I'm not sure if anyone else has noticed, or been
bothered by it, but there's a slightly irritating
anomaly when entering the interval of a tritone
(augmented fourth.) When in \relative mode and using
the interval in a melodic line, LilyPond assumes that
the tritone goes down. However, when using it
when installing with the GUB, how do I use the emacs mode?
Based on the instructions from the compilation guide, I tried creating
a folder in my .emacs folder called site-lisp (so ~/.emacs/site-lisp)
and copied all of the files from
/usr/local/lilypond/usr/share/emacs/site-lisp/ into it, and crea
- Original Message -
From: "Stephen" <[EMAIL PROTECTED]>
To:
Sent: Wednesday, May 03, 2006 12:14 AM
Subject: Hara_kiri_engraver
How do I specifiy a specific Staff?
I found the answer: use \with to bind a layout command to a specific Staff.
My score block looks like this:
\score {
On Saturday 29 April 2006 12:30, Tomas Valusek wrote:
> Hello,
>
> has anyone created a block diagram of LilyPond, which would show data
> flow, relationship between various modules, etc? It would be great help
> for obtaining global idea what LilyPond's about.
I have a created one in my master th
How do I specifiy a specific Staff?
\remove "Axis_group_engraver" \consists"Hara_kiri_engraver"
I don't want this to apply to the PianoStaff.
Stephen
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Lothar wrote:
"I'm using version 2.2.6. I'd like to upgrade, but 2.2.6 is the only version
that is supported by my distribution (debian sarge). As far as I know, there
are no .deb - packages available."
Don't those universal installers that Lilypond provides work for your
system?
"The probl
dear all,
why does "b4/rest" in the following file.ly position the rest - exactly like
"r4" - to f'' (see the attached pdf output), while "a4/rest" and "c4/rest"
would work as expected? Is there a special command apart from tweaking to
enforce the b' position?
martin
% start file.ly
\versio
David Feuer wrote:
On 5/2/06, Rick Hansen (aka RickH) <[EMAIL PROTECTED]>
wrote:
Thanks, being a musician I was unaware of such a program. I'll go
buy the m4
Windows XP version after I look at a demo version.
m4 is free for Cygwin.
cygwin isn't even necessary. A lot of GNU (free) software
Is this bug going to be correct?
A whole month is passed ad this bug is still in the stable release of
lilypond :-(
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I've used it quite a bit as well, but that was a couple of
years ago. More recently, Han-Wen has shown be how I could
achieve most of what I needed using better integrated constructs.
M4 worked fine, quoting kind of killed me though...
D.
Quoting joe ferguson <[EMAIL PROTECTED]>:
> I have used
On 5/2/06, Eduardo Vieira <[EMAIL PROTECTED]> wrote:
Hello Lothar,You didn't say the version you're using, but by your example it is too oldto even compile in the latest version (2.8.0). Well, after I removed \notes,it did. My first advice is to upgrade you version.
I'm using version 2.2.6. I'd li
I have used M4 as a preprocessor, and it worked quite well. Then I
found out the proper construct for what I wanted to do, so I dropped it
on that little project. But I wouldn't hesitate to use it again if I
got stuck like I was at that time. M4: http://www.gnu.org/software/m4/
Werner LEMBE
Thanks very much!
Lothar Schmid
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On 5/2/06, Rick Hansen (aka RickH) <[EMAIL PROTECTED]> wrote:
Thanks, being a musician I was unaware of such a program. I'll go buy the m4
Windows XP version after I look at a demo version.
m4 is free for Cygwin.
David
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Thanks, being a musician I was unaware of such a program. I'll go buy the m4
Windows XP version after I look at a demo version.
I need to generate chord fret markup of each chord form in all enharmonic
spellings at every neck position, as a \include library of diagrams. This
is 200-300 lines of
> Macro pre-processors should generate source code, and stream it in,
> period.
Then use a proper macro language for it!
> Macros have nothing to do with compilation or scheme or c++ or
> anything else in lilypond. They should just provide some logical
> constructs like IF/THEN/ELSE, LOOPING,
Here is a recent arrangement I did of Danny Boy using only the fretboard
markup commands:
http://www.windcrestsoftware.com/Rick/DannyBoy.pdf
It uses the "terse" syntax and does the chord names with markup also, it's
working out pretty good so I'll prpbably begin doing all may backlogged
arrangem
Probably becasause I'm unaware of them. I spend my spare time arranging
music and getting ready for gigs.
If there are "canned" macro processors that can do this then I should look
into learning one of them. And if thats the case then maybe the developers
time would be better off being spent on
On 5/2/06, Rick Hansen (aka RickH) <[EMAIL PROTECTED]> wrote:
Macro pre-processors should generate source code, and stream it in, period.
Macros have nothing to do with compilation or scheme or c++ or anything else
in lilypond.
I much prefer the way Scheme handles macros. It seems somewhat
un
Title: Re: Block diagram of LilyPond
I bet what is meant here is a block diagram of contexts and whatever. I'd find that useful as well.
