Dear Stef,
On Jan 24, 2008 10:50 PM, wrote:
> This is the example:
The example you provided seems to be broken. All the backslashes are
missing and LP cannot process the file. How did you attach it to the
message?
-Risto
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lilypond-user mailing li
well, that clears it up for me. thanks all
ralph, yes it was the scope of that first # that foxed me
and yes i assumed wrongly that the equals sign was the assignment
operator
if anyone can boil this link down to a couple of sentences for the
docs, i think there'd be a few people down the
Also if you used LilyPondTool you would see that it colors the scheme
parts, so you would see where the scheme part end. See attached screenshot.
Bert
Damian leGassick írta:
actually, this confuses me too
if the # puts lilypond into scheme mode, does that mean that the
equals-sign in #'merge
Well, it is quite easy to answer if you know a bit scheme.
Scheme has a very very simple syntax, only 2 kinds of elements
- literals, ie. Words, numbers and quotations (quotation is something that
begins with a ' sign.)
- expressions aka operations, which always begin and end with parentheses, li
Quoting [EMAIL PROTECTED]:
Dear Lilypondusers,
my question is: which is the musicglyph for the Pedal-down-symbol in
the Emmentaler-font?
I tried it with
{c'_markup { musicglyph #"pedal" } }
but nothing happens.
First of all, please be careful with the syntax, several backslashes
are missing
On Thu, 24 Jan 2008 16:38:42 -0500
"Palmer, Ralph" <[EMAIL PROTECTED]> wrote:
> I've been typesetting scales and arpeggios, and I noticed that the
> spacing of the eighth note triplets is not constant in the following.
> It's not huge, but the triplets in the first half of the first measure
> clea
Greetings -
I'm running LilyPond V 2.11.27 under Win XP SP2.
I've been typesetting scales and arpeggios, and I noticed that the
spacing of the eighth note triplets is not constant in the following.
It's not huge, but the triplets in the first half of the first measure
clearly have a wider spacing
Dear Trevor,
o.k. I have an example, to show You, what I mean. It is, unfortunately, not
short, because of the many definitions and so on.
But one can clearly recorgnize, that the barnumbers are at very strange
positions.
This is the example:
version "2.11.34"
global= { override TimeSig.TimeSi
Dear Lilypondusers,
my question is: which is the musicglyph for the Pedal-down-symbol in the
Emmentaler-font?
I tried it with
{c'_markup { musicglyph #"pedal" } }
but nothing happens.
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lilypond-user@gnu.org
> if the # puts lilypond into scheme mode, does that mean that the
> equals-sign in #'merge-differently-headed = ##t is not scheme? if
> it is, then why not #'merge-differently-headed = #t ?
In fairness to Damian, I think his further question was more to
do with the scope of the # scheme int
Hi Damian (et al.),
actually, this confuses me too
There may be a better (and, likely, more accurate) explanation than
the one I'm about to give... but this works for me, so I hope it
helps you. =)
if the # puts lilypond into scheme mode, does that mean that
the equals-sign in #'merge-
Folks, the new LM is designed **exactly** to clarify this kind of
thing. Please take a look at that; if it's unclear, then let's
fix it once in the docs, instead of discussing it on -user every
six months.
I think the exact section is LM 4.2.3, but you should probably
skim through LM 3 and the be
Folks, the new LM is designed **exactly** to clarify this kind of
thing. Please take a look at that; if it's unclear, then let's
fix it once in the docs, instead of discussing it on -user every
six months.
I think the exact section is LM 4.2.3, but you should probably
skim through LM 3 and the be
actually, this confuses me too
if the # puts lilypond into scheme mode, does that mean that the
equals-sign in #'merge-differently-headed = ##t is not scheme? if it
is, then why not #'merge-differently-headed = #t ?
d
On 24 Jan 2008, at 16:06, Mats Bengtsson wrote:
Martin Seng Hin Y
2008/1/24, [EMAIL PROTECTED] <[EMAIL PROTECTED]>:
> Dear Lilypond users,
> after the last e-mails I got always replies like this. What does it mean?
> Sorry for boring You with this question, which has nothing to do with
> lilypond itself.
> - weitergeleitete Nachricht -
>
>
> Subject:
Thank you by the way for this solution - it works beautifully and may
encourage me to learn a bit of Scheme.
> Here's one solution.
>
> \paper{
>
> #(define (print-positive-page-number layout props arg)
>(if (> (chain-assoc-get 'page:page-number props -1) 0)
>(create-page-number-stenc
On Thu, 24 Jan 2008 15:50:33 +0100
John Mandereau <[EMAIL PROTECTED]> wrote:
> IMHO "quarter-flat/sharp" is non-sense and sounds ugly when speaking
> of quarter-tones, and it looks like from emails in this thread that
> "half-sharp" is rarely used. "quarter-tone flat/sharp" is most
> meaningful a
> I don't find if very useful at all. Why would you want negative page
> numbers
> on some pages?
>
>
Well, the purpose would be to have front matter as part of the same file -
such as an instrumentation list and performance notes - but to start page
numbering with the first page of the score, as i
Could you please say what you consider is the 'right'
position and post a small example of your ly code which
shows the bar numbers at 'strange positions'. We should
then be able to help you better.
