2012/1/17 Martin Tarenskeen :
>> Audacity will do it.
>
>
> I don't thinks so. Audacity does not load/play/convert MIDI files, does it ?
Las time I looked at, it loaded, it didn't play or convert. You can
import a MIDI in a MIDI track for reference only.
--
Francisco Vila. Badajoz (Spain)
www.
On Mon, 16 Jan 2012, Ralph Palmer wrote:
On Mon, Jan 16, 2012 at 6:05 PM, Mátyás Seress wrote:
Hi all,
thank you for the answers for my former question.
I came across a new one: lilypond generates MIDI file. But I would need a
program that converts midi to mp3
or w
I'm using Lilypond to engrave Sor's Op 59 from a 19th century edition,
and it has quite a number of constructs like the below, each of which
puts an entry in the log: "warning: no viable initial configuration
found: may not find good beam slope". Is it possible to suppress these
particular warn
On 01/16/2012 09:41 PM, Paul Scott wrote:
Hi,
Ok, my thread about mmrest-of-length appears to be misguided. I don't think
NR 1.2.6 helped even though it looks like 1.2.6 Aligning to cadenzas is intended
to answer this.
I want to synchronize either a specific value of rest or note with a cadenz
2012/1/17 PMA :
> Thanks for your response. But I see that we are way apart on this.
> Adapting/customizing the result is exactly what I mean to prevent.
> I want these products closed indeed. Naturally, unrealized scoring
> improvements will remain on my head.
But nobody but you can do those im
On Jan 17, 2012, at 2:06 AM, Tim Reeves wrote:
> Mike,
>
> Since a note or rest will add to the length of the measure which I don't
> want to do, could I do the same thing with another object? Maybe an object
> that does not have be "undone" later, like a clef would?
>
>
>
(almost) all obj
On 12-01-16 04:05 PM, Mátyás Seress wrote:
Hi all,
thank you for the answers for my former question.
I came across a new one: lilypond generates MIDI file. But I would
need a program that converts midi to mp3 or wav so that I can operate
with them. Can you help? I already took a look around in
Do you mean by your scores? your compositions or your typesetting of
other's compositions?
Shane
On Mon, Jan 16, 2012 at 9:00 PM, PMA wrote:
> P.S. Selling is not an issue.
>
>
> PMA wrote:
>>
>> Thanks for your response. But I see that we are way apart on this.
>> Adapting/customizing the res
Hi,
Ok, my thread about mmrest-of-length appears to be misguided. I don't think
NR 1.2.6 helped even though it looks like 1.2.6 Aligning to cadenzas is intended
to answer this.
I want to synchronize either a specific value of rest or note with a cadenza.
I would say that mmrest-of-length is not
Sorry about the wrong subject, it was supposed to be this one instead. (I used
another message in the list to extract the To: address and forgot to change the
subject before sending.)
For possible replies, here's the question again.
The "ness" syllables are not aligned to one another, because a
Hello gurus
I already wrote a whole paragraph to describe my problem, but an image is far
simpler. Please see the attached screenshot to get an idea of my problem. The
"ness" syllables are not aligned to one another, because alto and bass are
aligned to a single note, whereas soprano and tenor h
Thanks for your response. But I see that we are way apart on this.
Adapting/customizing the result is exactly what I mean to prevent.
I want these products closed indeed. Naturally, unrealized scoring
improvements will remain on my head.
Francisco Vila wrote:
2012/1/16 PMA:
P.S. By "scores"
P.S. Selling is not an issue.
PMA wrote:
Thanks for your response. But I see that we are way apart on this.
Adapting/customizing the result is exactly what I mean to prevent.
I want these products closed indeed. Naturally, unrealized scoring
improvements will remain on my head.
Francisco Vil
Mike,
Since a note or rest will add to the length of the measure which I don't
want to do, could I do the same thing with another object? Maybe an object
that does not have be "undone" later, like a clef would?
