Hallelujah, perhaps playing Shosta no.5 with the chamber orchestra
But right this passage comes often as a "mass fart" not as a "dark
march" as it is thought for. And the conductors contribute to this "mass
fart" as it the passage cannot be loud enough for them =
misunderstandings after misun
Thanks Prof. Pizka for your insights.
Giovanni :->
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
On Saturday, January 31, 2004, at 08:28 PM, Mark Taylor wrote:
Now THAT’S a subject I’d love to hear more about. I read the info at
hornplayer.net a while ago and had a very nice (if brief) email
exchange
with Mr. Hecht. I found the story to be fascinating and a bit sad.
Wish I could’ve play
In a message dated 1/31/04 11:40:14 AM, [EMAIL PROTECTED] writes:
> I love all the misinformation that goes out as gospel on these lists!
>
Kendall, Thanks for the posting !
That needs to be said --and frequently.
Paul Navarro
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post: [EMAIL PROTE
The one inch diaphragm on a mic is the way to go. The bigger the
diaphragm the better. The Marshall mics are great low end mics. I
recommend either going for the MXL 2001/2003 or preferably the V77 tube
mic. The tube mic makes all the difference. Run it through a Behringer
two channel mixer an
> Please don't start making assumptions about the Veneklasen horn. I was there.
>
> Still -6 here.
>
> KB
> ___
> Horn mailing list
> [EMAIL PROTECTED]
> http://music.memphis.edu/mailman/listinfo/horn
>
> End of Horn Digest, Vol 13, Issue 37
> **
In a message dated 31/01/2004 23:47:07 GMT Standard Time,
[EMAIL PROTECTED] writes:
> I want that music at my funeral and NO CUTS!
I have made it known to all my family and friends that I want "Nellie the
Elephant" played at my funeral with a £5 fine payable to charity imposed upon
anyone who
I know Prof Pizka said "low horns do not have many soli or great soli" but
for my money one of the best massed horn growlies is in the 1st movt of
Shostakovich 5th Symphony (2 bars after 17 where the piano comes in) 4 horns
unison in bass clef. What an effect! Only 18 bars long but very well
pl
In a message dated 1/31/2004 4:53:48 PM Eastern Standard Time, [EMAIL PROTECTED]
writes:
> > I love all the misinformation that goes out as gospel on
> these lists!
I've always thought of the list as our own personal flag pole to run things up. I
would hope any misinformation I might pass wou
In a message dated 1/31/2004 3:46:12 PM Eastern Standard Time, Valkhorn writes:
> Is this the mic you are referring to?
That's the one. They are so low price, you might pass them by from skepticism. Eric
thinks they might have a battery powered version now. The reviews I saw looked pretty
go
The problem is not the things I don't know.
The problem is the things I do know that aren't so.
-- Alan Cole, rank amateur
McLean (Fairfax County), Virginia, USA.
At 08:53 AM 2/1/2004 +1100, you wrote:
> I love all the misinformation that goes out as gospel on the
> I love all the misinformation that goes out as gospel on these lists!
Well spoken Kendall!!!
Cheers,
Graeme Evans
(Principal Horn, Melbourne Symphony Orchestra)
+61 3 9318 0690(H), +61 419 880371(B), +61 3 93180893(Fax)
E-mail: [EMAIL PROTECTED]
__
Is this the mic you are referring to?
http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&item=3700800258&category=41466
$89 sounds like a steal, and a pair of those is about as much as a Shure
KMS27.
-William
In a message dated 1/31/2004 11:45:47 AM Pacific Standard Time,
[EMAIL PROTECTED] writes
Thanks. I'm looking at a few one inch diaphramed mics. I saw the Marshal MXL
on eBay for around 70 bucks and so I might get a pair. Do these have to be
powered though? Some mics like that require phantom power supplies from what I
hear.
