Well, a \break will only work where there is a bar line, so the combination
\bar \break
should work.
See also
http://lists.gnu.org/archive/html/lilypond-user/2005-08/msg00021.html
for an alternative solution.
/Mats
[EMAIL PROTECTED] wrote:
Hi,
try the \break command
I guess it'll
If you want two separate scores printed below eachother, just include two
\score{...} blocks in your input file. If they fit on the same page,
LilyPond
will print them on the same page.
/Mats
Rick Hansen (aka RickH) wrote:
How can I extract 2 parts to print independently on the same page?
Actually, the {...} \\ {...} construct will automatically add the
\voiceOne and \voiceTwo, respectively, so there's no need to add them
manually. See the section on Explicitly Instantiating Voices for more
details.
/Mats
Kieren Richard MacMillan wrote:
Hi, Rick:
Is there any way to
According to the section on Bar Lines, the default bar line type is
determined
by the Timing.defaultBarType property, i.e. do
\set Timing.defaultBarType = :
/Mats
Kieren Richard MacMillan wrote:
[ Lilypond 2.9.4-3 ]
Hello, all --
Is there a way to change the default barline type (e.g.,
Sorry, I don't understand the question. As you say yourself, you just
specify the
clef using
\clef tenor
or
\clef bass
or whatever clef you want. You will get exactly the same pitches, printed
according to the clef.
On the other hand, of you want to transpose a part by an octave, for
example,
Could you please provide complete code for a small example?
It makes it much easier for others to try out what you already
have done and help with the remainders.
/Mats
[EMAIL PROTECTED] wrote:
I've upgraded to mingw 2.8.2 ...
Firstly, thanks for the tip about page-spacing.ly. This looks
Mats Bengtsson wrote:
Sorry, I don't understand the question. As you say yourself, you just
specify the
clef using
\clef tenor
or
\clef bass
or whatever clef you want. You will get exactly the same pitches, printed
according to the clef.
On the other hand, of you want to transpose a part by an
Hi,
I specify my peace of music as a trombone part
staffTrombone = {
\key c \major
\clef tenor
\relative c {
\time 3/4
c c c
...
}
}
This trombone part should be transposed to bass clef, but I don't know
how to do this and would like to let lilypond do the
As long as the music is notated in the pitch it shold sound, just replace
tenor by bass. However, my guess is that your real question is about
transposing instruments, where the notation tells what to play, not what
it should sound like. In that case, read the section on Transpose in the
manual
Roman wrote:
Hi,
I specify my peace of music as a trombone part
staffTrombone = {
\key c \major
\clef tenor
\relative c {
\time 3/4
c c c
...
} }
This trombone part should be transposed to bass clef, but I don't know
how to do this and would like to let
Mats:
\set Timing.defaultBarType = :
Thanks -- that works great!
Kieren.
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trhis actually works :
\bar
\break
where all the staves can be splitted.
Thanks for your help !
Jmarc
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Paul Scott schrieb:
staffTrombone = {
\key c \major
\clef bass% formerly \clef tenor
\relative c {
\time 3/4
c c c
...
} }
That's all there is to it. Those C's will appear on the second space of
the bass clef instead of just below the tenor staff. You have
Roman wrote:
Okay, but my problem is, that a C in tenor clef isn't a C in bass clef
and I don't know how a transposition between them needs to be!?
Of course a C is a C, no matter what clef you use. A tenor clef just
tells that the
middle C is placed on the second line, whereas a bass clef
At 02:27 PM 5/18/2006 +0200, Roman wrote:
Paul Scott schrieb:
staffTrombone = {
\key c \major
\clef bass% formerly \clef tenor
\relative c {
\time 3/4
c c c
...
} }
That's all there is to it. Those C's will appear on the second space of
the bass
As long as you can read tenor clef and input the music with the correct
pitches, then it's just to replace \clef tenor with \clef bass, as we
have already
answered several times. For example, the following code prints the same
music notated both with tenor clef and bass clef:
\version 2.8.0
Mats Bengtsson wrote:
Okay, but my problem is, that a C in tenor clef isn't a C in bass
clef and I don't know how a transposition between them needs to be!?
Of course a C is a C, no matter what clef you use.
Okay, that's true, but I thought of a C in a bass clef and a C in a
tenor clef
Hi, Roman:
Perhaps the following example will make it clear...
%% CODE BEGINS
\version 2.9.4
\paper { ragged-right = ##t }
tromboneNotes = \relative c'
{
c d es f
}
\score
{
{
\key c \major
\clef tenor \tromboneNotes
\clef bass
Hi,
Mats and the others are right.
I think you are confusing transposition and the clef that is being used.
The clef determines only which lines and spaces the notes will appear
on.
Which ever clef you use, the notes remain the same. Changing the clef
does not change the notes, just the lines and
Hi,
I've just thought of a good example, and sorry if I sound patronising :(
Say you wanted to score a piano-accompanied solo for tenor trombone.
A tenor trombone is usually pitched in Bb.
You could enter the music for the trombone in concert pitch.
So for a C scale:
\relative c' {
c d
Hi,
OK, I just remembered that the relative needs to go inside the
\transpose of course otherwise it don't work. :(
Sorry don't have a Lilypond at hand to test:
\clef tenor
\transpose bf c {
\relative c' {
c d e f g a b c
}
}
Regards,
Ralph
-Original
Hi, Mats:
You don't say how you did your TimeSig staff
The main one (at the top of the entire system) I'm doing in the way
shown by the docs.
my guess is that it's very hard to achieve this automatically
As it turns out, I found a wonderful way to do it:
\new PianoStaff
From: Roman [EMAIL PROTECTED]
Sent: Thursday, May 18, 2006 8:06 AM
Mats Bengtsson wrote:
Okay, but my problem is, that a C in tenor clef isn't a C in bass clef
and I don't know how a transposition between them needs to be!?
Of course a C is a C, no matter what clef you use.
Okay, that's
Stephen wrote:
If the trombonists use the bass clef, but the sounds an octave higher,
this is how you write that:
staffTrombone = {
\key c \major
\clef bass
\transposition c''
\transpose c c, { \relative c' {
c d es f
} }
}
\book {
\score {
\staffTrombone
Hi, Roman:
My Idea was to first write the notes in tenor clef so that I can check
if I did everything wright on an outprint. Afterwars I wanted to
transpose
everything with one command into a bass clef staff with appropriate
transposed notes in the bass clef staff, but that doesn't seem to
Kieren Richard MacMillan wrote:
Hi, Roman:
My Idea was to first write the notes in tenor clef so that I can check
if I did everything wright on an outprint. Afterwars I wanted to
transpose
everything with one command into a bass clef staff with appropriate
transposed notes in the bass clef
I am presently doing a piece for our local singing group, which has two
parts. But for a short section the altos split into two parts. So during
that refrain there are three, not two parts.
I did a basic Lilypond file without the second alto part which worked well
with the lyrics I entered. So
Hi, Shelagh!
For your lyrics to be properly aligned with lyricsto, you need to
explicitly instantiate voices (See this section in the docs).
So instead of \\ , do this:
\new Voice { \voiceOne g4\rest\p d8 d fs4 fs ~| fs d fs fs ~| %this
[*was*] problem section
fs d fs fs | a g fs2 } {
On Thu, 18 May 2006 21:52:07 -0300, Eduardo Vieira wrote:
Hi, Shelagh!
For your lyrics to be properly aligned with lyricsto, you need to
explicitly instantiate voices (See this section in the docs). So instead
of \\ , do this:
\new Voice { \voiceOne g4\rest\p d8 d fs4 fs ~| fs d fs fs ~|
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