Hi,
I have a question regarding beam behavior: With 6/8 rhythm, I have the
following pattern:
1. 2. 3. 4. 5.
x16 x8 x16 x16 x16, usually this pattern starts or finishes one beat(ie.
there's x4. before or after it).
Now I want all five notes tied in one group, but also 3,4,5 tied in a
tripl
Reinhold Kainhofer wrote:
I would definitely not look into item-interface (because that would be sheer
luck to find an interface among the seven listed where a property is
described again in greater detail.
Not at all! If you want to find all properties that can be set
(and not only those
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Am Mittwoch, 12. März 2008 schrieben Sie:
> Reinhold Kainhofer wrote:
> >Am Mittwoch, 12. März 2008 schrieb Andrew Black - lists:
> >>I am a little confused by the following :
> >>
> >> \override Score.BarNumber #'break-visibility = ##(#f #t #
Reinhold Kainhofer wrote:
Am Mittwoch, 12. März 2008 schrieb Andrew Black - lists:
I am a little confused by the following :
\override Score.BarNumber #'break-visibility = ##(#f #t #t)
\override Score.BarNumber #'break-visibility
= #end-of-line-invisible
- wha
David,
Thanks for your reply, but it's not really what I meant.
In flamenco notation it's more common to use the \ltoe and \rtoe symbols
to indicate the direction for a stroke in rasgueado's, abanico's and
alzapua's, without finger symbols 'p', 'i', 'm', 'a' and 'x'. and
without printing the noteh
On Wednesday 12 March 2008 14:56:34 Oscar van Eijk wrote:
> Hi all,
>
> I've seen a few discussions about Flamenco notations, but so far no
> solution I liked.
See
http://www.openguitar.com/alegriasrose.html
I use alphanumeric text markup, without special signs. I have a chart in my
ten easy les
are the rest of you experiencing this?
Yes.
Kieren.
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El Wed, 12 Mar 2008 17:03:44 +0100
Mats Bengtsson <[EMAIL PROTECTED]> escribió:
> I hope you have browsed through the examples in the LSR.
being a newbie, a find the LSR a very valuable source, together with
this mailing list, an indispensable complement to the documentation.
but i'm under the i
Kevin Partington skrev:
http://www.nabble.com/file/p15998012/drum.ly drum.ly
You have:
\new DrumVoice = "1" { s1 *2 }
\new DrumVoice = "2" { s1 *2 }
You need to change the spacings to last for the whole duration of the
piece. If you have 20 measures, write s1*20, etc.
If you do not then
Hi all,
I've seen a few discussions about Flamenco notations, but so far no
solution I liked.
In this example I created a golpe symbol (needs some enhancements, but I
like it so far) and a rasgueado, which can easily be implemented as an
abanico.
Now what I'ld like is a kinda function that allows
So I'm trying to use two voices to write a drum set part for a tune I'm
arranging in Lilypond. I looked at the "Percussion Staves" page in the
tutorial and pretty much did exactly what they did. Instead of combining the
voices onto the same staff as was used earlier for when it was just one
voice,
Mats Bengtsson wrote:
robcanning wrote:
nice work luis!
i have been wondering if lilypond was capable of such things - it
seems it is! :)
pity this stuff is so tricky - would be great to see some of these
fairly standard notation elements made easier to achieve
would be great to see more exa
Am Mittwoch, 12. März 2008 schrieb Andrew Black - lists:
> I am a little confused by the following :
>
> \override Score.BarNumber #'break-visibility = ##(#f #t #t)
> \override Score.BarNumber #'break-visibility
> = #end-of-line-invisible
>
> - what is the default
I am a little confused by the following :
\override Score.BarNumber #'break-visibility = ##(#f #t #t)
\override Score.BarNumber #'break-visibility
= #end-of-line-invisible
- what is the default for before you tweak
- by setting end-of-line-invisible do I set the o
Unfortunately, variables can only be defined at the top level, but
it's not uncommon to see one or several variables used in the definition
of another one.
/Mats
Shadok wrote:
Hi, I am new to LilyPond and I wonder how to use
"local" variables inside a music expression.
I searched the list arc
Hi, I am new to LilyPond and I wonder how to use
"local" variables inside a music expression.
I searched the list archives but did not find
anything.
Something like:
melody = {
c'8 d' e'
% long here
x = {8} % local assignment
\x c \x d \x e % use it
% long after
}
It is easy
Am Dienstag, 11. März 2008 schrieb Han-Wen Nienhuys:
> I have been using Lilypond for only half a year, but I sure enjoy
> it. I have now run into a problem. In the attachment you will see a
> type of clef that is not presently available in your program. A
> neo-mensural c3 is very close but a
robcanning wrote:
nice work luis!
i have been wondering if lilypond was capable of such things - it
seems it is! :)
pity this stuff is so tricky - would be great to see some of these
fairly standard notation elements made easier to achieve
would be great to see more examples of scores people
nice work luis!
i have been wondering if lilypond was capable of such things - it seems
it is! :)
pity this stuff is so tricky - would be great to see some of these
fairly standard notation elements made easier to achieve
would be great to see more examples of scores people have made
exploiting
Risto Vääräniemi wrote:
The manual doesn't mention lyrics, though. Sometimes I'd like to move
a hairpin or similar above the lyrics. How do I do that?
One solution is to use the Dynamics context defined in the template called
"Piano centered dynamics".
/Mats
_
On 12/03/2008, David Bobroff wrote:
> The following short example exhibits a problem I've not been able to
> solve. The rehearsal marks are placed further from the staff than the
> MultiMeasureRestText. I want to keep the rehearsal marks close to the
> staff and have the text further away.
We
Hi David,
I would also like to know if it is still possible to widen the
MultiMeasureRest.
I know this used to be possible with minimumMeasureWidth or something.
Haven't found a reference to anything like that in the current docs.
\override MultiMeasureRest #'minimum-length = #15
wh
hello list,
i can't say i find learning lilypond very easy, but it sure _is_ fun!
BTW, i notice a _huge_ improvement in the documentation compared to the
last time i tried to learn the language. congratulations and a big
thank you to all the people involved. i wish i could contribute
somehow, ho
The following short example exhibits a problem I've not been able to
solve. The rehearsal marks are placed further from the staff than the
MultiMeasureRestText. I want to keep the rehearsal marks close to the
staff and have the text further away. I would also like to know if it
is still poss
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