Thanks,
Tim
"m...@apollinemike.com" wrote on 01/16/2012
11:15:53 AM:
> Fro
Janek Warchoł writes:
> I also think that there might be some minors on this mailing list,
> this material isn't appropriate for them too.
I think playing musical instruments nude, in what appears to be an
entirely consensual and non-sexual situation, is entirely appropriate
for minors.
--
\
Hi Harm,
Thomas Morley googlemail.com> writes:
>
> Hi David,
>
> don't know, whether it's abug or not, but try:
>
> \version "2.14.2"
> {
> % no! Problem here
> << { f' e' g' g' } \\ { e' d' d' d' } >> \oneVoice \slurUp d' r4
> }
>
> HTH,
> Harm
>
This looks like it fixes my issue. Tha
Hi David,
2012/1/17 David Liu :
> Hi all,
>
> I seem to be having trouble with rest alignment. The specific case I have is
> pretty specific:
>
> 1. I have a multiple-voice section
> 2. I have /slurUp
> 3. I have a rest, with no rests before this point
>
> In this case, the rest seems to still be
On Mon, Jan 16, 2012 at 6:05 PM, Mátyás Seress wrote:
> Hi all,
>
> thank you for the answers for my former question.
> I came across a new one: lilypond generates MIDI file. But I would need a
> program that converts midi to mp3 or wav so that I can operate with them.
> Can you help? I already t
Hi all,
I seem to be having trouble with rest alignment. The specific case I have is
pretty specific:
1. I have a multiple-voice section
2. I have /slurUp
3. I have a rest, with no rests before this point
In this case, the rest seems to still be high rather than centered, as if
another voice sti
Hi Paul;
2012/1/17 Paul Scott :
> On Mon, Jan 16, 2012 at 03:18:00PM +, Neil Puttock wrote:
>> On 16 January 2012 15:09, Paul Scott wrote:
>>
>> > Agreed. What is the point of NR 1.2.6 and [mmrest|skip]-of-length at all?
>>
>> It is pretty pointless. This has popped up before, and I suggest
2012/1/16 Keith OHara :
> Most of the challenge in getting this to compile is using the separate
> command-line program "make" to feed the correct files to Lilypond.
> I do not recommend this one as an example of using LilyPond.
I do, as long as you have many files with many dependencies, and as
l
2012/1/17 Mátyás Seress :
> But I would need a
> program that converts midi to mp3 or wav so that I can operate with them.
> Can you help? I already took a look around in the internet but only found
> trial/fake versions that are free and couldn't find a sufficient one. Any
> idea?
I think Winamp
Hi all,
thank you for the answers for my former question.
I came across a new one: lilypond generates MIDI file. But I would need a
program that converts midi to mp3 or wav so that I can operate with them.
Can you help? I already took a look around in the internet but only found
trial/fake version
On Mon, Jan 16, 2012 at 03:18:00PM +, Neil Puttock wrote:
> On 16 January 2012 15:09, Paul Scott wrote:
>
> > Agreed. What is the point of NR 1.2.6 and [mmrest|skip]-of-length at all?
>
> It is pretty pointless. This has popped up before, and I suggested
> last time not to use \cadenzaOn s
2012/1/16 Mátyás Seress :
> Hi all,
>
> I've got a problem, which is: if I put '\arpeggio' after a chord, and create
> a MIDI file, then it doesn't play like that. It remains to be a simple
> chord. (I'm trying to do this with "acoustic guitar (nylon)" and "acoustic
> guitar (steel)" )
>
> Can anyb
2012/1/16 PMA :
> P.S. By "scores" I mean only PDFs (not also their .ly sources).
Publish the sources along the scores. Without the sources the user can
not adapt/customize the result, can not study how are they made and
nobody learns a bit. Your work is yours and you deserve attribution,
but un
On Mon, Jan 16, 2012 at 11:25:01PM +0100, Janek Warchoł wrote:
> 2012/1/16 Graham Percival :
> > On Mon, Jan 16, 2012 at 11:05:03AM +0100, Nils wrote:
> >> Are you serious? This was the most harmless picture you can imagine.
