Hey there. Just wondering if anyone has any magic cure all's for cold sores.
I get them fairly often, but usually occurring from a bitten inner cheek, so
they don't interfere much with playing. This recent one, however, is just
outside of where my rim sits, and to make matters worse, I have
"How long will it take for me to get comfortable playing? Will it be
weeks or months or years? "
Patience. Thats how long. Patience. It will take as long as it takes. I
have known some (extreme cases) to take more than a year...others just a month
or so. If you practice intent on doing the
I did some time in the 82nd Airborne Division Band, right outta high school.
Some of the most important years in my development as a player and person.
Jeff C
-Original Message-
From: [EMAIL PROTECTED] on behalf of Milton Kicklighter
Sent: Fri 7/13/2007 7:39 PM
To: The Horn List
Sub
Robert King music has a couple. I think the other is Phoenix music. hope that
helps.
Jeff C
-Original Message-
From: [EMAIL PROTECTED] on behalf of John Wunderlin
Sent: Fri 7/13/2007 1:16 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Where to purchase Kerry Turner Pieces?
Can an
Every time (just twice) I have seen it (never played it) the guy in the
painting actually played the trumpet. That's not really a help, but it is all
I got. If you haven't had a rehearsal then I would prepare to play it as
written and transposed, just in case it is intended for a Bb instrument
The piece was written to commemorate the defeat of Napoleon and his french
troops by Russia, centering around the Battle of Borodino (part where we play
Le Marseilles and the cannons fire back at us). It indeed has nothing to do
with the United States at all. As for the political statement, I
It's funny you should mention that. I was complaining last night to my wife
about that. It is a pretty poor show.
Jeff C
-Original Message-
From: [EMAIL PROTECTED] on behalf of Anne Megenity
Sent: Thu 7/5/2007 7:04 AM
To: The Horn List
Subject: [Hornlist] 4th of July D.C. Concert
The toneblob is a massive valve cover extension that is supposed to stabilize
vibrations. The acousticoil is a 1 1/2 inch long piece of plastic that is
rolled over on itself that you insert into a tuning slide (whichever you like,
valves included).
link to toneblob site http://www.hornsaplent
I would suggest something along the same lines. you can even do so without
stopping your playing. Remember that you are playing the horn because you
enjoy it. Too often we focus on improving things, doing exercises, etudes,
clark studies, embouchure building, lip trills, lip slurs, long
tone
Junk...at least it sounds it not having seen it. Here is a link that may help.
http://www.hornplayer.net/archive/a307.html
Jeff C.
-Original Message-
From: [EMAIL PROTECTED] on behalf of Steve Freides
Sent: Fri 6/29/2007 10:48 AM
To: 'The Horn List'
Subject: [Hornlist] Junk or not
I
So I have written and deleted 4 replies to this so far. I am not sure why
everyone has been up in arms about this. There are many different ways to gain
mastery of the total range of the instrument. It seems as if some are writing
some methods off just because it did not work for them, or it
I have recently changed horns, and the one I purchased came with one in it. I
can tell you that they do make a difference. I found out that there had been
one placed in the first valve slide (Bb side) in order to secure the high Bb I
would suppose (not that it needed it). I can't imagine any
I would second that suggestion (yamaha) and off the conn 10 and 11d, which are
pretty consistent (geyer again). For Kruspe, I like the yamaha 668 (gen 2) for
consistency. there are plenty of other options, and would suggest going and
trying some. It is a bit difficult in NC, but you should be
Do bad orchestration projects count??? That would change things I would think
:)
Jeff C
-Original Message-
From: [EMAIL PROTECTED] on behalf of Marc Gelfo
Sent: Thu 5/31/2007 10:56 AM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: Highest note
It's my understanding the highest no
Along the Saint-Saens line...the band version of Morceau de Concert.really
bad.
-Original Message-
From: [EMAIL PROTECTED] on behalf of hans
Sent: Sat 5/5/2007 1:05 PM
To: 'The Horn List'
Subject: RE: [Hornlist] musical idiot & disgusting arranger.
How about the band version of
You are partly correct. But, simply put, it is user submitted. Any user(there
are several that are not open for editing). Its true that if the information
isn't accurate someone more knowledgeable will change it, but I wouldn't be so
quick to call 10 year olds scholars. You are right though,
rightgood to know it was LUBED...
--
"La Sete" French Horns are RARE because their sound is better than any
Yamaha and almost has the tone of a $4500 HORTON.
http://cgi.ebay.com/La-Sete-Single-F-French-Horn-with-Hard-Case-LUBED_W0QQit
<--
Well...to partly answer your question (at least from my point of view) you have
to choose teacher or school...the two may intersect...but not necessarily. I
am sure that there will be a lot of the same schools mentioned by everyone..and
will spare you my justifications...but as far as schools g
I think that as long as the tone does not take away from the musical message
that there should 'ideally' be no preferred tone. Above all, I think that
flexibility of tone color is probably much more important than devotion to any
one color (ie. cleveland sound, ny sound, london sound etc).
J
Just wondering if anyone out there had any biographical info on Berhard Müller.
Having a little trouble finding any info on him at all. Thanks for the help!
Jeff
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