
> rent.
Jeff Kreines
Kinetta
j...@kinetta.com
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> where I would have access to this equipment in or around Atlanta? Thanks
If you’d asked me 15 years ago I could have helped….
Jeff Kreines
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you there are a few honest dealers like Visual
Products who offer a 6 month warranty. Older Aatons are fine for your needs.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Oct 10, 2015, at 11:04 PM, ada...@gmail.com wrote:
>
> To answer Jason's question -
>
> I'm shootin
orks
> <https://mailman-mail5.webfaction.com/listinfo/frameworks>
Jeff Kreines
Kinetta
j...@kinetta.com
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simply did not make that work available. It meant being written out of a
history of a type of film we are best known for, but sometimes you’d rather be
ignored than included if you have no faith in the writer.
Jeff Kreines
Coosada, AL
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pare my A rolls.
>
> thanks!
>
> Sincerely,
>
> Eric Stewart
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> On Jan 2, 2016, at 5:40 PM, Chuck Kleinhans wrote:
>
> I stand corrected on the matter of only one person refusing to be interviewed;
For that book. There are more.
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> On Jan 8, 2016, at 9:18 PM, Nicholas Kovats <nkov...@gmail.com> wrote:
>
> I would recommend a clapper on set.
Clapper? Set? This is anathema to the spirit of Super-8. Heresy!
Also, it does not appear that these people underst
It was an Eclair NPR. Sweeney Films. (Long story.)
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 29, 2015, at 8:17 PM, David Baker <dbak...@hvc.rr.com> wrote:
>
> I remember the great photographer and filmmaker Danny Lyon
> saying he shared a film camera
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Jeff Kreines
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j...@kinetta.com
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cut list?
>
> Also, who's a good Negative cutter to use in the US?
>
> Thanks much for the help,
>
> Alan Gerlach
>
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Just curious as to what camera you would consider more versatile? I am not
lauding the 16SR but it does many things. So does a Bolex. Different things of
course. So what are you hoping to switch to?
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Jan 18, 2016, at 2:16 PM, Ryder Wh
.com/sch/i.html?_from=R40&_trksid=p2050601.m570.l1311.R1.TR12.TRC2.A0.H0.Xcanon+gl.TRS0&_nkw=canon+gl2&_sacat=0>
Jeff Kreines
Kinetta
> On Feb 22, 2016, at 11:33 AM, Robert Withers <withe...@earthlink.net> wrote:
>
> My lovely Canon GL-2 fell off(!) a tripod. Something
> On Jan 21, 2016, at 12:13 AM, Vera Brunner-Sung <vbs...@gmail.com> wrote:
>
> Dieter Schaefer of ProCam, based in Arizona. He sells to a lot of schools.
> Top notch.
Didn’t know if he’d retired or not. He’s very good — over 50 years working on
Bolexes.
Jeff
peeds: 64D, 100D, 200D, 400D, 640T,
800/3200T.”
Perhaps finally a replacement for my late, lamented 7250? Be still my heart!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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> On Feb 16, 2016, at 6:55 PM, Scott Dorsey <klu...@panix.com> wrote:
>
> but think the world would welcome 64D and 400D slide and motion picture
> films.
Fuck the daylight stocks — all the good stuff happens under tungsten or in the
dark!
Jeff Kreines
Kinetta
j...@kinet
ly for any suggestions.
> Lyndsay Bloom
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I would guess that Hereford is too far away, but the Huntley Film Archive has a
Kinetta and can do 3K scans from any format.
(3K scans are great for HD and other uses.)
http://www.huntleyarchives.com/contact.php
<http://www.huntleyarchives.com/contact.php>
Good luck!
Jeff Kreines
K
FrameWorks@jonasmekasfilms.com
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Jeff Kreines
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s in front of the screen added to the
brilliance, but the dancers were probably not Mr. Workman's idea.
A great Oscar moment.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Mar 22, 2016, at 1:47 PM, Kim Knowles <kim.know...@edfilmfest.org.uk>
> wrote:
>
> Dear Frame
ks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
> __
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one in NYC have an eclair they could rent me for a day and/or know where
> to look for one?
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Jeff Kreines
Kinett
I don’t know what is up with Millenium, but they have one listed on their
website. DuAll appears to have sold theirs.
> On Apr 1, 2016, at 10:37 PM, Mariah Garnett <mariah.garn...@gmail.com> wrote:
>
> Npr
>
>> On Apr 1, 2016, at 8:33 PM, Jeff Kreines <j...@kinet
> to it? Or?