> >
> > I find nothing objectionable about it, but we should bear in mind
2012/1/16 Graham Percival :
> On Mon, Jan 16, 2012 at 11:05:03AM +0100, Nils wrote:
>> Are you serious? This was the most harmless picture you can imagine.
>
> I find nothing objectionable about it, but we should bear in mind
> that cultural norms vary quite a bit; Europeans are generally much
> mo
P.S. By "scores" I mean only PDFs (not also their .ly sources).
PMA wrote:
Hi List.
I'm considering posting my scores on WIMA (now via ISMLP),
and would much appreciate comment from any of you who
have had experience in going that route.
Most especialy, I'm wondering what regrets you may have
On Mon, 16 Jan 2012 13:59:24 -0500
wrote:
> (Sorry, meant to post this to whole list.)
>
> So then, in the current version I'm running (2.14.2), are those
> escaped strings ( \pieceTocTitle, \pieceToc, and \includeScore )
> invalid commands?
Please do at least some minimal search before askin
On 17/01/12 03:05, Pavel Roskin wrote:
On Mon, 16 Jan 2012 10:52:28 -0500
wrote:
It also seems to be choking on each of the various occurrences of the
strings \pieceTocTitle , \pieceToc , and \includeScore
and so it continues for many lines. I do finally get an output PDF,
but it only conta
Hi David,
2012/1/16 David Kastrup :
> Thomas Morley writes:
[...]
>> I'd prefer not to insert \indexItems into the music. So Jan-Peter's
>> proposal fits more to my needs.
>
> I suppose I don't understand what you are trying to do then.
sorry, I should have written, that I wish to place \indexIt
Neil,
On 16 January 2012 15:18, Neil Puttock wrote:
> On 16 January 2012 15:09, Paul Scott wrote:
>
>> Agreed. What is the point of NR 1.2.6 and [mmrest|skip]-of-length at all?
>
> It is pretty pointless.
Should we be using something different in this example then?
I don't really understand t
On Mon, Jan 16, 2012 at 08:47:38AM -0700, Paul Scott wrote:
> On 01/16/2012 08:18 AM, Neil Puttock wrote:
> >On 16 January 2012 15:09, Paul Scott wrote:
> >
> >>Agreed. What is the point of NR 1.2.6 and [mmrest|skip]-of-length at all?
> >It is pretty pointless. This has popped up before, and I s
Stan Sanderson writes:
> ... and please don't think that, despite earlier comments, you are the
> only OS X LilyPond user out there!
Or the only one top-posting with a totally useless fullquote below.
Please don't quote anything that you are not _actively_ referring to.
--
David Kastrup
Keith OHara oco.net> writes:
> LilyPond source files may
> define their own commands, and mutopiaproject entry defines many commands.
Sorry; skipped a word.
"and this particular item from mutopiaproject defines many of its own
commands."
___
lilyp
nc.rr.com> writes:
> So then, in the current version I'm running (2.14.2), are those
> escaped strings ( \pieceTocTitle, \pieceToc, and \includeScore )
> invalid commands?
>
They are not defined by LilyPond (any version). LilyPond source files may
define their own commands, and mutopiaproje
On Jan 16, 2012, at 8:10 PM, Tim Reeves wrote:
>> Message: 3
>> Date: Sat, 14 Jan 2012 02:41:34 +0100
>> From: Hans Aikema
>> To: Tim Reeves
>> Cc: lilypond-user@gnu.org
>> Subject: Re: caesura but not as a breath mark
>> Message-ID: <4f10dd4e.6030...@aikebah.net>
>> Content-Type: text/plain; ch
> Message: 3
> Date: Sat, 14 Jan 2012 02:41:34 +0100
> From: Hans Aikema
> To: Tim Reeves
> Cc: lilypond-user@gnu.org
> Subject: Re: caesura but not as a breath mark
> Message-ID: <4f10dd4e.6030...@aikebah.net>
> Content-Type: text/plain; charset=ISO-8859-1; format=flowed
>
> On 14-1-2012 0:54,
(Sorry, meant to post this to whole list.)
