why we were
complaining.
Paul
- Original Message -
From: <[EMAIL PROTECTED]>
To:
Sent: Friday, July 14, 2006 1:32 PM
Subject: RE: Miking was RE: [Hornlist] Haydn/Dorati Hornists
>
> Jeremy,
>
> Sorry, you missed my point, and I did not take it personally at all as I
did
&g
:02:25 P.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:
message: 15
date: Fri, 14 Jul 2006 11:01:37 -0400
from: "Jeremy Cucco" <[EMAIL PROTECTED]>
subject: RE: Miking was RE: [Hornlist] Haydn/Dorati Hornists
Good stuff!
Kendall -
I wouldn't take it too persona
~
message: 2
date: Wed, 12 Jul 2006 13:17:24 EDT
from: [EMAIL PROTECTED]
subject: Miking was RE: [Hornlist] Haydn/Dorati Hornists
Very funny Paul!
Reminds me of a time many moons ago. I was playing extra with a top 5
US
orchestra recording Varese's Arc
Very funny Paul!
Reminds me of a time many moons ago. I was playing extra with a top 5 US
orchestra recording Varese's Arcana in quadrophonic. The orchestra was in a
big circle around the conductor and the nine horns were in a line, quite far
away and under a balcony. We noticed the re
Message text written by The Horn List
>The anti-humorous thing is it, that we care most for
blending the sound at best, but studio manager, recording
technicians, (deaf) conductors, orchestra manager dont care
except for the budget. <
Dear All
Years ago, I depped regularly with a (now defunct) br
The anti-humorous thing is it, that we care most for
blending the sound at best, but studio manager, recording
technicians, (deaf) conductors, orchestra manager dont care
except for the budget. It happen so many times, that
(special public TV companies) they show the wrong
instruments at the wrong
In a message dated 08/07/2006 21:13:07 GMT Daylight Time,
[EMAIL PROTECTED] writes:
Ifor James and Andrew McGavin who were actually playing in a
London studio listening to the rest of the orchestra through headphones
Of course outside the realm of classical music, this is the norm and
d
7 matches
Mail list logo
