ng this old techniques will help you
to make you a better "modern" horn player & musician.
=
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Nicholas Hartman Hartman
Sent: Monday, June 06, 2005 3:09 AM
To: horn list
Subject: [Hornlist]
On Mon, 6 Jun 2005, James Ray Crenshaw wrote:
>
> > And where are you gonna get a stopping mute to fit... a Conch Shell?
The animal that lived in the shell would make a good stopping mute. But
best don't use it after about three days.
{ David Goldberg: [EMAIL PROTECTED] }
{ M
Some days I think I'm playing on a clam shell. Want fries with that?
-Original Message-
From: Jim Riesen <[EMAIL PROTECTED]>
To: The Horn List
Sent: Sun, 5 Jun 2005 22:42:10 -0400
Subject: Re: [Hornlist] the natural horn
I have written a serenade for two conch shells and
> And where are you gonna get a stopping mute to fit... a Conch Shell?
Or more important; just a plain "stopper."
jrc
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Steve Turre, jazz trombonist, is also a jazz conchist. He has a group,
Sanctified Shells, and CDs. While a natural horn has a greater range, several
notes can be gotten out of a conch shell by manipulating the right hand in the,
er, bell. Now about getting a tuned set of conch shells...
Herb Foste
PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Steve Freides
Sent: Monday, June 06, 2005 2:29 PM
To: 'The Horn List'
Subject: RE: [Hornlist] the natural horn
Actually played a shofar? The big thing about them is that,
at least until they've gotten pretty old and well-used, they
absolut
Well, that's just a matter of articulation, is it not?
-- Alan Cole, rank amateur
McLean (Fairfax County), Virginia, USA.
~~~
At 10:46 AM 6/6/2005, you wrote:
It's a mind boggling idea. Though I think it would be a "toot," not "a
hoot."
-
--
No virus found in
It's a mind boggling idea. Though I think it would be a "toot," not "a
hoot."
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of Alan
Cole
Sent: Monday, June 06, 2005 9:36 AM
To: The Horn List
Subject: RE: [Hornlist] the natura
Shucks, wouldn't surprise me 1 bit to learn the animal husbandry geniuses
down at Texas A&M -- if they wanted to -- could turn out herds of the
appropriate variety of the proper species that collectively grow complete
sets of shofar-ready appendages in a range of sizes that provide for making
a
; Sent: Monday, June 06, 2005 8:50 AM
> To: 'The Horn List'
> Subject: RE: [Hornlist] the natural horn
>
> Bill Gross wrote: How about more work for the Shofar
>
> New York composer, Rafael Mostel, recently finished a new
> piece for brass (4-4-4-1), NIGHT AND
Bill Gross wrote: How about more work for the Shofar
New York composer, Rafael Mostel, recently finished a new piece for brass
(4-4-4-1),
NIGHT AND DAWN (NACHT EN DAGERAAD), including a brief section for 4 shofarot
(with ossia for standard horns using different music - or with additional
musi
In my opinion, it would be because there is a significant literature for the
natural horn, whereas the conch shell, hunting horn, alp horn and the like do
not. they may have a large amount of music for them but it is more "practical"
than written for its musical value and because of that doesn'
rom:
> [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]
> du] On Behalf Of Alan Cole
> Sent: Monday, June 06, 2005 8:18 AM
> To: The Horn List
> Subject: RE: [Hornlist] the natural horn
>
> Hey, with all the money you save by not needing to buy rotary
> valve oil, yo
Hey, with all the money you save by not needing to buy rotary valve oil,
you can commission some famous composer to write something for natural horn
or conch shell or shofar.
-- Alan Cole, rank amateur
McLean (Fairfax County), Virginia, USA.
~~~
At 08:06 AM 6/6/2005,
How about more work for the Shofar? A composer could start his work and
when he's completed his first movement could announce, "well, shofari so
goody."
Hey, it's Monday that's my excuse.
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I don't think Beethoven or Mozart wrote anything for the conch.
All the best,
Lawrence
"þaes ofereode - þisses swa maeg"
_http://lawrenceyates.co.uk_ (http://lawrenceyates.co.uk/)
Dulcian Wind Quintet: _http://dulcianwind.co.uk_ (http://dulcianwind.co.uk/)
_
lto:[EMAIL PROTECTED] On
Behalf Of Nicholas Hartman Hartman
Sent: Monday, June 06, 2005 3:09 AM
To: horn list
Subject: [Hornlist] the natural horn
Dear List,
I've heard that recently, the natural horn has
been making a comeback. My question is, why the natural
horn? Why not
Maybe I should read the replies before I reply myself? Sorry!
Chris
--- Chris Tedesco <[EMAIL PROTECTED]> wrote:
> I would imagine it has a good deal to do with the music that was written for
> the natural horn. After all, how many conch shell concerti do we know of?
> :)
>
> Chris
>
>
>
I have written a serenade for two conch shells and flute that was
actually performed by yours truly on 1st Conch and two friends of mine,
back in college. So yes, the conch shell is also making a comeback!
Jim >@/
On Jun 5, 2005, at 10:22 PM, Jerry Houston wrote:
Nicholas Hartman Hartman wro
I would imagine it has a good deal to do with the music that was written for
the natural horn. After all, how many conch shell concerti do we know of? :)
Chris
--- Nicholas Hartman Hartman <[EMAIL PROTECTED]> wrote:
> Dear List,
> I've heard that recently, the natural horn has been
Nicholas Hartman Hartman wrote:
Dear List,
I've heard that recently, the natural horn has been making a
comeback. My question is, why the natural horn? Why not the hunting
horn, alp horn, or even the conch shell? it seem like an oddly
specific instrument to make a comeback. There are doz
Dear List,
I've heard that recently, the natural horn has been making a
comeback. My question is, why the natural horn? Why not the hunting horn, alp
horn, or even the conch shell? it seem like an oddly specific instrument to
make a comeback. There are dozens of horns that have had an
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