Re: building, where to get libfontconfig-dev and libfreetype6-dev

On Fri, 28 Dec 2007 04:12:56 + (UTC) Bob <[EMAIL PROTECTED]> wrote: > Graham Percival gmail.com> writes: > > > > Am trying to build lilypond 2.11.36 on mac osx > > > 10.4.11 (on an intel mac). I only want to use midi2ly (and > > > intended to feed that output into an pre-built lilypond bin

Re: building, where to get libfontconfig-dev and libfreetype6-dev

Graham Percival gmail.com> writes: > > On Fri, 28 Dec 2007 03:46:49 + (UTC) > Bob gmail.com> wrote: > > > Am trying to build lilypond 2.11.36 on mac osx > > 10.4.11 (on an intel mac). I only want to use midi2ly (and > > intended to feed that output into an pre-built lilypond binary) > >

Re: building, where to get libfontconfig-dev and libfreetype6-dev

Graham Percival gmail.com> writes: > > On Fri, 28 Dec 2007 03:46:49 + (UTC) > Bob gmail.com> wrote: > > > Am trying to build lilypond 2.11.36 on mac osx > > 10.4.11 (on an intel mac). I only want to use midi2ly (and > > intended to feed that output into an pre-built lilypond binary) > >

Re: building, where to get libfontconfig-dev and libfreetype6-dev

On Fri, 28 Dec 2007 03:46:49 + (UTC) Bob <[EMAIL PROTECTED]> wrote: > Am trying to build lilypond 2.11.36 on mac osx > 10.4.11 (on an intel mac). I only want to use midi2ly (and > intended to feed that output into an pre-built lilypond binary) > but it appears I have to build the whole kit

building, where to get libfontconfig-dev and libfreetype6-dev

Howdy, Am trying to build lilypond 2.11.36 on mac osx 10.4.11 (on an intel mac). I only want to use midi2ly (and intended to feed that output into an pre-built lilypond binary) but it appears I have to build the whole kit and caboodle to use midi2ly. I have managed to get to the point where

Re: Organ pedal marks and substitution

Hello, Does anyone have a suggestion as how to show substitution of feet in an organ pedal voice? It could be when shifting from right toe to right heel on the same note, or it could be substituting the left toe with the right toe, still on the same note. How about something like ___

Re: Instrumental Group Names in Score

Hi Jeremiah, Thank you for your advice (and ALL your many helpful comments in the Lilypond archive). My pleasure! I have been able to Start my systems exactly the way I want to Excellent. How do I name InnerStaffGroup s? Hopefully the example code (below) will help. Best wishes, Kier

Re: lp with korean/utf8 lambda dvipdfmx

Edit1: > Then because lilypond handles these fonts I chose an appropriate ttf and > compiled it. ==> while "it" means a seperate .tex-document including \usepackage{cjk} which could be compiled with "latex" as usual; lilypond was then easily capable to work out the correct snippet. Edit2: >

Problem starting multiple voices

I'm new to lilypond. I'm trying to engrave a simple song with four voices on two staffs (saprano and alto on the treble staff and tenor and bass on the bass staff). The problem is the the two voices on a staff do not come in on the same note, but lilypond will not seem to work right unless they

RE: Positions of notes in chords

You can move the note column to the right with the command \once \override NoteColumn #'force-hshift = #1.5 placed before the d. Change the 1.5 to control the position precisely. Trevor D -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of Alasdair McAndrew

Two midi questions

1. I have used \set Staff.midiInstrument = "viola" but the midi output still seems to contain a piano sound in it. It's as though I can add an instrument sound to the midi file, but not turn off the default piano sound. What's going on, and how can I fix it? 2. To change the m

Positions of notes in chords

I'm typesetting some music, and in order to stay as close as possible to the original 17th century manuscript, I'm typesetting my chords as voices: top note stem up, other notes stem down as a separate voice. However, I have a chord <<{d4}\\ {4}>> in which the top d ends up to the left of the lowe

