Mike, arpeggios in whatever key are not things one MUST practise, if the horn
instructions were appropriate (traditional) for the first two or three years. If you
had gone through the Schantl Grant theoretical-practical Method, you had all these
arpeggios right in your left hand in the lips.
I found Walter Lawson's comments most interesting, especially in light of
the fact that he is becoming a significant individual in the development and
history of the horn himself, and there is no doubt in my mind that in the
decades to come, his horns will achieve a status that like Geyer will
At 09:08 PM 2/9/2003 -0500, you wrote:
I just got finished with the Pennsylvania Music Education Association
District orchestra festival. It consisted of 44 different schools from the
region and about 150 students. The guest conductor was great! He chose
great music
Mike,
So glad you had an
Hi listers,
Does anyone know where I can get a copy of this piece of music? I
know the recording with Ib Lansky-Otto, I am looking for the sheet
music.
Thank you,
scottito
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Hi,
Because of ignorant, mean neighbours I eventually decided to buy the
Yamaha Silent Brass system. I wrote a fairly detailed report on
http://www.corno.it .
Anybody who is interested in it will find a link on the homepage, in
the NEW box.
All the best,
Daniel
--
Daniel Canarutto
Please, forgive this double post.
Il Club del Corno, the Italian Horn Website http://www.corno.it,
is promoting an opinion survey among professional horn players, based
on the following list of questions.
The answers will be published on the site in English and in Italian.
You may wish to
I've read in several places to never regarde a high C as the top note on the
horn. My only problem is i don't know the correct fingerings for anything
higher than that. I play on a semi-new conn 8D, so if anyone could help me
out, it would be great.
Jared
David Thompson can get it for you.
Mark L.
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Steve writes
I actually own an exact twin of the horn that's on eBay and I also have
another one that's exactly the same down to the last brace, but it's marked
Beltone and I've seen some others with other names yet, so it's pretty
clear it was a stencil. None of the parts have that
In a message dated 2/10/2003 1:30:23 PM Pacific Standard Time,
[EMAIL PROTECTED] writes:
David Thompson can get it for you.
Mark L.
That would be www.thompsonedition.com
If it's not in the website list contact him directly.
He can find a needle in a haystack.
Regards,Jerry in
Hi,
I'm a college student, performance major, looking at
transferring into the University of South Carolina. I was wondering what
people thought of the horn program there, or the music program in general.
Any info you have is helpful.
Thanks
Wayne Miller
[EMAIL PROTECTED]
- Original Message -
From: Jared Miles [EMAIL PROTECTED]
Sent: Monday, February 10, 2003 3:12 PM
I've read in several places to never regarde a high C as the top note on
the
horn. My only problem is i don't know the correct fingerings for anything
higher than that. I play on a
I received this story via email, and it shows how things really CAN get
worse
is from Oklahoma and has a slight accent. She has
cats and when she lived in the south she would take them to the groomers
and have what is called a Line Cut. To her a line cut is when all of the
fur
The first Yamaha line of custom horn appears to have been discontinued.
Last week I found an 8 page catalogue over the 5 models, that were a Schmidt
type double with piston shift valve, Geyer and Kruspe type doubles, a 4
valve single Bb, and a Vienna single F with a wrapping resembling the
What I found out about Francis Hellstein and the Detroit Symphony horn
section. (WARNING: probably way more than anyone would want to know)
After reading the exchange amongst Ellen Manthe, Anne Megenity and our
esteemed tuba-centric sister in conicality, (my spell check keeps trying to
change
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