So then, in the current version I'm running (2.14.2), are those escaped strings
( \pieceTocTitle, \pieceToc, and \includeScore ) invalid commands? --- Begin Message ---
So then, in the current version I'm running (2.14.2), are those escaped strings
( \
On 16 Jan 2012, at 17:53, m...@apollinemike.com wrote:
>> Well, the OS X version I have of lilypond I have is version 2.14.2-1. I
>> used to use lilypond on my debian box, so I myself am more accustomed to the
>> CL-based interface. I would hope there was some way of running it that way
>> on
>
>
>> Consider adding line breaks or notes before the markup note - then you
>> always need to adjust the line width depending on the horizontal position
>> at which the markup note is displayed.
>>
> I have no idea how to get the line-width of the actual measure (I even
> believe the text
... and please don't think that, despite earlier comments, you are the only OS
X LilyPond user out there!
Stan
On Jan 16, 2012, at 10:57 AM, wrote:
> Many thanks, Mike!
>
> "m...@apollinemike.com" wrote:
>> On Jan 16, 2012, at 5:50 PM, wrote:
>>
>>> Well, the OS X version I have of l
Many thanks, Mike!
"m...@apollinemike.com" wrote:
> On Jan 16, 2012, at 5:50 PM, wrote:
>
> > Well, the OS X version I have of lilypond I have is version 2.14.2-1. I
> > used to use lilypond on my debian box, so I myself am more accustomed to
> > the CL-based interface. I would hope t
On Jan 16, 2012, at 5:50 PM, wrote:
> Well, the OS X version I have of lilypond I have is version 2.14.2-1. I used
> to use lilypond on my debian box, so I myself am more accustomed to the
> CL-based interface. I would hope there was some way of running it that way
> on OS X (?). I think I
Well, the OS X version I have of lilypond I have is version 2.14.2-1. I used
to use lilypond on my debian box, so I myself am more accustomed to the
CL-based interface. I would hope there was some way of running it that way on
OS X (?). I think I may have converted it to 2.14.2 just now, but
writes:
>> David Kastrup wrote:
>>> writes:
>>>
>>> > Is this a case of version mismatch? All I can find so far is that the
>>> > files were posted to Mutopia in December of 2009.
>>>
>>> Have you tried running
>>>
>>> convert-ly -ed
>>>
>>> on the files?
>
> I think so--I'm using th
On Mon, 16 Jan 2012 10:52:28 -0500
wrote:
> It also seems to be choking on each of the various occurrences of the
> strings \pieceTocTitle , \pieceToc , and \includeScore
>
> and so it continues for many lines. I do finally get an output PDF,
> but it only contains "Messiah," "Table of Content
I think so--I'm using the version for Mac OS X, and there's a menu option under
"Compile" that says 'update syntax'. I suppose this accomplishes the same
thing?
-Mark
David Kastrup wrote:
> writes:
>
> > Is this a case of version mismatch? All I can find so far is that the
> > files w
writes:
> Is this a case of version mismatch? All I can find so far is that the
> files were posted to Mutopia in December of 2009.
Have you tried running
convert-ly -ed
on the files?
--
David Kastrup
___
lilypond-user mailing list
lilypond-user
Hi, I'm new to the list, but an old casual dabbler in Lilypond.
I have been tasked with coming up with some arranged brass parts for a quartet
of 2 trumpets, trombone and tuba + organ for my church's Easter service.
I only need to do the Hallelujah chorus from Messiah, of course, and have
alread
On 01/16/2012 08:18 AM, Neil Puttock wrote:
On 16 January 2012 15:09, Paul Scott wrote:
Agreed. What is the point of NR 1.2.6 and [mmrest|skip]-of-length at all?
