Hi all,
I seem to be having trouble with rest alignment. The specific case I have is
pretty specific:
1. I have a multiple-voice section
2. I have /slurUp
3. I have a rest, with no rests before this point
In this case, the rest seems to still be high rather than centered, as if
another voice
Hello,
On 16 January 2012 23:05, Mátyás Seress serima...@gmail.com wrote:
Hi all,
thank you for the answers for my former question.
I came across a new one: lilypond generates MIDI file. But I would need a
program that converts midi to mp3 or wav so that I can operate with them.
Can you
Hello,
On 17 January 2012 03:45, Frank Steinmetzger war...@gmx.de wrote:
Hello gurus
I already wrote a whole paragraph to describe my problem, but an image is far
simpler. Please see the attached screenshot to get an idea of my problem.
The
ness syllables are not aligned to one another,
Nick Payne nick.pa...@internode.on.net writes:
I'm using Lilypond to engrave Sor's Op 59 from a 19th century edition,
and it has quite a number of constructs like the below, each of which
puts an entry in the log: warning: no viable initial configuration
found: may not find good beam slope.
Thank you..:)
On Sat, Jan 14, 2012 at 10:12 PM, Christopher R. Maden cr...@maden.orgwrote:
On 01/14/2012 02:45 PM, Stjepan Horvat wrote:
is there a possibility to swing the midi ouput in lilypond..so when i
write a c8 c, would sound like \times 2/3 {c8 r c}..?!
You can try my hack at URL:
I do it as a 2-stage process:
timidity music.midi -Ow -o music.wav
lame music.wav music.mp3
On 17 January 2012 07:54, Francisco Vila paconet@gmail.com wrote:
2012/1/17 Martin Tarenskeen m.tarensk...@zonnet.nl:
Audacity will do it.
I don't thinks so. Audacity does not
Hello,
Is there a possibility to output more \score {} into one midi output.
for example,
\score {
\new Staff {
\relative c' { c4 d e f g a b c }
}
\midi {}
}
\score {
\new Staff {
\relative c' { c4 d e f g a b c }
}
\midi {}
}
\score {
\new Staff {
\relative c' { c4 d e
Thank you for the answers, I already could solve the problem. I attached
the torrent file. This directly converts MIDI to mp3 or wav or whatever.
Best regards,
Mat
2012/1/17 Gerry Prosser ge...@chalkblue.co.uk
I do it as a 2-stage process:
timidity music.midi -Ow -o music.wav
lame
On Tue, 17 Jan 2012, James wrote:
http://thebigbyte.blogspot.com/2009/11/how-to-convert-midi-to-mp3-using.html
Remember the quality of the MP3 file will depend on (at least) 2 things:
1. The quality of the soundfont (.sf2) or GUS (Gravis UltraSound) patches.
You need a Soundfont with a GM
Hello,
2012/1/17 Stjepan Horvat zvanste...@gmail.com:
Hello,
Is there a possibility to output more \score {} into one midi output.
No but see:
http://lists.gnu.org/archive/html/lilypond-user/2011-11/msg00218.html
--
--
James
___
lilypond-user
Pavel Roskin pro...@gnu.org wrote:
On Mon, 16 Jan 2012 13:59:24 -0500
mr...@nc.rr.com wrote:
(Sorry, meant to post this to whole list.)
So then, in the current version I'm running (2.14.2), are those
escaped strings ( \pieceTocTitle, \pieceToc, and \includeScore )
invalid
Oh -- all *my* compositions. Sorry, I should have thought to specify this.
Shane Brandes wrote:
Do you mean by your scores? your compositions or your typesetting of
other's compositions?
Shane
On Mon, Jan 16, 2012 at 9:00 PM, PMApeterarmstr...@aya.yale.edu wrote:
P.S. Selling is not an
PMA peterarmstr...@aya.yale.edu writes:
Oh -- all *my* compositions. Sorry, I should have thought to specify
this.
Well, you said you don't care about royalties. So apparently what you
do care about is artistic integrity. The question is how you can
achieve your goals while providing a
Francisco Vila wrote:
2012/1/17 PMApeterarmstr...@aya.yale.edu:
Thanks for your response. But I see that we are way apart on this.
Adapting/customizing the result is exactly what I mean to prevent.
I want these products closed indeed. Naturally, unrealized scoring
improvements will remain on
David Kastrup wrote:
PMApeterarmstr...@aya.yale.edu writes:
Oh -- all *my* compositions. Sorry, I should have thought to specify
this.
Well, you said you don't care about royalties. So apparently what you
do care about is artistic integrity. The question is how you can
achieve your goals
PMA peterarmstr...@aya.yale.edu writes:
David Kastrup wrote:
If your work was worth writing, it will certainly also be worth
thinking about the form in which you consider it best to make it
available.
All the best
Thank you David, I will digest all this.
Thanks for caring!
--
David
Francisco Vila wrote:
2012/1/17 Martin Tarenskeen m.tarensk...@zonnet.nl:
Audacity will do it.
I don't thinks so. Audacity does not load/play/convert MIDI files, does it ?
Las time I looked at, it loaded, it didn't play or convert. You can
import a MIDI in a MIDI track for reference only.
On Sun, 2012-01-15 at 20:26 -0500, PMA wrote:
Hi List.
I'm considering posting my scores on WIMA (now via ISMLP),
and would much appreciate comment from any of you who
have had experience in going that route.
Make sure your midi, if any, has a copyright notice. Lilypond does
not put one in
On 16 Jan 2012, at 02:26, PMA wrote:
I'm considering posting my scores on WIMA (now via ISMLP),
and would much appreciate comment from any of you who
have had experience in going that route.