Re: macro for instrument changes

Hi all, Less verbose would be a music command expanding from: \changeInstrument "Englischhorn" c1 to: << c1 s4*0^\markup \bold \box "Englischhorn" >> See: Some time ago, I sponsored an improvement to Instrumen

RE: Problems with automatic beaming when autoBeamOff in 3/8 time

Hi Reinhold As the two types of bar have different sub-beats there is no way to do this automatically with just a single setting, AFAIK - every time the sub-beating changes the new beatLength will have to be indicated - just as if you were changing the time signature. You already know the overri

Re: lp with korean/utf8 lambda dvipdfmx

Closing this thread: Already several weeks ago, I corrected the lyrics' syntax like this: \addlyrics { \override Lyrics . LyricText #'font-name = "HYPillGi-Light" 아 -- 리 -- 랑, _ 아 -- 리 -- 랑, _ 아 -- 라 -- _ 리 -- _ 요 __ 아 -- 리 -- 랑 _ 고 -- _ 개 -- _ 로 _ 넘 -- 어 -- 간 -- 다. 나 -- 를 버 -- 리 -- 고 가 -- 시

Re: alto stems up, tenor stems down

On 27.12.2007 22:17, Trevor Daniels wrote: > although this doesn't meet your objective of keeping the > parts distinct. Yes, it is sad but true: there is no solution for this problem at the moment. The only hope seems to be that some volunteer writes a new partcombine implementation... Luc ___

RE: alto stems up, tenor stems down

Luc You can get round this particular problem by making the alto beam transparent by inserting the following override immediately before the note that starts the beam: \once \override Beam #'transparent = ##t However, all this is really cludgy, needing manual tweaking for every occurrence, and

Problems with automatic beaming when autoBeamOff in 3/8 time

Hi, I have a score in 3/8 time with \autoBeamOff. Now, some measures have one eight and then four 16th (all connected by one beam), while others have a dotted eight and then three 16th (again, all connected by one beam). However, while in the first case all the 16th are connected by a second bea

Re: alto stems up, tenor stems down

On 27.12.2007 20:26, Trevor Daniels wrote: > There is no 'proper' way of doing this, unfortunately. > The recent discussion on \partcombine which you can > see in the archives points out the problems with this. > Of course, you can always simply insert \stemUp and > \stemDown commands in the alto l

Unicode characters

Hi, I'm new in lilypond and testing it. Seems to be very nice SW. But... I'm from Czech (sorry for my English) and I've problem with non-english characters in texts. I'm Using MS WinXP, for editting .ly files I'm using Notepad (or LilyPad). When I write some czech-specific character, eg. ěščřžýá

Re: EasyLilyPond: A Tribute To LilyPond And LilyPondTool

2007/12/27, Simon Dahlbacka <[EMAIL PROTECTED]>: > Nice work! > - recommanded should be spelled "recommended" Ooops! corrected, thanks :) > - the "progress text area/scroll bar" ( in the installer flickers (probably > due to scrolling?) Yes, I can't really help it, this is due to the skinning s

RE: Re-printing instrument names

Hi Johnathan Resetting shortInstrumentName at the appropriate points in the music should do what you want. The trick is that the \set shortInstrumentName command has to be placed in the music for each staff at least one note, skip or rest -before- the end of the previous system. Then reset them

Re: EasyLilyPond: A Tribute To LilyPond And LilyPondTool

Nice work! I have a few "bug reports" though - recommanded should be spelled "recommended" - the "progress text area/scroll bar" ( in the installer flickers (probably due to scrolling?) - EasyLauncher seem to be in french!?! (I do speak a little bit of french so I can just about use it, but I wou

Re: macro for instrument changes

Le 27 déc. 07 à 17:13, Nicolas Sceaux a écrit : Le 27 déc. 07 à 16:40, Stefan Thomas a écrit : Dear Lilypond-users, I am sure there is an easy way to create a macro for the layout of the two markup-commands in the below quoted example: \relative c' { c1^\markup {\bold \box "Englischhorn" }

