Quoting Jeremy Cucco:
In Kendall's example, he was doing it for a jingle. I suppose the recording
engineer could be spared his life for the travesty of auto-tuning a horn
player, but only this once.
Well, and it's also a jingle, not Op. 131. I'd go with fast, cheap,
and expedient on a
Hi Carl -
I've had the opportunity to play around with the (yet to be released)
version of Celemony that works on complex chords. It does a fantastic job
on *some* material. Particularly, it works on a mix where there a few
voices. When you get to even a chamber orchestra or small ensemble
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