It is pretty pointless. This has popped up before, and I suggested
last time not to use \cadenzaOn since multi-measure rests need
On 16 January 2012 15:23, Mátyás Seress wrote:
> I've got a problem, which is: if I put '\arpeggio' after a chord, and create
> a MIDI file, then it doesn't play like that. It remains to be a simple
> chord. (I'm trying to do this with "acoustic guitar (nylon)" and "acoustic
> guitar (steel)" )
>
Hi all,
I've got a problem, which is: if I put '\arpeggio' after a chord, and
create a MIDI file, then it doesn't play like that. It remains to be a
simple chord. (I'm trying to do this with "acoustic guitar (nylon)" and
"acoustic guitar (steel)" )
Can anybody help me with that?
Thank you!
Mat
On 16 January 2012 15:09, Paul Scott wrote:
> Agreed. What is the point of NR 1.2.6 and [mmrest|skip]-of-length at all?
It is pretty pointless. This has popped up before, and I suggested
last time not to use \cadenzaOn since multi-measure rests need timing
information (mainly measureLength) to
On 01/16/2012 01:57 AM, - wrote:
in the NR they write:
"Aligning to cadenzas
In an orchestral context, cadenzas present a special problem: when
constructing a score that
includes a measured cadenza or other solo passage, all other instruments
should skip just as
many notes as the length of the c
On 01/16/2012 01:34 AM, David Kastrup wrote:
Paul Scott writes:
That works but my actual cadenza is longer than 8 eighth notes. When I add
another eighth note and put the \cadenza On and Off back in the MMR
disappears
again. Even putting 9/8 for that example doesn't help.
I have no clue wha
ornello wrote:
>
> Thanks for the suggestion. I already knew about the \wordwrap command but
> I was thinking of something where I do not have to specify a fixed line
> width.
>
you should have asked for that.
> Consider adding line breaks or notes before the markup note - then you
> always
On 01/15/2012 06:22 AM, Gilles wrote:
>> However, I have been unable to suppress dynamics from the left hand in
>> the piano accompaniment.
>
> Well, i can not exactly explain why, but apparently the good manner to
> do is
>
> %% good
>\partcombine
> \new Voice \with
Hi Thomas,
BTW: I thought the 2.15.24-define-music-function not always needs to
return music.
http://lilypond.org/doc/v2.15/Documentation/changes-big-page.html
"The construct #{ … #} can now be used not just for constructing
sequential music lists, but also for single music events, void music
e
David Kastrup writes:
> Thomas Morley writes:
>>
>> Did I misunderstood (because of my insufficient english-skills)?
>
> I don't see where you get the impression that anything constructed via
> #{ ... #} is fit for returning from a music function.
Talk about insufficient English skills. Make t
Thomas Morley writes:
> Hi David,
>
> thanks for your reply, following your suggestion leads to a syntax like
>
> \version "2.15.24"
>
> \bookpart {
> \score {
> \new Staff
> \indexItems "Symphony No. 5#Ludwig van Beethoven"
>
Definitely fixed in the latest development version - 2.15.24
Phil Holmes
- Original Message -
From: Caio Barros
To: Xavier Scheuer
Cc: m...@apollinemike.com ; lilypond-user
Sent: Monday, January 16, 2012 11:49 AM
Subject: Re: Fermata collides with tuplet bracket
m us
m using version 2.14.2 as stated in the code I sent. If it's fixed, then
great!
I'm not sure either if it is the bracket or the fermata which should move
up. I think I already see both.
2012/1/14 Xavier Scheuer
> On 14 January 2012 21:24, Caio Barros wrote:
> > Hi everybody.
> > I don't know i
Hi David,
2012/1/16 David Kastrup :
> Thomas Morley writes:
>
>> % full code -> attached file
>>
>> indexItems =
>> #(define-music-function (parser location text) (markup?)
>> (let* ((text-rev (if (string? text)
>> text
>> (markup->string text)))
Thanks for the suggestion. I already knew about the \wordwrap command but I
was thinking of something where I do not have to specify a fixed line width.
Consider adding line breaks or notes before the markup note - then you
always need to adjust the line width depending on the horizontal position
On Mon, Jan 16, 2012 at 11:36:27AM +0100, Nils wrote:
>
> P.S. And many of the new visitors were from this list. I guess this would be
> the clergy :) Next time I will aim for the doubled increase by not using
> grown women but boys.
