Message text written by The Horn List
>As the english would say,
eat my shit
Hoss
__<
Dear All
I wouldn't! - and I have never heard anybody else make such a crude
comment.
More tea vicar?
Cheers
Paul Kampen
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post: [EMAIL PROTECTED]
set your
So what's your point???
Steven Ovitsky
Sotone Historic Recordings
www.sotone.com
>Subject: Re: [Hornlist] horn tone colour metal mpcs kranz bore etc
>As the english would say, eat my shit
>Hoss
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post: [EMAIL PROTECTED]
set your o
horn tone colour metal mpcs kranz bore etc
> As the english would say,
> eat my shit
>
> Hoss
> ___
> post: [EMAIL PROTECTED]
> set your options at
http://music.memphis.edu/mailman/opti
CTED]
> > Subject: Re: [Hornlist] horn tone colour metal mpcs kranz bore etc
> > Or an 861 or 867 for that matter- even a good 667. I see no problem
> > in experimenting with equipment but when it affects your practice time
> > stop! Nascar or Formula 1 would be pretty da
I've never noticed any stuffiness, not even on a Yamaha descant. (Which is a
great horn by the way.)
To me, a few major factors that determine "quality" of an instrument are sound,
intonation, and slottiness. I think Yamahas are way more slotty(cabbage?) than
other brands. It often turns peop
Seems like that's more of an American phrase...
I sure hope that wasn't an insult meant to someone because if it is that sure
is a low blow.
-William
In a message dated 10/10/2003 3:18:48 PM Pacific Daylight Time,
[EMAIL PROTECTED] writes:
> Subj: Re: [Hornlist] horn tone colo
Not once did I say a specific wrap was better for anybody- I've had my luck
with the geyer after a long stint with a Kruspe which was a fine typical Kruspe
playing horn and it sold for a good chunk of money, It's dangerous to
generalize which I never have done!
Best of wishes,
Hoss
___
As the english would say,
eat my shit
Hoss
___
post: [EMAIL PROTECTED]
set your options at http://music.memphis.edu/mailman/options/horn/archive%40jab.org
To hoss;
There are many horns made with the "kruspe wrap" as you call it- some fine
instruments, some poor ones.
To condemn all horns made in a specific wrap because you happened to have a
"not so easy to play horn" of this type is simply sophomoric.
__
Begin forwarded message:
From: [EMAIL PROTECTED]
Date: Fri Oct 10, 2003 10:23:04 AM America/Chicago
To: [EMAIL PROTECTED]
Subject: Re: [Hornlist] horn tone colour metal mpcs kranz bore etc
Or an 861 or 867 for that matter- even a good 667. I see no problem
in experimenting with equipment but
x27;ve played that I like better, although the Paxman 25's and the Alex 1103's do
come close in my opinion :P
Finally, it is just opinion from my take on things. Different strokes are for
different folks.
-William
In a message dated 10/10/2003 7:49:14 AM Pacific Daylight Time,
[EMA
William asked:
PS: Speaking of Yamahas, every one I've ever played on is stuffy. Has anyone
else had this experience or is it just me and my personal preferences?
---
I played a Yamaha 862 for several years and found it to be as open, or even
more open, than an 8D. If I
Speaking of Yamahas, every one I've ever played on is stuffy. Has anyone
else had this experience or is it just me and my personal preferences?
In a message dated 10/10/2003 5:05:42 AM Pacific Daylight Time,
[EMAIL PROTECTED] writes:
> Subj: [Hornlist] horn tone colour metal mpcs
Best choice for a warm tone is single F brass, but what to do with the
high notes ?
Get a Bb-side added.
If the Bb-side does not satify for the extreme high, get a high F added,
etc.
If the sound is quite small then, get a bigger bell added.
If the sound is not warm enough then, get a red brass
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