>
> Thanks in advance for any help!
>
> Carl Lee
> Buffalo, NY
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Rigadin, cubist painter" (1910-1912)
> from Georges Monca. There is so little information on the web about this
> film. Has someone know if there is a video copy of this?
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
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ially when dealing with a “scope”
frame. At least these days you don’t have to prepare different versions in
different aspect ratios, since your film can just be pillarboxed for HD. SD,
well, it doesn’t really matter anymore…
Jeff Kreines
Kinetta
j...@kinet
I love Steenbecks but they can easily ruin shrunken prints due to the wrap of
then picture sprocket. As Dominic mentioned, the Moviola Magnasync 16mm viewer
(like a larger Moviskop) is pretty good. But projection or Steenbecks can rip
your perfs. Be careful.
Jeff Kreines
Kinetta
j
I was talking to Tommy Aschenbach at Colorlab, and he said they just made a new
batch of triacetate, camera pitch, 16mm black leader. He said it’s extremely
dense — their densitometer goes to about 5.1 but it’s denser than that.
If you are planning to cut A rolls, give them a call.
Jeff
Adam:
Sorry to be such a verité-Nazi….
Best,
Jeff
> On Aug 2, 2016, at 11:44 PM, Adam Hyman <a...@lafilmforum.org> wrote:
>
> I accept your point; even right after I sent it, I debated whether
> "verité" was correct.
>
> Best regards,
>
> Adam
&
A lot depends on which Angenieux lens it is. If it's a common old lens like a
12-120, cheaper to find a replacement rather than fix it -- or get a used one
to "borrow" the lens group from.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Aug 15, 2016, at 6:09 AM, Bernd
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For those overly interested in lab history in the late 70s, I just stumbled
onto this:
http://ieeexplore.ieee.org/stamp/stamp.jsp?arnumber=7242420
Only geeks need apply.
> On Jul 13, 2016, at 6:55 PM, Jeff Kreines <j...@kinetta.com> wrote:
>
> Color negative in 16mm was
could do what we did — “cull” your original, and only workprint what you
needed.
> I gave Scott Norwood a copy of the 1978 price list from W.A. Palmer films
> which I got when I was working on low budget surf films as a much younger
> person.
Oh, those are so sad to look at now….
Jeff Kr
— but when I look at older B reversal I
shot in the 70s, boy, it sure is silvery!
Jeff Kreines
Kinetta
j...@kinetta.com
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ervices' means…
I still don’t know… Kodak has always been brain-dead.
Jeff Kreines
Kinetta
j...@kinetta.com
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/direct cinema filmmaking is sync sound. I realize this film was
made to be usable without requiring subtitles, so there’s no dialog — but it’s
more “early 60’s documentary” style rather than “verité” in my very sectarian
opinion!
Jeff Krein
Try Skip Elsheimer at AVGeeks. He does good work and may be in your price
range.
He has a Kinetta Archival Scanner.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Jan 27, 2017, at 7:59 PM, Ben Winston <sketchyb...@gmail.com> wrote:
>
> Hey ya'll. I am trying to get
rameworks>
>
>
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> On Feb 10, 2017, at 2:23 PM, Scott MacDonald <smacd...@hamilton.edu> wrote:
>
> Ed Pincus and Lucia Small
That would be a surprise to Jane Pincus….
Jeff Kreines
Kinetta
j...@kinetta.com
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Not that great a lens-- any reason you can't use a similar focal length that's
more easily found?
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Aug 15, 2016, at 6:38 AM, Bernd Luetzeler <fi...@gmx.de> wrote:
>
> Dear Jeff,
>
> no it doesn’t seem like it’s eas
w the documentaries have evolved in practice and by
> extension, definition.
Don’t get me started!
Jeff Kreines
Kinetta
j...@kinetta.com
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> On Aug 29, 2016, at 5:44 PM, Fred Camper <f...@fredcamper.com> wrote:
>
> Do many people care about the difference at all anymore. Don't some
> "theoreticians" even argue that the difference is irrelevant in our "fakey"
> world?
Theoreticians? Is t
>
> On Aug 29, 2016, at 12:42 PM, Ken Paul Rosenthal
> wrote:
>
> I'm researching docs that feature expressive dramatizations, either as brief
> interstitial moments or extended scenes such as 'The Act of Killing'. I look
> forward to any and all suggestions.
always impressed.
BTW, 16mm optical tracks are the AM-Radio of film sound. They can sound great,
but you have a limited dynamic range and on a good day (projector-dependent)
you might get 75-6000Hz.