That final remark? *Not* appropriate for this mailing list.
On Mon, 16 Jan 2012 10:15:17 +
Graham Percival wrote:
> On Mon, Jan 16, 2012 at 11:05:03AM +0100, Nils wrote:
> > Are you serious? This was the most harmless picture you can imagine.
>
> I find nothing objectionable about it, but we should bear in mind
> that cultural norms vary quite a bit;
2012/1/16 Wilbert Berendsen :
> - lilypond can be run untranslated (in the C locale)
many thanks!
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Hi all,
2.0.2 is released which mainly fixes some Windows bugs:
- snippet import/export now works in installer version
- convert-ly works
- stopping LilyPond now works
other improvements:
- the PDF and MIDI now always update correctly, also when 'save doc on
compile' is checked.
- "manage templ
Nils writes:
> Are you serious? This was the most harmless picture you can imagine.
http://xkcd.com/883/>
Anyway, I checked the video source, and it appeared to me that their
outfit was not necessarily the most pressing reason for performance
anxiety.
I've stooped to performing in drag myself
On Mon, Jan 16, 2012 at 11:05:03AM +0100, Nils wrote:
> Are you serious? This was the most harmless picture you can imagine.
I find nothing objectionable about it, but we should bear in mind
that cultural norms vary quite a bit; Europeans are generally much
more accepting of nudity than North Amer
Are you serious? This was the most harmless picture you can imagine.
On Sun, 15 Jan 2012 22:41:47 +0100
Janek Warchoł wrote:
> 2012/1/11 Nils :
> > I knew it! Lilypond and naked girls make a good combination. [link deleted]
>
> This isn't appropriate on this mailing list. Please don't post suc
Thomas Morley writes:
> % full code -> attached file
>
> indexItems =
> #(define-music-function (parser location text) (markup?)
> (let* ((text-rev (if (string? text)
> text
> (markup->string text)))
>
> (args (string-split text-rev #\#))
>
ornello wrote:
>
> Simple question but I did not find it in the forum:
> Is it possible to let LilyPond automatically wrap instrument names and
> markups that do not fit on the page (see following example)?
>
> {
> \new Staff {
> \set Staff.instrumentName = "long instrument name"
> c1 c1 c
Hi Jan-Peter
2012/1/16 Jan-Peter Voigt :
> Am 16.01.2012 09:37, schrieb Jan-Peter Voigt:
>
> Hi Thomas,
>
>
> --snip--
> indexItems =
> #(define-music-function (parser location text) (markup?)
> (let* ((text-rev (if (string? text)
> text
> (markup->s
Simple question but I did not find it in the forum:
Is it possible to let LilyPond automatically wrap instrument names and
markups that do not fit on the page (see following example)?
{
\new Staff {
\set Staff.instrumentName = "long instrument name"
c1 c1 c1 c1 c1 c1 c1 c1
c1 ^ \markup { l
in the NR they write:
"Aligning to cadenzas
In an orchestral context, cadenzas present a special problem: when
constructing a score that
includes a measured cadenza or other solo passage, all other instruments
should skip just as
many notes as the length of the cadenza, otherwise they will start
Am 16.01.2012 09:37, schrieb Jan-Peter Voigt:
Hi Thomas,
--snip--
indexItems =
#(define-music-function (parser location text) (markup?)
(let* ((text-rev (if (string? text)
text
(markup->string text)))
(args (string-split text-rev #\#))
Hi Thomas,
the problem with summarizing this functionality is, that you get
'SequentialMusic or 'SimultaneousMusic in your first approach and
lilypond creates a score context for that.
The second approach fails, because only the last (make-music 'EventChord
... 'LabelEvent ...) is returned as
Paul Scott writes:
> That works but my actual cadenza is longer than 8 eighth notes. When I add
> another eighth note and put the \cadenza On and Off back in the MMR
> disappears
> again. Even putting 9/8 for that example doesn't help.
I have no clue what you are trying to do here. The whole
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