Am 25.03.2009 um 02:26 schrieb Frederick Dennis:
Dear All,
In the following extract from The Preces and Responses
by John Reading (d. 1692), the tenorTwoSnippet lyric to
has an over-long extender. Adding skips after it makes
the extender even longer. Is there any way of shortening
it?
Can
Hi,
just a minor suggestion. 'h' is already a taken name in deutsch.ly, so everyone
who uses German note names couldn't use your function.
I also learned this just recently.
Regards,
Tao
Original-Nachricht
Datum: Tue, 24 Mar 2009 14:40:55 -0700
Von: Kees van den Doel
Domain Admin m...@mjs-svc.com writes:
If anyone's interested, I've started work on a Sibelius plug-in to
export Lilypond data.
I'm one of the people that have to convert Sibelius scores to Lilypond
on a regular basis.
I use MIDI export from Sibelius, and the MIDI import / Lilypond export
Johan Vromans wrote:
Domain Admin m...@mjs-svc.com writes:
If anyone's interested, I've started work on a Sibelius plug-in to
export Lilypond data.
I'm one of the people that have to convert Sibelius scores to Lilypond
on a regular basis.
I use MIDI export from Sibelius, and the
James E. Bailey a écrit :
I'm having a configure error, and I don't know how to solve it. I get
this:
ERROR: Please install required programs: /Users/lilydev/bin/fontforge
= 20050624 (installed: .fontforge 20080927)
What does 'which fontforge' and '`which fontforge` --version' say?
Could
Am 25.03.2009 um 12:50 schrieb John Mandereau:
James E. Bailey a écrit :
I'm having a configure error, and I don't know how to solve it. I
get this:
ERROR: Please install required programs: /Users/lilydev/bin/
fontforge = 20050624 (installed: .fontforge 20080927)
What does 'which
On Wed, Mar 25, 2009 at 02:37:10PM +0100, James E. Bailey wrote:
Although apropos of nothing, what's the difference between the
instructions in the AU (and on the web-site) on getting the
source code, and the instructions in the CG?
Nothing; they come from exactly the same source. The version
Am 25.03.2009 um 14:41 schrieb Graham Percival:
On Wed, Mar 25, 2009 at 02:37:10PM +0100, James E. Bailey wrote:
Although apropos of nothing, what's the difference between the
instructions in the AU (and on the web-site) on getting the
source code, and the instructions in the CG?
Nothing;
James E. Bailey a écrit :
Am 25.03.2009 um 14:41 schrieb Graham Percival:
Nothing; they come from exactly the same source. The version in
the AU is going to die soon, where soon means within 4 months.
So then why the difference? I should think a one line command to get
the source is easier
On 3/25/09 12:12 AM, James E. Bailey derhindem...@googlemail.com wrote:
Am 25.03.2009 um 02:26 schrieb Frederick Dennis:
Dear All,
In the following extract from The Preces and Responses
by John Reading (d. 1692), the tenorTwoSnippet lyric to
has an over-long extender. Adding skips
Hello,
is there a way to position the fermata below the barline?
I only found :
\mark \markup { \musicglyph #scripts.ufermata }
And
Such objects are only typeset above the top staff of the score;
Hajo
---
... indessen wandelt harmlos droben das Gestirn
attachment:
Oops, to the whole list now...
In response to my own question, one can just set the positions of the
main beam as well, so actually, I think this works rather well. It's
certainly cleaner than Finale... Thanks Trevor for putting me on it
again!
\version 2.12.1
\new Staff { { \oneVoice
Hajo Dezelski wrote:
Hello,
is there a way to position the fermata below the barline?
I only found :
\mark \markup { \musicglyph #scripts.ufermata }
And
Such objects are only typeset above the top staff of the score;
Hajo
You can set the direction of the RehearsalMark object:
\override
Neil Thornock wrote:
Oops, to the whole list now...
In response to my own question, one can just set the positions of the
main beam as well, so actually, I think this works rather well. It's
certainly cleaner than Finale... Thanks Trevor for putting me on it
again!
\version 2.12.1
\new
Hi all,
This is the snippet that gave me the clues:
http://lsr.dsi.unimi.it/LSR/Item?id=402
Even more useful is
http://lsr.dsi.unimi.it/LSR/Item?id=10
If you search the LSR for fermata, it's on the first page of hits. =)
Hope this helps!
Kieren.
Hello,
the first solution produced an error:
Warnung: Zwei gleichzeitige mark-Ereignisse, dieses wird verworfen
The second of the snippet database seems to work. Sorry that I didnt
find the solution. I searched through all manuals and snippets list
and overlook the repository. Next time I know
Grammostola Rosea rosea.grammost...@gmail.com writes:
Did you try to import midi in NtEd? and export it to lily. I thought
the midi import is pretty good of nted, don't know how well the
lilypond export functions works..
NtEd has problems importing the MIDI. It seems to insist on putting
the
Carl D. Sorensen wrote:
Can you give a bit more context? After paring down to just this, I'm having a
little difficulty understand how this problem arises in the actual music. The
extender is so long because there's no text after it, simply adding another
syllable solves that problem. So, I
Am 25.03.2009 um 14:54 schrieb John Mandereau:
James E. Bailey a écrit :
Am 25.03.2009 um 14:41 schrieb Graham Percival:
Nothing; they come from exactly the same source. The version in
the AU is going to die soon, where soon means within 4 months.
So then why the difference? I should
On 3/25/09 12:07 PM, Chris Snyder csny...@adoromusicpub.com wrote:
Carl D. Sorensen wrote:
Can you give a bit more context? After paring down to just this, I'm having
a
little difficulty understand how this problem arises in the actual music.
The
extender is so long because there's no
Robin Bannister schreef:
Kees Serier wrote:
I want to have the percent sign for a duplicate chord in the next
measure (in \chordmode).
I don't know how particular you are. Would this be good enough?
percentCN = \once \override ChordNames.ChordName #'stencil =
Hi all,
This is the snippet that gave me the clues:
http://lsr.dsi.unimi.it/LSR/Item?id=402
Even more useful is
http://lsr.dsi.unimi.it/LSR/Item?id=10
It's not a troll, but i don't think it is very useable in a real music
because the snippet add the Mark_engraver to the second
Hi Gilles (et al.),
It's not a troll, but i don't think it is very useable in a real music
because the snippet add the Mark_engraver to the second Staff, so
you have to do the choice to get also all \mark in both Staff, like
in the example below.
Good point... although that's easy to get
2009/3/23 Kees Serier a.ser...@hccnet.nl:
I changed the two e:m chords for the following: \repeat percent 2 {e:m}
What happens is that in the second measure, instead of the percent sign,
there is nothing (in the MIDI file no chord is played on that measure)
There's no engraver in the
Kees Serier wrote:
but it is the normal percent sign with open zeros,
where the repeat sign has filled zeros
Yes, well, those repeat signs are site-mixed as it were,
and I have no idea how to persuade the contractor to do
an unscheduled job in unfamiliar surroundings.
But I did find
Hi Gilles (et al.),
It's not a troll, but i don't think it is very useable in a real music
because the snippet add the Mark_engraver to the second Staff, so
you have to do the choice to get also all \mark in both Staff, like in
the example below.
Good point... although that's easy to
Hi,
I try to write something like:
poco . . . . . a . . . . . . poco . . . . . . descresc.
ideally it would be one spanner with on two places some text displaying (and
hiding the dashes). What would be a strategy?
Currently I use two spanners, one for 'poco' til the 'other' (but ending in
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