Trevor D
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:lilypond-user-bounces+
Stan Sanderson wrote:
On Jan 24, 2008, at 5:08 AM, Martin Seng Hin Yew wrote:
Hello list,
The knowledge of programming and scripting, for me, was inadequate
for years. I went 'C' Programming lectures at college (few years ago)
and only learned 10% of the 2 inch thick book (my bad...). Doesn
Dear lilypond-users,
I have a problem with the barnumbers. They very often appear at very strange
positions. I assume, that it has to do with the timeSig, that I use for the
time-signature. What can I do, to have the barnumbers always on the right
position?
Thanks for support,
Stefan
_
Dear Lilypond users,
after the last e-mails I got always replies like this. What does it mean?
Sorry for boring You with this question, which has nothing to do with lilypond
itself.
- weitergeleitete Nachricht -
Subject: The results of your email commands
Date: Do 24 Jan 2008 15:42:3
Martin Seng Hin Yew wrote:
Bertalan Fodor (LilyPondTool) wrote:
Everything beginning with a # is a Scheme-language expression.
So this sets the property called 'merge-differently-headed to the
value #t
#t is the expression meaning true in Scheme.
Hi Bertalan Fodor,
Okay...assume i knew th
That turns lilypond into Scheme mode.
Bert
Martin Seng Hin Yew wrote:
Bertalan Fodor (LilyPondTool) wrote:
Everything beginning with a # is a Scheme-language expression.
So this sets the property called 'merge-differently-headed to the
value #t
#t is the expression meaning true in Scheme.
M
Bertalan Fodor (LilyPondTool) wrote:
Everything beginning with a # is a Scheme-language expression.
So this sets the property called 'merge-differently-headed to the
value #t
#t is the expression meaning true in Scheme.
Martin Seng Hin Yew wrote:
Hi List,
I'm curios to know, what is the mean
Everything beginning with a # is a Scheme-language expression.
So this sets the property called 'merge-differently-headed to the value #t
#t is the expression meaning true in Scheme.
Martin Seng Hin Yew wrote:
Hi List,
I'm curios to know, what is the meaning of "##t" in the
#'merge-differentl
Hi List,
I'm curios to know, what is the meaning of "##t" in the
#'merge-differently-headed = ##t ?
Thank You
Martin Seng
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On Jan 24, 2008, at 5:08 AM, Martin Seng Hin Yew wrote:
Hello list,
The knowledge of programming and scripting, for me, was inadequate
for years. I went 'C' Programming lectures at college (few years
ago) and only learned 10% of the 2 inch thick book (my bad...).
Doesn't know much to cod
Le jeudi 24 janvier 2008 à 09:11 -0500, Kieren MacMillan a écrit :
> When I speak with musicians, I almost always say "a quarter-tone
> flat" -- I rarely (if ever) say "a half-flat" or "a quarter-flat".
> But maybe that's just me...
IMHO "quarter-flat/sharp" is non-sense and sounds ugly when spe
Hi y'all,
"Half-flat" perfectly makes sense, as a flat is a semi-tone and we
want
to name a quarter tone i.e. a half of a half tone). However,
"quarter-flat" may have been already too much used to allow using
anything else...
When I speak with musicians, I almost always say "a quarter-tone
Le mercredi 23 janvier 2008 à 10:55 -0800, Graham Percival a écrit :
> > > 2008/1/22, Graham Percival <[EMAIL PROTECTED]>:
> > >
> > > > I agree; I've never encountered the term "half-flats". But maybe
> > > > it's a European thing? (or a poor translation from the
> > > > appropriate terms in Du
Trevor Daniels wrote:
Hi Martin
You don't say which of the LilyPond manuals you have
read, but we are at the moment preparing a Learning
Manual for the development version of LilyPond (2.11).
If you haven't looked at this, please try the first
four chapters of this. You'll find the most recent
Bertalan Fodor (LilyPondTool) wrote:
I think you should start making music, and if you have some goal to
achieve you don't know how to, search in the manual for it.
Martin Seng Hin Yew wrote:
Hello list,
The knowledge of programming and scripting, for me, was inadequate
for years. I went 'C
Hi Martin
You don't say which of the LilyPond manuals you have
read, but we are at the moment preparing a Learning
Manual for the development version of LilyPond (2.11).
If you haven't looked at this, please try the first
four chapters of this. You'll find the most recent
version at
http://kain
I think you should start making music, and if you have some goal to
achieve you don't know how to, search in the manual for it.
Martin Seng Hin Yew wrote:
Hello list,
The knowledge of programming and scripting, for me, was inadequate for
years. I went 'C' Programming lectures at college (few
Hello list,
The knowledge of programming and scripting, for me, was inadequate for
years. I went 'C' Programming lectures at college (few years ago) and
only learned 10% of the 2 inch thick book (my bad...). Doesn't know much
to code object-oriented programming, like lilypond (i think so...,
A somewhat naive explanation is that something that has a duration (such
as a
note, spacer note or rest) should happen inbetween the \override and
\revert.
/Mats
Paul Scott wrote:
In 2.11.37 NR 6.1.5 mention is made of \revert not working. This
should probably be expanded to explain what
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