Anyone out there ever play a Lidl descant?
There's one on ebay right now that interests me,
mainly because it's cheap.
Wilbert in SC
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Oh yes, Clifford is one of my favorites! He was the first trumpet player I
heard who combined that level of technique with a big, fat, beautiful sound.
That's partially why I chose a ballad dedicated to him as my feature with
Max's brass quintet. I love Miles and Dizzy, also but for very
Shanna, some thoughts for you. One, you apparently switched from tpt to horn.
It could be that you haven't finished changing from one instrument to the other
yet; in other words, you are not yet comfortable with horn. Second, your horn
mouthpiece might be inadequate. You well may not have
At my most recent lesson, I was playing a passage from early on in the
Horner method that started on third space C and went up C-D-E. Because I'm
playing a single F horn, I was playing all three as open. Chris suggested I
finger the D with the first valve held down, a fingering which I was aware
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message: 2
date: Thu, 24 Mar 2005 10:07:26 -0800 (PST)
from: Herbert Foster [EMAIL PROTECTED]
subject: Re: [Hornlist] Rossini's La Cenerentola
Some of us are slow at:
Do = C
Re = D
Let's see, Do a deer, a female deer... Oh, yes,
La = A
Herb Foster
As a learned F-horn-player I might correct you. D2 as open
note is the 9th partial (if you count from botom-bottom C,
written on the 2nd ledger line below staff in real bass
clef), so the high c3 is no.16. But it would be the no.10
natural tone on the E-flat horn (written e2 one step down).
E2 as
Seven out of ten copies of the R.Strauss op.11 facsimile are
sold allready. If you are still interested, hurry up order
quickly. Trust me, it is not a business for me, rather a
run through not more, but I thought doing a good service
for some serious horn players.
Prof.Hans Pizka, Pf.1136
Hello Paul,
[off-line]
You wrote that you like conical cups that you've had success with students with
the S-14. Are you
familiar enough with Giardinelli's C15 to compare the S-14 cup to it?
Also, do you know if the S-14 is or was sold in a threaded version (that is,
without making a
Isn´t the a2 a bit flat when played as open Bb-horn note ,
while the g2 is nicely sharp the f2 again a bit flat
(could be bettered with Bb-side + 1)
==
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