Tarara tarara
Nielsen S. Dalley
thought he could play
Siegfried's horn call
While playing and talking
unfortunately
what came out
was nothing at all.
regards
Harriet Nielsen Dalley
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the chance consisted mostly of removing
the terminal crook and then adding or removing the correct couplers, which for
expediency would be hanging on my left arm. It was noisy when you had two on
your arm so they had hankerchifs taped around them. Harriet Nielsen Dalley
note. Regards.
Harriet Nielsen Dalley
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It is published by Editions Metropolous, Antwerp Belgium. This is according to
the Dalley Horn Catalogue - 2006 Edition. For retail sources, If Robert King
does not list it then try Thompson edition, Barcelona or Universal Editions,
Vienna. Regards
Harriet Nielsen Dalley
it is not original, but is
actually an arrangement of his concerto for English Horn and orchestra.
Harriet Nielsen Dalley
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for the last two movements shows
corrections which are obviously the instructions by Mozart. I have completed
and published the work, and an incipit of it can be viewed in the Dalley Horn
Catalogue - 2006 edition. Regards.
Harriet Nielsen Dalley
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. Take the breaths as in the
opening if the conductor indicates that in the phrasing of his/her conducting.
Otherwise breath according to the condustor's direction, which might include
taking a big breath and playing those final 8 bars in one breath.
Regards.Harriet Nielsen Dalley
. Regards.
Harriet Nielsen Dalley
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on a scale of I to IX, It is
in C Major. And it has some difficult skips, trills, etc. It is 6' and 30 in
length. A copy resides in the New York Public Library. The call number is *MYR.
Regards.
Harriet Nielsen Dalley
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The Dalley Horn Catalogue - CD rom lists the work as Anonymous - Published by
Moseler varlag, Wolffenbuttel, Germany, copyright 1987. Should be available
from european sources such as Thompson or Universal, Vienna, Austria
Harriet Nielsen Dalley
The Dalley Horn Catalogue - CD lists two other works: 1. Grosse - For the
Unfallen - Oxford University Press, and 2. Britten - Now sleeps the Crimson
Petal - Boosey and Hawkes. Regards.
Harriet Nielsen Dalley
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There is a lot listed in the Dalley Horn Catalogue - CD. Several good choices
are available from Hal Leonard Publications, such as: Frackenpohl - O Holy
Night (A. Adam); or Gillis - Coventry Carol (Anon.); or Leontovich - Carol of
the Bells. Regards.
Harriet Nielsen Dalley
. You can play high C
very quietly on the first valve with slide removed in unison with the clarinet.
Then press the thumb lever and the high B flat plays perfectly without any
change in embouchure. Try it. Regards.
Harriet Nielsen Dalley
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The address for Thunderlip Music is: 23 Benlamond Avenue, Toronto, M4E 1Y8
Canada. Information from the Dalley Horn Catalogue.
Harriet Nielsen Dalley
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Nielsen Dalley
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think the piano reduction is
better. The Dalley Horn Catalogue lists 54 different publications of the
concertos. That is too many to discuss their merits here. Ragards.
Harriet Nielsen Dalley
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the third movement came around.
They hadn't anticipated that the last chair in the horn section had so much to
play. Regards
Harriet Nielsen Dalley
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. There are others. Inquire if
you want a complete list. Regards.
Harriet Nielsen Dalley
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For info about The Dalley Horn Catalogue, contact me at
[EMAIL PROTECTED] Best regards.
[EMAIL PROTECTED] wrote:
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By deductive reasoning, I believe Opus 34 is Two Morceau de Concert de
Donizetti, paroles Francaisses de Charlemaine - Published
Schonenberger, Paris 1839. Written for Voice, Horn and Piano. Would be
interested in seeing your entire list. The list I included in the Dalley
Horn Catalogue - on
Consulting the Dalley Horn Catalogue, - on CD, I found 12 original works
for Flute, Clarinet and Horn. As Follows: 1. Inwood,M., 7 Bagatelles,
pub. Seesaw, New York; 2. Bussotti, Sylvio, Tramonto from Phadria, Pub
G. Riccordi. Milan; 3. Rubato, Inngangur, Trio, Manuscript in Icelandic
National
I agree with Hans Pizka with regard to aging and (still) playing the
horn. Early training is the key. Interestingly enough, that applied also
to athletics, and perhaps in an indirect way to everything in life. In
my case I practiced 1 1/2 hours a day from the age of 11 onwards. With
performance,
Stravinsky got good advice from a horn player when he composed the
Firebird Ballet in 1911, and later the Suite in 1919 and still later in
1945. The first and last notes of the glissando are written. So that gives
you the fingering to use. F2 for the first two glissandi and F13 for the
last two.
The significant difference between the two wraps was that the Geyer wrap
had wider and more gradual bends in the main tubing. The result was
that the F horn side has less resistance than in a Kruspe wrap. That
meant the F and B flat horns sounded more alike in quality. Yes, the
result of the
I have heard it played many times, but have not played it myself. The arpeggio is
played mezzo forte and can be played with a decresendo. Thus the last note can be
ghosted or 'pinched'. Regards
Harriet Nielsen Dalley
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set
There are six horn parts in the symphony. In the movement with the obligato
solo part, played by the first horn, the orchestra 5 horn parts are played
by the other five in the section. As a suggestion, since the whole symphony
horn parts are very demanding. If the orchestra will carry seven
Stars and Stripes is a ballet by Hershey Kay. Its very good music by the
way, all based on music by Sousa.
- Original Message -
From: Ralph Mazza [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, September 17, 2003 9:36 PM
Subject: [Hornlist] Ballet? To whose music?
A Boston
There are a few quartets for Horn, Violin, Cello and piano: 1. Doppler, F. -
Nocturne, Published by International; 2. Flotow - Quartetto, Published by H.
Pizka; 3. Korn, P. J. -Fantasy, published by Nymphenburg; 4. Smith, Leland -
Quartet, published by American Composers Alliance, New York; 5.
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