in spots.
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Monday, May 21, 2007 6:15 AM
To: horn@music.memphis.edu
Subject: Re: [Hornlist] Re: pitch, temperament and
intonation
Thank you. I sometimes wonder if I'm slightly au
Thank you. I sometimes wonder if I'm slightly autistic though because I
heard of someone in England who actually pictures colors and shapes and
pictures
with every number all the way to something like 10,000, and with me with music
I see colors and shapes and forms and they're so obvious t
"minor", right.
===
-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On
Behalf Of [EMAIL PROTECTED]
Sent: Monday, May 21, 2007 4:58 AM
To: horn@music.memphis.edu
Subject:
I thought I might get lambasted for saying it but I will anyways:
Tune to where it sounds good. You should have a decent ear as a musician so
you should be able to tell, and how to get a decent ear is by closely
listening to good recordings. I aced all of my aural skills classes and the
only
[EMAIL PROTECTED] wrote:
In a message dated 5/19/07 3:04:47 P.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:
"but it is easier to get
away with bad pitch in an atonal situation. OK, this a gross
generalization, but in the sense of players coming up now playing
more atona
In a message dated 5/19/07 3:04:47 P.M. Eastern Daylight Time,
[EMAIL PROTECTED] writes:
This brings up some good points. As far as the number of different
F#s there might be, I'm sure you are on track with that- would you
like there to be more? : )
The type of exercise you describe is
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