2015-05-14 13:44 GMT+02:00 Peter Gentry peter.gen...@sunscales.co.uk:
I am trying to write an include file that will modify a music object
dependent on the specified instrument.
I am trying to write a function that will call the current music object and
a user supplied argument string/number
Am 14.05.2015 um 15:07 schrieb N. Andrew Walsh:
So, I really want to use ScholarLy for my current project (the OE has
typos and mistakes, they need to be noted, etc).
I cloned the entire git repository into a subdirectory of my
~/.lilypond directory, and have the following in my master .ly
So, I really want to use ScholarLy for my current project (the OE has typos
and mistakes, they need to be noted, etc).
I cloned the entire git repository into a subdirectory of my ~/.lilypond
directory, and have the following in my master .ly file for the project:
\include openlilylib
I have seen the error of my ways...
My previous use of a function needed just a music object this was simply the
following music expression in my case an include file
of notes.
When the function has an additional parameter this must come after the music
not immediately after the
Phil, et al,
On Thu, May 14, 2015 at 2:58 AM, Phil Holmes-2 [via Lilypond]
ml-node+s1069038n176560...@n5.nabble.com wrote:
Yes, yes, yes, yes:
{
\new Voice = melody \repeat unfold 20 { c''4 c' c c''' }
\new Lyrics \lyricsto melody { \set stanza = #Key One \repeat unfold 20
{ la } }
Hi Urs,
I solved my issue by adding the full path to one of my .ily files and
including that at the top of the master. Now it works great. Such a nice
system!
Now: would these colors be preserved in a printed PDF output? How can I
change them? It's nice to have them in frescobaldi's preview
Am 14.05.2015 um 18:02 schrieb N. Andrew Walsh:
Hi Urs,
I solved my issue by adding the full path to one of my .ily files and
including that at the top of the master. Now it works great. Such a
nice system!
Now: would these colors be preserved in a printed PDF output? How can
I change
At 14:57 on 14 May 2015, Peter Gentry wrote:
I have seen the error of my ways...
My previous use of a function needed just a music object this was
simply the following music expression in my case an include file of
notes.
When the function has an additional parameter this must come after the
Date: Thu, 14 May 2015 16:01:34 +0100
From: Mark Knoop m...@opus11.net
To: Lilypond User List lilypond-user@gnu.org
Subject: Re: Music function problem
Message-ID: 20150514160134.292179f6@brahms.leipzig
Content-Type: text/plain; charset=US-ASCII
At 14:57 on 14 May 2015, Peter Gentry wrote:
I'm not top posting.
Is there an easier way to get an ossia Staff without SystemStart than
following code?
I'm thinking of something like SystemStartBar #'allow-span-bar = ##f
\version 2.19.17
\new Staff = ossia \with {
\remove Time_signature_engraver
\hide Clef
Am 14.05.2015 um 23:46 schrieb Simon Albrecht:
Hello,
sometimes, if something is very difficult to achieve in Lilypond, it’s
just not a very good idea to do. This is one of those cases: Lily has
a knack of wanting to produce output complying to usual notation
standards, and it would be
Hello,
sometimes, if something is very difficult to achieve in Lilypond, it’s
just not a very good idea to do. This is one of those cases: Lily has a
knack of wanting to produce output complying to usual notation
standards, and it would be perfectly normal to have the span bar span
the ossia
This is the solution that worked for me. One problem I had was that if the
note goes over a bar line (as in the first example), the bar line is drawn
before you specify the bar type, and you get two bar lines (see second
example).
In the third example, I set the defaultBarType before specifying
I am trying to write an include file that will modify a music object dependent
on the specified instrument.
I am trying to write a function that will call the current music object and a
user supplied argument string/number with the object
of modifying the music object depending on the supplied
On 2015-05-14 05:09, Murray-Luke Peard wrote:
[...]
One is to use the Mensurstriche layout, which has bar lines between
staves but not through them. My preferred option is to move the barline
up or down if the note is low or high, and split it if the note is in
the middle.
I've been able to
Alexander:
On 2015-05-14 05:09, Murray-Luke Peard wrote:
[...]
One is to use the Mensurstriche layout, which has bar lines between
staves but not through them. My preferred option is to move the barline
up or down if the note is low or high, and split it if the note is in
the middle.
Am 14.05.2015 um 10:45 schrieb k...@aspodata.se:
Alexander:
On 2015-05-14 05:09, Murray-Luke Peard wrote:
[...]
One is to use the Mensurstriche layout, which has bar lines between
staves but not through them. My preferred option is to move the barline
up or down if the note is low or high,
Yes, yes, yes, yes:
{
\new Voice = melody \repeat unfold 20 { c''4 c' c c''' }
\new Lyrics \lyricsto melody { \set stanza = #Key One \repeat unfold 20
{ la } }
\new Lyrics \lyricsto melody { \set stanza = #Key Two \repeat unfold 20
{ _ } \repeat unfold 60 { la } }
}
--
Phil Holmes
2015-05-14 8:51 GMT+02:00 Alexander Kobel n...@a-kobel.de:
On 2015-05-14 05:09, Murray-Luke Peard wrote:
[...]
One is to use the Mensurstriche layout, which has bar lines between
staves but not through them. My preferred option is to move the barline
up or down if the note is low or high,
Hi,
just as a side-note: Research now agrees that contrary to common belief
renaissance _scores_ (1) had full barlines, with notes reaching beyond
these being split and connected using ties. I’ve not quite come to a
conclusion if I want to adopt this practice (as e.g. the new series of
Lasso
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