From: "hans" <[EMAIL PROTECTED]>
And the key of F as the best sounding key for the horns was
named as early as by Matheson & Meyer
"die lieblich pompoesen Waldhoerner in F" (the lovely
pompous horns in F)
Hans -- That F might or might not be the best or most "felicitous" key
in
n & Meyer
"die lieblich pompoesen Waldhoerner in F" (the lovely
pompous horns in F)
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of Steve Haflich
Sent: Saturday, May 17, 2008 7:56 AM
To: The Horn List; Jerry Houston
Subject: Re: [Hornlist
From: Jerry Houston <[EMAIL PROTECTED]>
Marc Gelfo wrote:
> Just curious -- why/how did old notation come about? Why would
"they" write the notes an octave below their sounding pitch? We
all know the disadvantages (non-contiguity with treble clef, more
ledger lines, e
Marc Gelfo wrote:
Hi all,
Just curious -- why/how did old notation come about? Why would "they" write
the notes an octave below their sounding pitch? We all know the disadvantages
(non-contiguity with treble clef, more ledger lines, etc.) but surely there must have
been some advantage?
Th
4 matches
Mail list logo