Ron wondered
What is the difference in the American and the universal sound? Also is
the American sound from Jones, chambers, etc. or Hollywood? What do major
American orchestras play?
Leo B answered
Ron,
I have lived in a true cultural backwater for too many years but the last
time I
What is the difference in the American and the universal sound? Also is the
American sound from Jones, chambers, etc. or Hollywood? What do major
American orchestras play?
Ron
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: Tuesday, January 03, 2006 6:09 PM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Re: French Nationalistic Sound
What is the difference in the American and the universal
sound? Also is the American sound from Jones, chambers,
etc. or Hollywood? What do major American orchestras play?
Ron
You can also use a factitious note. Finger it F12. It's there. If it's sharp,
use F23. Factitious notes are supported by the harmonics, not the fundamental.
Herb Foster
--- Jerry Houston [EMAIL PROTECTED] wrote:
Marc Gelfo wrote:
Also, I'm curious how they pull of things like the low E in
: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Herbert Foster
Sent: Friday, December 30, 2005 2:26 PM
To: The Horn List
Subject: Re: [Hornlist] Re: French Nationalistic Sound
You can also use a factitious note. Finger it F12. It's
there. If it's sharp, use F23. Factitious notes are
supported
the string base in Fantasia, but it looks pretty
stupid on stage.
-Original Message-
From: Prof.Hans Pizka [EMAIL PROTECTED]
To: 'The Horn List' horn@music.memphis.edu
Sent: Fri, 30 Dec 2005 14:46:51 +0100
Subject: RE: [Hornlist] Re: French Nationalistic Sound
In theory everything is said
Actually, this is only part of the story, and a little bit off at that.
As explained to me by Michel Garcin-Marrou (who was there):
French orchestras were losing their recording contracts due to the
uniqueness of their sound in the WW's and brass. The producers and conductors
were
In reality though, the Vienna Philharmonic is an original instruments
group in the truest sense.
I've heard a lot of players in Vienna are using doubles and triples for
security in the high register, but cannot substantiate this claim since
I don't remember from whom I heard it or any
French orchestras were losing their recording contracts due to the
uniqueness of their sound in the WW's and brass. The producers and
conductors were
deeming them unmarketable. Daniel Barenboim brought in Mike Bloom (who
was
available as he had just left Cleveland) to serve as co-principal
Marc Gelfo wrote:
Also, I'm curious how they pull of things like the low E in the 4th
mvt
of Shostakovich 5, which cannot be played on F horn (I guess maybe
sort
of you could bend down pedal F# with F123, but that would be
treacherous to attack an out-of-the-blue piano low E with that
I don't believe that anyone in the Vienna Philharmonic uses a triple horn. A
double horn; perhaps for the extreme pieces such as Sinfonia Domestica and
such maybe. Hans would know. I DO know that Gottfried von Freiberg played a
Paxman F/F-Alto descant on the last recording he made (Midsummer
Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Marc Gelfo
Sent: Thursday, December 29, 2005 7:05 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Re: French Nationalistic Sound
In reality though, the Vienna Philharmonic is an
original
instruments group
.
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Jerry Houston
Sent: Thursday, December 29, 2005 8:31 PM
To: The Horn List
Subject: Re: [Hornlist] Re: French Nationalistic
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