Jeff Kreines
Kinetta
> On Sep 23, 2016, at 3:04 PM, Buck Bito - Movette <b...@movettefilm.com&
nd follow some online
> instructions how to dismantle the elements, clean them and then glue them
> with canada balsam.
> But I guess I first have to explore all other options…
>
> thanks
>
> Bernd
>
>
>> Am 22.08.2016 um 10:43 schrieb Jeff Kreines <j...@kinetta.
).
Unless you have one of those weird Oxberrys made for still film recorders.
These had small square mags and are designed for still camera film.
What kind of film recorder is it?
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Aug 26, 2016, at 3:32 PM, Scott Stark <sst...@hi-be
Scott:
What kind of film have you been running?
4 perf or 8 perf shuttle?
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Aug 26, 2016, at 5:26 PM, Scott Stark <sst...@hi-beam.net> wrote:
>
> Hi Jeff, yes it’s one of those “weird” Oxberrys made for still film
> recor
n A/B roller or anything like that.
>
> It's for a show that opens Nov 6th, so we need the print finished by the 1st.
> Eek!
> can anyone out there help us?
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>
He's a Dorsky and Brakhage fan.
http://www.indiewire.com/2016/10/art-house-trump-twitter-revealed-interview-1201735340/
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Oct 11, 2016, at 9:38 AM, Dominic Angerame <dominic.anger...@gmail.com>
> wrote:
&
I'm pretty sure that Colorlab can lock their optical recorders to any reference
-- digital or mag film or even video. No need for mag unless you want it.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 15, 2016, at 5:20 PM, Zach Poff <z...@zachpoff.com> wrote:
>
>
rojector 3D or any double system projection….
Jeff Kreines
Kinetta
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player, but
that was far more expensive. They are both on FB.
The Sharples book is a good place to start. But a lot depends on where you are
located and which lab you are using (for optical, that is).
Jeff Kreines
Kinetta
>
>
> 2016-12-12 21:31 GMT-04:00 Kenneth Linehan <k...@pub
They could just stick a magnet on the inching knob and use a reed switch, or a
cheap low-res shaft encoder (could make one with a disk with a hole in it).
That would make it immune to content.
Many of us are not immune to content…
Discontentedly,
Jeff Kreines
Kinetta
> On Dec 13, 2016, a
Horribly expensive and makes the print unusable for conventional projection,
tho.
> On Dec 13, 2016, at 1:18 PM, Scott Dorsey wrote:
>
> Yes, there is 16mm dts available. The print is printed with a standard
> optical track which contains timecode information. That
Mag stripe is dead. Not worth considering for a new film.
DTS is overkill.
Do you need a 16mm print with optical sound, in these days of digital (which
has better sound)? 35mm blowups are not cheap.
> On Dec 13, 2016, at 1:31 PM, Morgan Hoyle-Combs wrote:
>
> So,
Scott, this is pretty useless advice. How many theaters even project 16mm?
How many of those have (16mm) DTS? Of those theaters, how many want to run
Morgan’s film? A tiny subset, at best.
Technicolor Magnecraft — are they still around? Very doubtful.
Morgan just needs to learn how films
http://db.tt/5SlAVkbT> <http://db.tt/5SlAVkbT>
https://dl.dropboxusercontent.com/u/28462740/Memoriav%20Dossier%20--%20a%20response%20-%202012.pdf
)
Jeff Kreines
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.@indiecollect.org
<mailto:israel.ehris...@indiecollect.org>
Jeff Kreines
Kinetta
j...@kinetta.com <mailto:j...@kinetta.com>
kinetta.com <http://kinetta.com/>
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http://www.kodak.com/corp/Blog/Blog_Post/?contentId=4295000406
Jeff Kreines
Kinetta
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Colorlab in Rockville MD. Great lab and artist friendly.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 28, 2016, at 2:07 PM, Myron Ort <z...@sonic.net> wrote:
>
> I have some new projects (16mm and/or 35 mm) in mind and was thinking I have
> to work w
They are the same lab -- but for some reason still have two names. Tommy
Aschenbach of VGS bought out Colorlab a couple of years ago. (Before then they
did much of Colorlab's work.)
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Dec 28, 2016, at 6:39 PM, Scott Dorsey <klu...@pan
Mark:
If the film is still in rolls -- not cut into short strips -- it can be scanned
on a Kinetta. IndieCollect in NYC has a 5k Kinetta and offers very low rates to
independent filmmakers. Give them a call.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On Jan 4, 2017, at 10:18
PM, mstreet...@gmail.com wrote:
>
> Not a bad idea, Jeff. Wondering if the paint and stray bits of emulsion would
> endanger your beloved machine? Let me know what you think.
