I doubt the influence of outside music when the baby was in mothers womb
The music I could have heard were the explosions of bombs grenades
Well then, that would explain everything!
just kidding, Professor!
jrc in SC
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Steve F wrote
Larry, an admirable quest on your part (to provoke more thought about the
nature of talent) but I don't believe you, me, this group, or any group of
people will ever settle the nature or nuture question. Too many examples
exist of excellence in musical performance where no
Brilliant! I must purchase a Victor Borge DVD so that my children can see.
-S-
-Original Message-
From:
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Sent: Sunday, November 21, 2004 2:09 PM
To: [EMAIL PROTECTED]
Subject: [Hornlist] Talent
Steve F
I certainly agree with Hans that the German sentence I quoted, while
understandable, doesn't really make sense. Note that I didn't say I liked
the sentence -- just the accuracy of the translation, and the word spliaa,
which is much more onomatopoetic than the original Kieksen (which sounds
to
I know this topic is winding down, I'm sorry, I guess I'm a bit slow
but I was wondering if it was a possibility that someone could be *musically*
talented (by whatever definition you want) but perhaps be physically or
physiologically (sp?) more or less capable on particular instruments.
Hello,
I am looking for a gig bag for my french horn and I was wondering if anyone
had some info about good gig bags. I thought they would be easier to haul
around the colllege campus rather than the huge cases that they come with.
But I want a gig bag that will protect my horn more than
It is received wisdom among singers that the reason a trained singer can cut
through an orchestra is that there is a hole in the frequency spectrum of an
orchestra around 3000 Hz--just where the singer's formant is. When I hear a
trained baritone singing, I find the pitch hard to discern because
but I was wondering if it was a possibility that someone could be
*musically* talented (by whatever definition you want) but perhaps be
physically or physiologically (sp?) more or less capable on particular
instruments C.W.
I think that some people have a better aptitude for certain
From: Ryan Doty [EMAIL PROTECTED]
Subject: [Hornlist] Gig Bags
I am looking for a gig bag for my french horn and I was wondering if
anyone had some info about good gig bags. I thought they would be easier
to haul around the colllege campus rather than the huge cases that they
come with. But I
Steve F wrote
Larry, an admirable quest on your part (to provoke more thought about the
nature of talent) but I don't believe you, me, this group, or any group of
people will ever settle the nature or nuture question.
***
I'd just like to point out that, within the various fields of
I personally only have one recording of Franz Strauss's Theme and Variations.
John Ericson is performing (He's the Horn professor at Arizona State). The
recording is titled Les Adieuxs and features all five of Strauss's solo works
that were published during his lifetime (According to the
On Sunday, November 21, 2004, at 08:16 PM, Mark Louttit wrote:
but I was wondering if it was a possibility that someone could be
*musically* talented (by whatever definition you want) but perhaps be
physically or physiologically (sp?) more or less capable on particular
instruments C.W.
I think
My horn teacher, Janine Gaboury-Sly, recently performed the Richard
Strauss Theme and Variations. Awesome piece. Does anyone here know
about it? I have yet to meet anyone that knows about it, and the same
goes for her.
On 21 nov. 04, at 20:42, Anna Henry wrote:
I personally only have one
I somehow bought that piece more or less on accident and I think I have a
recording on my computer somewhere. My buddy did it on his senior recital last
year and prefaced it by telling the audience it is what _I_ would call
sleezy.
Chris
--- Patrick Morgan [EMAIL PROTECTED] wrote:
My horn
A couple of recordings I have been listening to lately have have had
particularly distinctive (and in one case distinguished as well) horn
playing and I was wondering if anyone on the list had any knowledge of
who the players might have been.
Number one is a 1952 recording of the Munich State
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