Most especialy, I'm wondering what regrets you may have
faced after agreeing to the diluted
David Raleigh Arnold wrote:
On Sun, 2012-01-15 at 20:26 -0500, PMA wrote:
Hi List.
I'm considering posting my scores on WIMA (now via ISMLP),
and would much appreciate comment from any of you who
have had experience in going that route.
Make sure your midi, if any, has a copyright notice.
2012/1/17 PMA peterarmstr...@aya.yale.edu:
David Raleigh Arnold wrote:
On Sun, 2012-01-15 at 20:26 -0500, PMA wrote:
Hi List.
I'm considering posting my scores on WIMA (now via ISMLP),
and would much appreciate comment from any of you who
have had experience in going that route.
Make
On 17-1-2012 11:29, Mátyás Seress wrote:
Thank you for the answers, I already could solve the problem. I
attached the torrent file. This directly converts MIDI to mp3 or wav
or whatever.
Best regards,
Mat
Mat,
using the software from your torrent is not the wisest choice of course:
- it
Hello all
I'm trying to make a scheme function that generates a keyboard with
black and white dots for showing specific chord layouts
The code below compiles and produces the keyboard figure
I then call a function (make-dot key) which works fine. What I really
want is
(make-dot-list '(1 5 8))
On Mon, 16 Jan 2012 23:52:28 +0100
Janek Warchoł janek.lilyp...@gmail.com wrote:
2012/1/16 Mátyás Seress serima...@gmail.com:
Hi all,
I've got a problem, which is: if I put '\arpeggio' after a chord,
and create a MIDI file, then it doesn't play like that. It remains
to be a simple
On Tue, 17 Jan 2012, Tim Roberts wrote:
The MIDI file says clarinet plays
an Ab quarter note here, but it does not dictate what a clarinet sounds
like, or what its attack/decay envelope sounds like.
It's even worse: the MIDI file says The instrument with program change
number xxx (which
On 17 January 2012 21:02, PMA peterarmstr...@aya.yale.edu wrote:
Your last sentence here hits on *the* issue in my original post.
Why indeed would I...? But it seems that, to post on ISMLP/
WIMA, one *must* commit to public-domain-like status.
I wish that was true!!
As a Free Culture
On Tue, 17 Jan 2012 10:11:16 -0500
mr...@nc.rr.com wrote:
I believe Lilypond developers take backward compatibility seriously
and would not just remove an internal command without adding code to
convert-ly to convert it to the new syntax.
I never implied any such thing. I confess I did
Hi there,
How can I manually adjust the space between a barline and the first note in
the bar? I'm using proportional spacing with some grace notes attached to
the first note in the bar, and the grace notes are colliding with the
barline (because proportional spacing is putting the first note
Thanks Hans. As I (don't really) understand, ISMLP requires
a contributor of copyrighted materials to agree to their being
licensed *as* public domain.
Obviously for a clear view, I've got more homework ahead
Hans Aberg wrote:
On 16 Jan 2012, at 02:26, PMA wrote:
I'm considering
Hi Paul,
2012/1/17 Paul Scott waterho...@ultrasw.com:
On 01/16/2012 09:41 PM, Paul Scott wrote:
Hi,
Ok, my thread about mmrest-of-length appears to be misguided. I don't
think
NR 1.2.6 helped even though it looks like 1.2.6 Aligning to cadenzas is
intended
to answer this.
I want to
Francisco Vila wrote:
2012/1/17 PMApeterarmstr...@aya.yale.edu:
David Raleigh Arnold wrote:
On Sun, 2012-01-15 at 20:26 -0500, PMA wrote:
Hi List.
I'm considering posting my scores on WIMA (now via ISMLP),
and would much appreciate comment from any of you who
have had experience in going
On Tue, Jan 17, 2012 at 5:54 PM, PMA peterarmstr...@aya.yale.edu wrote:
Thanks Hans. As I (don't really) understand, ISMLP requires
a contributor of copyrighted materials to agree to their being
licensed *as* public domain.
IMSLP allows submission of items in the public domain and items under
Xavier Scheuer wrote:
On 17 January 2012 21:02, PMApeterarmstr...@aya.yale.edu wrote:
Your last sentence here hits on *the* issue in my original post.
Why indeed would I...? But it seems that, to post on ISMLP/
WIMA, one *must* commit to public-domain-like status.
I wish that was true!!
Jay Anderson wrote:
On Tue, Jan 17, 2012 at 5:54 PM, PMApeterarmstr...@aya.yale.edu wrote:
Thanks Hans. As I (don't really) understand, ISMLP requires
a contributor of copyrighted materials to agree to their being
licensed *as* public domain.
IMSLP allows submission of items in the public
On 1/17/12 2:30 PM, Morten Jagd Christensen morte...@jcaps.com wrote:
Hello all
I'm trying to make a scheme function that generates a keyboard with
black and white dots for showing specific chord layouts
The code below compiles and produces the keyboard figure
I then call a function (make-dot
On 18/01/12 11:54, PMA wrote:
Thanks Hans. As I (don't really) understand, ISMLP requires
a contributor of copyrighted materials to agree to their being
licensed *as* public domain.
Well, from the FAQ on the IMSLP web site: All scores submitted to IMSLP
either belong to the public domain, or
On 01/17/2012 08:21 PM, PMA wrote:
What I want -- irony and caricature aside -- is to have my finished
scores accessible, freely available for download performance, and
meanwhile reasonably protected from desecration. From your words I
gather that, with regard to any public site, this a
37 matches
Mail list logo
