Most common intonational woes are NOT caused by the
poor musicianship of horn players performing atonal
music. To suggest such is absurd. Nice excuse. HA
I would say horrible listening skills ( see below!!!),
lack of attention to pitch, and the lack of quality in
many wind ensembles playing
-Original Message-
From: Debbie Schmidt [mailto:[EMAIL PROTECTED]
I don't think you will win a competition playing the second
and third movement of Mozart 2 if this is a high school /
college age group especially if it is open to all
instrumentalists'. Kalmus has a lrge
Auditions are different then competitions. I agree play what you do best.
But at some point to win a competition at a high school or college level
when it is a competition for all instruments you need to have everything in
place, musicality and virtuosity.
Debbie
On 5/20/07 10:24 AM, Steve
I don't (Bah Humbug!). There's nothing like a chord that locks in so there
are no beats.
Note that Bach did NOT write for even temperament. He wrote for Well
Temperament, which is between just and even temperament.
Herb Foster
--- [EMAIL PROTECTED] wrote:
...
I'm with Bach--I like tempered
In a message dated 5/19/07 3:04:47 P.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:
This brings up some good points. As far as the number of different
F#s there might be, I'm sure you are on track with that- would you
like there to be more? : )
The type of exercise you describe is
Hi listers,
I coach at a brass chamber music workshop at Humboldt State and this
year they are short players for the second week, July 27 - August 2.
This is a great, player friendly camp in a beautiful place, with good
coaches and just nice people. You'll play all day and give a concert
Hi,
I am going to be in NY next month and got tickets to an open
rehearsal. Can anyone tell me how early I should be to get a decent
seat (they are not reserved).
Any tips would be appreciated! You can reply here or mail me directly
at [EMAIL PROTECTED]
Mucho gracies, buddy,
scottito
so I'm kinda lost...should I do a mozart or do most feel that Something
like strauss would be more impressing? its a competition open to all
instruments.
-michael
_
Change is good. See what’s different about
[EMAIL PROTECTED] wrote:
In a message dated 5/19/07 3:04:47 P.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:
but it is easier to get
away with bad pitch in an atonal situation. OK, this a gross
generalization, but in the sense of players coming up now playing
more
From: Steve Burian [EMAIL PROTECTED]
An F# in the key of D major might be as much as 30 cents higher than the Gb
in the key of Eb minor.
A good thought, Steve, but you stated it exactly backwards. A just
major third is about 386 cents and a just monor third is about 316
cents.
I thought I might get lambasted for saying it but I will anyways:
Tune to where it sounds good. You should have a decent ear as a musician so
you should be able to tell, and how to get a decent ear is by closely
listening to good recordings. I aced all of my aural skills classes and the
What's in your repertoire?
-William
** See what's free at http://www.aol.com.
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William, you said some very important things. May I ask the
community once again, why they do not react to my
recommendation of colours, sound colours, which are so
important in music, not the mathematical calculations. With
all the mathematical calculations up to fractions of cents,
things sound
Thank you. I sometimes wonder if I'm slightly autistic though because I
heard of someone in England who actually pictures colors and shapes and
pictures
with every number all the way to something like 10,000, and with me with music
I see colors and shapes and forms and they're so obvious
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