Re: macro for instrument changes

Le 27 déc. 07 à 16:40, Stefan Thomas a écrit : Dear Lilypond-users, I am sure there is an easy way to create a macro for the layout of the two markup-commands in the below quoted example: \relative c' { c1^\markup {\bold \box "Englischhorn" } c1^\markup {\bold \box "Heckelphon" } } I would li

Re: macro for instrument changes

On 27.12.2007 (16:40), Stefan Thomas wrote: > Dear Lilypond-users, > I am sure there is an easy way to create a macro for the layout of > the two markup-commands in the below quoted example: > > \relative c' { > c1^\markup {\bold \box "Englischhorn" } > c1^\markup {\bold \box "Heckelphon" } } > >

macro for instrument changes

Dear Lilypond-users, I am sure there is an easy way to create a macro for the layout of the two markup-commands in the below quoted example: \relative c' { c1^\markup {\bold \box "Englischhorn" } c1^\markup {\bold \box "Heckelphon" } } I would like to write something like { c1\change "Englischhor

Re: jEdit and Lilypond installation

On Wednesday 26 December 2007 17:27, you wrote: > To use LilyPondTool you must set paths and so in the > Plugin options. > > Bert Thanks, I found the default path to be for Windows. My computer is linux only, Suse 10.0 I can start learning how to use it now. Marty > > Martin Nopola írta: > > I ha

Re: EasyLilyPond: A Tribute To LilyPond And LilyPondTool

2007/12/23, Bertalan Fodor <[EMAIL PROTECTED]>: > Wow! Now that should definitely go to the main page, shouldn't it? > Your server is a bit slow at least for such demand you surely get with > this :-) You may want to create a sourceforge project for it, or join > the lily4jedit project. There you c

RE: Staff and voice definitions

David I take your points about the maths analogies. They clearly only serve to confuse anyone not familiar with maths. Thanks for this, and your other comments on the Learning Manual. I'll certainly bear them in mind when I next edit that section and try to clarify the words there. Perhaps t

Re: jEdit and Lilypond installation

2007/12/26, Bertalan Fodor <[EMAIL PROTECTED]>: > To use LilyPondTool you must set paths and so in the Plugin options. ...Or (if you're running Windows) you can use the bundled and pre-configured Easy LilyPond :) The last version is almost ready for standard usage. http://valentin.villenave.info/s

Change vertical Lyric spacing for some words

Hi all, is it possible to change the minimum-Y-extent on-the-fly only for some lines or even words? Example, which doesn't work: test = \lyricmode { blabla \override VerticalAxisGroup #'minimum-Y-extent = #'(-3.75 . 2.0) blabla blabla } Regards, Michael _

Re: invisible barlines

For all, who are interested in, I found a solution to solve the Problem: \relative c' << { \override Staff.BarLine #'bar-size = #3 \override Staff.StaffSymbol #'line-count = 1 c d e f g f e d c1 } { e f g a b a g f e1 } >> This works! Luc Saffre schrieb am 27.12.2007: >Stefan, >why don't you use

Re: invisible barlines

Dear Luc, thanks, it worked. But I did'nt choose this option, because the percussion-player has to change the instrument, sometimes. For example he shall also play 4 Toms, an for this reason I would like to change the staff type. I think it should be possible. But I don't kno how. Luc Saffre schri

distances between staff lines

Is it possible to change the distances between the lines of a single staff? I am thinking of a special percussion staff. I'm using version 2.11.34 Thanks! Stefan ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo

invisible barlines

Dear Lilypond-users, I have a problem with the barlines with the below quoted music. Why are the so short? What can I do to have it longer? Thanks for Your support, Stefan schlagzwo = \relative c' { \override Staff.StaffSymbol #'line-count = 1 \clef percussion r16 c\mf c16-> [ c c32 c] r16 R1 r4 r