A stereo pair is a good idea, however could I get by with
In a message dated 1/31/2004 3:23:00 AM Eastern Standard Time, Valkhorn writes:
> I'm actually investing in a decent microphone setup soon. I hope to use that
> as a tool for my practice, but I haven't settled on which items I want or
> need. I feel it'll help me be as meticulous as possible wit
Excuse me, but I did admit earlier I was wrong on that information.
I don't think it's really necessary to resort to personal attacks like that.
In addition, its not very nice at all.
Some things you disagree on were facts, which I respectfully correct myself
on. On the things that are your op
I've forwarded on information regarding upcoming events at the University
of Iowa. These events are free and open to the public.
On Wednesday, February 4, The University of Iowa Horn Studio welcomes as a
guest artist
Greg Hustis - principal horn of the Dallas Symphony, owner of Trumcor
Mutes
William, William, William, wrote:
The instrument itself can be raised or
lowered an entire half step on both sides of the horn. No other horn I know
of does
that, not at least any manufactured today.
I have owned a long slide for years. Had one for a Conn, now for a Lawson.
Handy for tricky E
William writes:
Holy moly. I hope she's prepared for the intonation differences. The switch
from a Conn 8D to a Schmid is like going from Venus to Mars.
Seems like going to Shosty 10 is a little shaky until she's played on it more
than a week or two.
William, I routinely use to switch back and f
William wrote
I have three bells. One is nickel silver with kranz and the
other two are medium and wide yellow brass bells.
**
Way cool, Bill. Exactly how do you put your bells on?
Is it awkward when you sit? Do any of them work on
your horn?
Gotta go,
Cabbage
___
William wrote:
Schmid is a genius for having the only horns I know of in
the world that can use different sized bells.
Sorry, wrong answer. The freelancers (Ray Alonge and Joe DeAngelis in
particular) in NY (including myself at one time) were using Alex flares on Conn 8D's
years ago. Reason:
Did you ever try compositions by Johann Anton Andre (1775-1842), Mozarts
publisher ? He wrote a very nice horn concerto, more demanding than
Mozarts concertos, also a concerto for two horns & was "co-composer" of
the Philipp Dornaus & J.A.Andre double concerto op.14 in E, another
challenging double
My goof, poor choice of words... reprint :)
Yeah it is fascinating to me how many great composers are amazing early off
in their careers. K. 1 (Symphony 1) by W. A. Mozart is astonishing for a first
classified composition. Even R. Strauss with his op. 20 as Don Juan, and I
believe his Serenade
The Birdalone publication is a reprint not a transcription. Yes, you are
correct with your assumption. The Krufft & the Beethoven Sonatas are
rather piano sonatas with an obligato horn part. That was the usual way
then. And the piano parts are rather challenging as both composers were
extremely goo
Hans, I heard somewhere that this piece was originally a sonata for piano and
horn accompaniment and not a sonata for horn and piano accompaniment. Is
that true?
Also I think Birdalone music has another transcription of the piece in E, and
it's fairly clean. The only problem is the piano musi
Obviously, you are using the publication prepared by Edmond Leloir, as
the original tonality is in E. We all know, that for most
Bb-horn-players the tonality E is a finger breaker, so Edmond Leloir got
the Sonata published as dowm transposed for a half step. It does not
matter much, but E sounds a
Thanks. I stand corrected. I definately don't know everything :P I hoped that
a contrary impression wasn't given, but apparently it was not.
Back to the section I just quoted, I entirely agree with you. For example, I
do a lot of practice on the natural horn partials, and handicapping is indeed
William, why should you know everything at your age, while others need
their whole life to acquire such a knowledge ? Well, Alexander had
&perhaps still has) a modular model, which could be arranged as F/Bb, or
G/Bb or many other combinations just to ease fingerings. Peter Steidle
from the Hessisch
Herr Prof. Pizka-you are a resource beyond measure. I know for a fact people like you
don't grow on trees. You are correct in sharing that the real trick is to communicate
the knowledge in an understandable yet scholarly manner. Such only comes with
experience. My hope is that other hornlist
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