> Mark
>
> Sent from my iPhone
>
> On Jan 4, 2017, at 11:55 AM, Jeff Kreines <j...@kinetta.c
I think signal is on the 4-pin connector and power is on the coaxial. Power
probably needs to be clean DC so you don't get any hum from the lamp.
Unfortunately the Moviola amps are desirable for guitar amps so always are
expensive on eBay.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
pdf>
Jeff Kreines
Kinetta
j...@kinetta.com
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for that sort of documentary work.
> --scott
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Kinetta
j...@kinetta.com
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It's a camera designed by someone who had never used a Super-8 film camera.
Mindless design. No optical viewfinder, just a flip out video screen. The only
good thing about it is the C-mount lens.
Plus, it is overpriced.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone
about them.
The Kodak camera is a terrible industrial design -- look at the top handle as
an example. Big and ugly and not designed to hold to your eye.
It's Kodak's pathetic attempt to go after the trust-fund hipster market.
Sad!
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone
Excellent. Sally Dixon, and the great Travel Sheet (got many gigs from that).
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jun 30, 2017, at 5:49 PM, Michael Zryd <z...@yorku.ca> wrote:
>
> This body of research material may be of interest to Fra
That's the model number for a Sekonic meter, not a Spectra.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jul 31, 2017, at 6:37 PM, Dominic Angerame <dominic.anger...@gmail.com>
> wrote:
>
> The model number is L 28 c2 St
I think it was a Kodak Cine Special.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
> On May 16, 2017, at 8:38 PM, Margaret Rorison <margaret.b.rori...@gmail.com>
> wrote:
>
> Dear All,
>
> I can't seem to find any info on what camera DA Pennebaker used to s
gt; 858-229-4368
>
>
>
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isn’t
it somewhat logical that they’d give in-kind grants. Their prices are quite
high for HD — $1.00 a foot for Super 8 scans.
>
> By the way, Facebook is no substitute for this list. I favor text that isn't
> linked to every goddamn idiot looking for a buck.
Jeff Kreines
Kinetta
j
projectorcentral.com always has trustworthy reviews of projectors in all price
ranges. Worth checking.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Aug 24, 2017, at 9:28 AM, Ben Balcom <benbal...@gmail.com> wrote:
>
> Hello Frame-brain,
>
onasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>
>
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members. Available in advance from
>> Brown Paper Tickets at http://bpt.me/3103989 <http://bpt.me/3103989> or at
>> the door.
>>
>> <>10/29
>> New York, NY: Anthology Film Archives
>> http://www.anthologyfilmarchives.org/
>> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3=26bcec88ba=4e65756555>
>> 4:45 PM, 32 Second Avenue
>> EC: CHRISTOPHER MACLAINE
>> "The few facts that are known about Maclaine are, at best, sketchy. He was a
>> published poet, a sort of down and out San Francisco bohemian who later
>> became one of the psychic casualties of that scene. His last years were
>> spent at Sunnyacres, a state mental hospital in Fairfield, California. These
>> films, along with Ron Rice's, are clearly the most significant work to come
>> out of the beat period." -J.J. Murphy All films preserved by Anthology Film
>> Archives. THE MAN WHO INVENTED GOLD (1957, 14 min, 16mm) BEAT (1958, 6 min,
>> 16mm) SCOTCH HOP (1959, 5.5 min, 16mm) THE END (1953, 35 min, 16mm) Total
>> running time: ca. 65 min. [THE MAN WHO INVENTED GOLD, BEAT, and SCOTCH HOP
>> are not part of the Essential Cinema collection, but they are included here
>> as a special bonus.]
>>
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>> From: Esperanza Collado <esperanzacolla...@gmail.com
>> <mailto:esperanzacolla...@gmail.com>>
>> Subject: [Frameworks] Editing neg?
>> Date: October 22, 2017 6:46:30 AM EDT
>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com
>> <mailto:frameworks@jonasmekasfilms.com>>
>>
>>
>> Dear Workers of the Frame,
>>
>> I have a negative and I want to create a print from it, organizing the
>> different sequences that I shot in a different order. What's the exact
>> procedure I should follow? Should I cut the negative and splice it together
>> in the new manner I want the final print to be, then send that to the lab?
