In a message dated 3/10/2007 12:01:14 PM Central Standard Time,
[EMAIL PROTECTED] writes:
I'm PROUD, and not in the least embarrassed to defend this trumpet
teacher, because his development system WORKS! It keeps my embouchure stong
flexible. I can slur from high C to double pedal C,
Well said, I think... Haven't read Smiley (except for Le Carre's version), but
am assuming from all the back and forth that he does not deal with brass
instruments from an overall, soup-to-nuts point of view, meaning you probably
cannot study Smiley exclusively and end up ready for that big
.
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Saturday, March 10, 2007 7:22 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Wow!
In a message dated 3/10/2007 12:01:14 PM Central Standard
Time, [EMAIL PROTECTED
I just played in a concert with the Dublin Youth Orchestra, and the horn
section was AMAZING. They sounded professional, even. It's surprising that
they were so good. All I can really say is I hope we get to play with them
again next year.
Has anyone else heard their horn section
In a message dated 12/03/2006 17:48:05 GMT Standard Time,
[EMAIL PROTECTED] writes:
I just played in a concert with the Dublin Youth Orchestra, and the horn
section was AMAZING. They sounded professional, even. It's surprising that
they were so good. All I can really say is I hope we
I don't know who their tutor is, but they're conducted by John Finucane.
[EMAIL PROTECTED] wrote:
In a message dated 12/03/2006 17:48:05 GMT Standard Time,
[EMAIL PROTECTED] writes:
I just played in a concert with the Dublin Youth Orchestra, and the horn
section was AMAZING. They
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