From: Mats Bengtsson <[EMAIL PROTECTED]>
Date: Sat, 29 Apr 2006 18:16:05 +0200
To: Tomas Valusek <[EMAIL PROTECTED]>
Cc: lilypond-user@gnu.org
Subject: Re: Bl
On Tue 02 May 2006 06:23, Josiah Boothby wrote:
> On 5/1/06, Lothar Schmid <[EMAIL PROTECTED]> wrote:
> > > ... For lilypond-book projects, I
> > > have set Kile up to make things easy. ...
> >
> > How did you set up Kile? I tried to configure it to produce output with
> > lilypond, but gave up af
Citerar "Rick Hansen (aka RickH)" <[EMAIL PROTECTED]>:
>
> Macro pre-processors should generate source code, and stream it in, period.
>
> I just want to output strings into the input stream dynamically, that goes
> beyond \include files and offers concat, replacement of tokens, and some
> rudim
Mats Bengtsson schrieb:
It's very hard to guess exactly what you tried without seeing
the actual files.
Also, you will get much better assistance from the mailing
list if you clarify the following:
- Have you verified that it's anything particular for lilypond-book
or do you see the same in sc
Hi all,
I've been using LilyPond for a while now, and am starting to reach the
point where I need to tweak things slightly more than the manual makes
clear. Specifically, I have an SATB vocal piece layed out on a
ChoirStaff, and I'd like to tweak the following things:
1) Currently LilyPond l
Macro pre-processors should generate source code, and stream it in, period.
Macros have nothing to do with compilation or scheme or c++ or anything else
in lilypond. They should just provide some logical constructs like
IF/THEN/ELSE, LOOPING, and CASE, and other functions like
concatenation/repl
Quoting Daniel Johnson <[EMAIL PROTECTED]>:
Thomas Scharkowski wrote:
IIRC in previous versions I could reduce the distance between a
staff and chord symbols by this command:
\set Staff.minimumVerticalExtent = #'(-4 . 1)
In 2.8.1 this is:
\override Staff.VerticalAxisGroup #'minimum-Y-extent
It's very hard to guess exactly what you tried without seeing
the actual files.
Also, you will get much better assistance from the mailing
list if you clarify the following:
- Have you verified that it's anything particular for lilypond-book
or do you see the same in scores typeset directly wit
Hallo,
I'm trying to put together several pieces of music using lilypond-book
and Latex.
Whenever a piece has several voices, then the default betweensystemspace
doesn't get taken over into the output, and the systems are very (too)
close together.
Setting betweensystemspace or padding explicitly
Quoting Han-Wen Nienhuys <[EMAIL PROTECTED]>:
Graham Percival schreef:
In all honesty, I'm with Geoff on this one. All the #() stuff looks
scary, and having the "parser location" "non-arguments" (I mean,
they're never referenced in the actual code) was the straw that
broke my
They are if y
Quoting Han-Wen Nienhuys <[EMAIL PROTECTED]>:
Be warned that I won't accept patches that attempt to add any ad-hoc
programming/macro language features. This has been my position for
the last 10 years, and I don't see any reason to change it.
One reason is that we already have it, although it
Hello!
Is there any front end that allow for skipping between different staffs?
For example, if the cursor is at a certain note in one staff, after
pressing some key the cursor would jump to a respective note in
another staff?
Thanks,
Artur
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Chord Mode apparently has little utility in actually scoring notes, unless
you want to use block chords. You could try to use fret diagrams with
markup, or I think you are stuck manually scoring your chords on a staff.
Even if "six" note chords could be specified it would still be restrictive.
Hello Lothar,
You didn't say the version you're using, but by your example it is too old
to even compile in the latest version (2.8.0). Well, after I removed \notes,
it did. My first advice is to upgrade you version.
Addressing your need, I think the easiest way is just remove
\lyricsto "one"
On Tue 02 May 2006 08:31, Bertalan Fodor wrote:
> Well, I'm a bit disappointed about what you said about the
> jEdit+LilyPondTool set.
> - I can confirm that setting up everything may be more than just to
> apt-get something. However, as far as I see you may get LilyPondTool
> running by just downl
Graham Percival schreef:
In all honesty, I'm with Geoff on this one. All the #() stuff looks
scary, and having the "parser location" "non-arguments" (I mean, they're
never referenced in the actual code) was the straw that broke my
They are if you do real-world stuff. In particular, the locat
I personally prefer JLilyPondTool myself over other tools (ok, NoteEdit
is a composition tool and cannot count - it's not a typesetter). It's
completely cross-platform like Jedit, it's simply installed in Jedit by
Plugins->Plugin manager..., update list, select jlilypondtool to
install. Beside the
Hello,
I'm trying to figure out an overall object hierarchy of LilyPond. The
only way I've discovered so far is to traverse programmers guide and
follow links. But this is very tedious, since if I want to get something
done in non-default way, this approach is very confusing.
Could someone p
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