>> (I need no disolves nor superimpossitions, just one shot after another in
>> the simplest way). If I don't want to cut the negative, I presume I should
>> use the numbers that appear on the side of the filmstrip to give
>> instructions to lab, but I'm not sure if that is so precise. I've never done
>> this before, and the guy from the lab wasn't very helpful. So if any of you
>> could explain the procedure to detail, I would be enormously grateful. Also,
>> I'd love to hear about books on the subject.
>>
>> Thanks very much,
>>
>> Esperanza Collado
>> - - - - - - - - - - - - - -
>> www.esperanzacollado.net <http://www.esperanzacollado.org/>
>>
>>
>> ___
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>> https://mailman-mail5.webfaction.com/listinfo/frameworks
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>
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Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
___
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
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TV news when
they shot negative and inverted the polarity for broadcast.
You can also have the negative transferred to digital files with the edge
numbers in a “flex” file that some editing programs can use, but this gets more
complex than you will want.
Jeff Kreines
Kinetta
j...@kinetta.com
We had this Nizo mod in 1973 at the MIT film section, but of course circuitry
has gotten a lot smaller since then. Christophe does nice work.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 11, 2018, at 6:03 PM, Pip Chodorov <framewo...@re-voir.com&
For those reeely big reels.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Aug 3, 2018, at 3:59 AM, Rob Gawthrop wrote:
>
> eighteen foot rewinds!
>
>> On 3 Aug 2018, at 02:46, Dominic Angerame wrote:
>>
>> I have a matching pair of
Demon Lover Diary, by Joel DeMott.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jul 10, 2018, at 12:22 PM, Sonya Mladenova
> wrote:
>
> Hello everyone,
>
> Looking for documentary films shot with/within a group of people engaged in
> an
None of those Peter Watkins films are documentaries. Faux-documentary style
applied to fiction does not a documentary make. You should know better.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jul 10, 2018, at 2:09 PM, luis ? wrote:
>
> 25Cines/seg (2
these distinctions anymore.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Jul 10, 2018, at 3:43 PM, Scott MacDonald wrote:
>
> Naaah, Punishment Park is not just faux doc style applied to fiction. Watkins
> devised a fictional situation (based on aspects of t
using Amazon Mobile for iPhone
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Dec 14, 2018, at 6:31 PM, Eric Theise wrote:
>
> The frame says –
>
> Download this Exremely [si
It may be the ACL handbook, association of cinema labs. A quick internet search
yielded nothing.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Dec 14, 2018, at 6:10 PM, Jason Halprin wrote:
>
> Hi All,
>
> In one of my computer updates, I seem to
Charles Cohen also gave a home to Filmmaker’s Coop in one of his NYC buildings.
https://www.prnewswire.com/news-releases/cohen-media-group-buys-landmark-theatres-from-wagnercuban-companies-300760201.html?utm_source=CNN+Media:+Reliable+Sources
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Actually, it was used for some sort of cine-microscopy work. Not sure exactly
how, but I think you could compare two samples by adjusting the pivoting
mirrors. Note the long extension tube on the lens.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Mar 17, 2
is
selling your data...
Best,
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Mar 17, 2019, at 2:12 PM, Buck Bito - Movette wrote:
>
> Hi Sherman,
> In case no one has ideas here, try the AMIA listserve:
> https://amianet.org/engage/amia-l-listserv
Sure looks like it, Scott.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Mar 20, 2019, at 4:03 AM, Scott Dorsey wrote:
>
> Is this a machine intended for medical use, to view cineangiograms?
> --scott
> _
What was it scanned on? Fixed-pattern noise typically comes from the sensor of
the scanner.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Mar 20, 2019, at 10:22 AM, Isaac Brooks wrote:
>
> Hi -
>
> Can anyone advise on eradicating or reducin
Colorlab sells 16mm black leader for negative cutting. It’s fogged and
processed optical track stock, I think. Very dense. And not polyester base.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Feb 14, 2019, at 10:04 PM, Huckleberry Lain
> wrote:
>
quite high.) They
also have a 4K Arrilaser if you want a 35mm negative, and their own 16mm 5K
film recorder if you want 16mm.
Colorlab is in Rockville, MD. Very friendly to experimental filmmakers.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Apr 13, 2019, a
Contact printer or optical printer? You don’t need a camera for s contact
printer. Not sure you need the Beser unless you have a color lamphouse and are
going to use it for filtration.
Jeff Kreines
Kinetta
j...@kinetta.com
kinetta.com
Sent from iPhone.
> On Aug 16, 2019, at 1:50
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